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ULTRA-Q PRO PEQ2200

Parametric equalizers can be used both as separate signal processors and in combination with conventional

graphic 1/3-oct. equalizers, for example, in a sound reinforcement system: while the 1/3-oct. equalizer does

the “rough” correction of the overall frequency response, the ULTRA-Q PRO could be used to fine-tune the

sound.
“Notching out” specific interference frequencies and narrow-band resonances (uncontrolled frequency peaks)

is one of the ULTRA-Q PRO’s major tasks: by tuning the EQ in to the precise trouble frequency, interference

such as hum and noise caused by air conditioners, etc. can be eliminated without affecting adjacent frequency

ranges. Basic acoustic problems usually encountered in studios and stage systems can be solved elegantly

with the ULTRA-Q PRO.
Owing to the special parallel filter configuration, the filter functions of the BEHRINGER ULTRA-Q PRO can be

combined to achieve a greater boost/cut of amplitudes than with one single filter. To do so, simply adjust two

filters to the same center frequency and bandwidth. With both LEVEL controls set to their left or right stop

position, the amount of amplitude cut or boost is doubled.
It has proven useful in practice to start with all controls set to mid-travel position and all IN/OUT switches OUT,

so as to avoid even before powering up the system that applied input signals with high amplitudes are raised in

level by the ULTRA-Q PRO and hence lead to distortion or damage in subsequent devices or speakers, or to

annoying feedback in PA systems caused by improper basic settings.
Once the filter curve of your choice has been set, it can be necessary to correct the overall level. If the filter

setting used raises the overall level, you can use the INPUT control to lower it again and avoid possible

distortion.
When the overall level is lowered by the filter setting, the INPUT control allows for raising it by a maximum

amount of +20 dB. Use the adjacent IN/OUT switch for a direct A/B comparison, so that you can estimate the

required amount of level compensation.

6.2 On phase shift and time delay

Any analog filter, be it graphic or parametric, produces a certain amount of phase shift.
Particularly in narrow-band filters this phase shift leads to specific delay of the audio signal: the narrower the

filter and the higher the gain, the greater the time delay. In certain applications, the effect on the sound image

can be annoying.
Although the ULTRA-Q PRO, owing to its unique concept, produces considerably less phase shift and hence

time delay than conventional parametric equalizers, this effect should nevertheless be taken into account.

+

Please also note that filters show a natural tendency to produce a “ringing” sound as their

bandwidth is narrowed, an effect that is caused by system-intrinsic noise modulation that

occurs with any kind of filter. It is therefore recommended that you set all filters not in use to a

mid-travel position or simply switch them off to minimize these side effects as effectively as

possible.

6.3 Using a frequency analyzer

A frequency analyzer matching the ULTRA-Q PRO in that it provides the same narrow bandwidth (1/30 or 0.03

octaves) is a perfect tool to find optimum filter settings. If such a device is not available, a conventional 1/3-oct.

analyzer will do the job. For example, to reduce the risk of feedback in a sound reinforcement system, while

raising the overall level, you can use the 1/3-oct. frequency bands of the analyzer to identify the feedback

resonance frequency. Now, select the same frequency on the ULTRA-Q PRO using the FREQUENCY control,

set the BANDWIDTH control to its left stop position (minimum bandwidth) and cut the amplitude by 6-10 dB.

Switch on the filter and fine-tune the center frequency until feedback disappears. Then, raise the amplitude just

below the feedback-producing level. In this way, you can control the resonance frequency, while affecting

adjacent frequencies (and hence the overall sound image) to the least extent possible.
If you have a spectrum analyzer available with a resolution better than 1/12-octave, you can identify the

resonance frequency with much greater precision, which makes it easier to set up the ULTRA-Q PRO.

6. APPLICATIONS

Содержание PEQ2200

Страница 1: ...ULTRA Q PRO PEQ2200 www behringer com User s Manual Version 1 2 September 2001 ENGLISH...

Страница 2: ...appliances including amplifiers that produce heat Power Source The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the applianc...

Страница 3: ...you because you are the most important member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful...

Страница 4: ...cies s In out switch plus adjustable bandwidth per frequency band bandwidth 0 03 octave 2 octaves s Widely overlapping frequency bands allow extreme attenuation or boost s Extremely accurate 12 segmen...

Страница 5: ...oduction 11 5 2 The Constant Q principle 12 5 3 The concept of parallel filters 12 5 4 Filter functions 12 5 4 1 The notch function 12 5 4 2 The roll off function 13 6 APPLICATIONS 13 6 1 Introduction...

Страница 6: ...nal audio tools of highest quality It will certainly pay to invest some time to study their functioning principle and get a feel for the way in which they can be used to modify the program material Th...

Страница 7: ...and silently bypasses the unit in the event of power supply disconnection or failure This relay is also active at switch on to isolate the ULTRA Q PRO until the power rails have settled thus preventi...

Страница 8: ...ng the fuse holder by 180 CAUTION this instruction does not apply to export models exclusively designed e g for 115 V operation Please refer to the specifications for detailed information about specif...

Страница 9: ...eve have to be bridged at the stereo plug 1 Ground Shield 2 hot ve 3 cold ve For unbalanced use pin 1 and pin 3 have to be bridged Fig 3 2 Different plug types Never use unbalanced XLR connections wit...

Страница 10: ...treme boost settings in combination with a high input level can overload the unit In such a case the input level must be reduced with the INPUT control 4 The INPUT control determines the input level a...

Страница 11: ...he technical properties of both parametric equalizers and narrow band notch filters Owing to its variable bandwidth ranging from 0 03 to 2 octaves it is much more flexible than conventional EQs It s i...

Страница 12: ...ilter curve can be calculated by adding subtracting the single band specific filter curves 5 3 The concept of parallel filters Unlike conventional parametric equalizers the ULTRA Q PRO features a para...

Страница 13: ...allow for setting all filter parameters such as center frequency bandwidth and amplitude The possibility of determining both the bandwidth and center frequency as well as frequency boost cut in five s...

Страница 14: ...can estimate the required amount of level compensation 6 2 On phase shift and time delay Any analog filter be it graphic or parametric produces a certain amount of phase shift Particularly in narrow b...

Страница 15: ...specific speaker systems or simply to modify sounds dramatically telephone voice All of these applications have been quite difficult to realize up to now In practice broad band frequency correction is...

Страница 16: ...ion of vocals Important to speech intelligibility Too much boost between 2 and 4 kHz can mask certain speech sounds e g m b and v can become indistinguishable Too much boost anywhere between 1 and 4 k...

Страница 17: ...strings and percussion 630 to 1k Fundamentals and harmonics of strings keyboards and percussion Boosting the 600 to 1 kHz range can make instruments sound horn like 1 25k to 4k Drums guitar accentuat...

Страница 18: ...should start ringing This does not mean that such settings should generally not be used often enough they cannot be avoided if the room acoustics are poor Nevertheless you should always try to change...

Страница 19: ...ifferent delay times In such a case the ULTRA Q PRO should be inserted before the delay line unit In complex sound reinforcement systems comprising different speakers located in varying acoustic envir...

Страница 20: ...kHz band 2 60 Hz to 1 kHz band 3 150 Hz to 2 5 kHz band 4 500 Hz to 8 kHz band 5 1 kHz to 20 kHz Bandwidth variable 0 03 to 2 octaves FUNCTION SWITCHES Audio in out relay controlled hard wire bypass...

Страница 21: ...ithin 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in...

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