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11

EURORACK UB1622FX

-PRO

/UB1832FX

-PRO

/UB2222FX

-PRO

/UB2442FX

-PRO

LEVEL SETTING:

When recording to digital recorders, the recorder’s meter should

not go into overload. This is because, unlike analog recordings,

it takes only slightly excessive levels to create unpleasant digital

distortion.

When  recording  to  analog,  the  VU  meters  of  the  recording

machine should reach approx. +3 dB with low-frequency signals

(e.g. kick drum). Due to their inertia, VU meters tend to display

too low a signal level at frequencies above 1 kHz. You should

only  drive  instruments  such  as  a  Hi-Hat  as  far  as  -10 dB.

Snare drums should be driven to approx. 0 dB.

+

The  peak  meters  of  your  EURORACK  display  level

almost  independent  of  frequency.  A  recording  level

of  0  dB  is  recommended  for  all  types  of  signal.

MODE

The 

MODE

  switch  determines  whether  the  channels’  SOLO

switch operates as PFL (Pre Fader Listen) or as solo (Solo In

Place).

LEVEL SET (PFL)

To activate the PFL function, press the MODE switch. The PFL

function should, as a rule, be used for level setting (TRIM). The

signal is sourced pre-fader and assigned to the mono PFL bus. In

“PFL” mode, only the left side of the peak meter is in operation. A

PFL’d channel should be driven to the 0 dB mark of the VU meter.

NORMAL (SOLO)

When the MODE switch is not depressed, the stereo solo bus

is active. Solo is actually short for “Solo In Place”. This is the

customary  method  for  listening  to  an  individual  signal  or  to  a

group of signals. As soon as a solo switch is pressed, all channels

not solo selected are muted in th e monitor path (control room

and  phones).  A  channel’s  position  in  the  stereo  image  is

maintained. The solo bus carries the output signals of the channel

pan controls, the aux sends and the stereo line inputs. On the

UB2442FX-PRO

 all aux returns, and on the 

UB1832FX-PRO

 only

aux return 2 can be routed to the solo bus. The solo bus is, as a

rule,  taken  post-fader.

+

The  PAN  control  in  the  channel  strip  offers  a

constant  power  characteristic.  This  means  that  the

signal  is  always  at  a  constant  level,  irrespective  of

position  in  the  stereo  panorama.  If  the  PAN  control

is  moved  fully  left  or  right,  the  level  in  that  channel

increases  by  4  dB.  This  ensures  that,  when  set  at

the  center  of  the  stereo  image,  the  audio  signal

does  not  appear  louder.  For  this  reason,  with  the

solo function activated (Solo in Place), audio signals

from channels with PAN controls that have not been

moved  fully  left  or  right  are  displayed  at  a  lower

volume  than  in  the  PFL  function.

As  a  rule,  solo  signals  are  monitored  via  the  control  room

outputs  and  headphones  jack  and  are  displayed  by  the  level

meters.  If  a  solo  switch  is  pressed,  the  signals  from  the  tape

input, the subgroups and the main mix are cut from these outputs

and the level meter.

MAIN SOLO

The 

MAIN SOLO

 LED lights up as soon as a channel or aux

send solo switch is pressed. The MODE switch must be set to

“Solo”.

PFL

The 

PFL

 LED indicates that the peak meter is set to PFL mode.

Fig. 2.17: PHONES jack

PHONES jack

You  can  connect  headphones  to  this  1/4"  stereo  jack

(UB2442FX-PRO:  2  phones  jacks).  The  signal  routed  to  the

PHONES

 connection is the same as that routed to the control

room output.

2.3.11 Subgroups and main mix fader

You use the high-precision quality faders to control the output

level of the subgroups and the main mix.

LEFT/RIGHT  switch

The switches located above the subgroup faders assign the

subgroup signal either to the left or right side of the main bus.

Similarly, it can be routed to both sides or none at all. In the latter

case, the submix is present only at the corresponding subgroup

outputs.

UB2442FX-PRO

LEFT

LEFT

RIGHT

RIGHT

10

10

10

10

15

15

20

20

25

25

30

30

40

40
60

60

0

00

00

10

10

10

10

15

15

20

20

25

25

30

30

40

40
60

60

0

00

00

SUBGROUPS

SUBGROUPS

MAIN MIX

MAIN MIX

1

5

LEFT

LEFT

RIGHT

RIGHT

2

6

LEFT

LEFT

RIGHT

RIGHT

3

7

LEFT

LEFT

RIGHT

RIGHT

4

8

MAIN

MAIN

MIX

MIX

Fig. 2.18: Subgroup and main mix faders

 3. GRAPHIC 9-BAND EQUALIZER

(UB1832FX-PRO only)

Fig. 3.1: The graphic stereo equalizer of the UB1832FX-PRO

The graphic stereo equalizer allows you to tailor the sound to

the room acoustics.

EQUALIZER

Use this switch to activate the graphic equalizer.

MAIN MIX/MONITOR

This toggles the graphic equalizer between the main mix and the

monitor mix. With the switch up (not depressed), the equalizer is

active in stereo on the main mix, and inactive on the monitor mix.

When the switch is depressed the equalizer is active in mono

on the monitor mix, and inactive on the main mix.

FBQ FEEDBACK DETECTION

The switch turns on the FBQ Feedback Detection

System. It uses the LEDs in the frequency band

faders  to  indicate  the  critical  frequencies.  On  a

per-need  basis,  lower  the  frequency  range  in

 3. GRAPHIC 9-BAND EQUALIZER (UB1832FX-PRO only)

All manuals and user guides at all-guides.com

all-guides.com

Содержание EURORACK UB1622FX-PRO

Страница 1: ...Version 1 3 June 2004 User s Manual EURORACK UB1622FX PRO UB1832FX PRO UB2222FX PRO UB2442FX PRO ENGLISH All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 2: ...e of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third pro...

Страница 3: ...is simple to use you ll soon appreciate that I both personally and in my capacity as musician and sound engineer put you the end user first and that these products were only possible because of the p...

Страница 4: ...designed to give you both an overview of the controls as well as detailed information on how to use them In order to help you understand the links between the controls we have arranged them in groups...

Страница 5: ...se so as to be entitled to benefit from our extended warranty Alternatively you can use our online registration option available on the world wide web www behringer com You will find the serial number...

Страница 6: ...riven too high If this happens back off the TRIM control and if necessary check the setting of the channel EQ meter you have to press the SOLO switch and set the MODE switch in the main section to PFL...

Страница 7: ...ontrols have the same characteristics as the EQ in the mono channels Both mid range bands are of the peak filter type A stereo EQ is superior to two mono EQs on a stereo signal as two separate EQs wil...

Страница 8: ...ixed with any dry channel signal UB1622FX PRO and UB1832FX PRO On these consoles this function is performed by the AUX SEND 2 control FX SOLO You can use the SOLO switch to separately monitor the aux...

Страница 9: ...ols for monitor mix with effect STEREO AUX RETURN FX On consoles UB1622FX PRO and UB1832FX PRO this is the STEREO AUX RETURN 2 on consoles UB2222FX PRO and UB2442FX PRO this is the STEREO AUX RETURN 3...

Страница 10: ...and carry the main mix signal unbalanced Connect this to the inputs of your recording device The final output level can be adjusted via the high precision MAIN MIX fader If you connect a compressor or...

Страница 11: ...nction activated Solo in Place audio signals from channels with PAN controls that have not been moved fully left or right are displayed at a lower volume than in the PFL function As a rule solo signal...

Страница 12: ...vocal track enhanced with reverb in parallel to a dry vocal track when doing the mix down later on you can freely determine the amount of reverb added The UB2442FX PRO has the effect output on the rea...

Страница 13: ...ate mains cable is supplied with the equipment POWER switch Use the POWER switch to turn on the mixing console The POWER switch should always be in the Off position when you are about to connect your...

Страница 14: ...Use either mono plugs or use stereo plugs to link the ring and shaft or pins 1 3 in the case of XLR connectors Fig 6 2 XLR connections Caution You must never use unbalanced XLR connectors PIN 1 and 3...

Страница 15: ...nce approx 240 symm 120 unbalanced Max output level 28 dBu 22 dBu UB1622FX PRO Control room outputs Type 1 4 TS connector unbalanced Impedance approx 120 Max output level 22 dBu Headphones outputs Typ...

Страница 16: ...are not covered by this warranty s improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals s connection or operation of...

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