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11

EURORACK  UB1222FX

-PRO

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Connect  microphones  before  you  switch  on  the

phantom  power  supply.  Please  do  not  connect

microphones  to  the  mixer  (or  the  stagebox/

wallbox)  while  the  phantom  power  supply  is

switched  on.  In  addition,  the  monitor/PA

loudspeakers  should  be  muted  before  you  activate

the  phantom  power  supply.  After  switching  on,

wait  approx.  one  minute  to  allow  for  system

stabilization.

LEVEL METER/CLIP

The  high-precision  level  meter  accurately  displays  the

appropriate signal level.

LEVEL SETTING:

When recording to a digital device, the recorder’s peak meter

should not exceed 0 dB. This is because, unlike analog recordings,

slightly excessive levels can create unpleasant digital distortion.

When  recording  to  an  analog  device,  the  VU  meters  of  the

recording  machine  should  reach  approx.  +3  dB  with  low-

frequency signals (e.g. kick drum). Due to their inertia VU meters

tend to display too low a signal level at frequencies above 1 kHz.

This is why, for example, a Hi-Hat should only be driven as far

as -10 dB. Snare drums should be driven to approx. 0 dB.

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The peak meters of your EURORACK display the level

virtually  independent  of  frequency.  A  recording  level

of  0  dB  is  recommended  for  all  signal  types.

2.4 Graphic 7-band equalizer

Fig. 2.15:  The  graphic  stereo  equalizer

The graphic stereo equalizer allows you to tailor the sound to

the room acoustics.

FBQ FEEDBACK DETECTION

The switch turns on the FBQ Feedback Detection System.  It

uses  the  LEDs  in  the  frequency  band  faders  to  indicate  the

critical  frequencies. On  a  per-need  basis,  lower  the  frequency

range  in  question  somewhat  in  order  to  avoid  feedback.  The

graphic stereo equalizer has to be turned on in order to use this

function.

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Logically,  at  least  one  (ideally  several)  microphone

channels  have  to  be  open  for  feedback  to  occur  at

all!

Feedback  is  particularly  common  when  stage  monitors

(“wedges”)  are  concerned,  because  monitors  project  sound  in

the direction of microphones. Therefore, you can also use the

FBQ Feedback Detection for monitors by placing the equalizer in

the monitor bus (see MAIN MIX/MONITOR).

EQ IN

Use  this  switch  to  activate  the  graphic  equalizer.  When

activated, the fader LEDs will illuminate.

MAIN MIX/MONITOR

This toggles the graphic equalizer between the main mix and the

monitor mix. With the switch up (not depressed), the equalizer is

active in stereo on the main mix, and inactive on the monitor mix.

When the switch is depressed the equalizer is active in mono

on the monitor mix, and inactive on the main mix.

2.5 Rear view of UB1222FX-PRO

Fig. 2.16: Voltage supply and fuse

FUSE HOLDER/IEC MAINS RECEPTACLE

The console is connected to the mains via the cable supplied,

which meets the required safety standards. Blown fuses must

only  be  replaced  by  fuses  of  the  same  type  and  rating.  The

mains connection is made via a cable with IEC mains connector.

An appropriate mains cable is supplied with the equipment.

POWER

Use the 

POWER

 switch to power up the mixing console. The

POWER switch should always be in the “Off” position when you

are about to connect your unit to the mains.

To disconnect the unit from the mains, pull out the main cord

plug. When installing the product, ensure that the plug is easily

accessible. If mounting in a rack, ensure that the mains can be

easily disconnected by a plug pull or by an all-pole disconnect

switch on or near the rack.

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Attention:  The  POWER  switch  does  not  fully

disconnect  the  unit  from  the  mains.  Unplug  the

power  cord  completely  when  the  unit  is  not  used

for  prolonged  periods  of  time.

PHANTOM

The 

PHANTOM

  switch  activates  the  phantom  power  supply

for  the  XLR  microphone  inputs,  which  is  required  to  operate

condenser  microphones.  The  red 

+48  V

  LED  lights  up  when

phantom power is on. As a rule, dynamic microphones can still

be  used  with  phantom  power  switched  on,  provided  that  they

are wired in a balanced configuration. In case of doubt, contact

the microphone manufacturer!

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Connect  microphones  before  you  switch  on  the

phantom  power  supply.  Please  do  not  connect

microphones  to  the  mixer  (or  the  stagebox/

wallbox)  while  the  phantom  power  supply  is

switched  on.  In  addition,  the  monitor/PA

loudspeakers  should  be  muted  before  you  activate

the  phantom  power  supply.  After  switching  on,

wait  approx.  one  minute  to  allow  for  system

stabilization.

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Caution!  You  must  never  use  unbalanced  XLR

connectors  (PIN  1  and  3  connected)  on  the  MIC

input  connectors  if  you  want  to  use  the  phantom

power  supply.

SERIAL NUMBER

Please  take  the  time  to  fill  out  and  return  the  warranty  card

within 14 days after the date of purchase. This will entitle you to

benefit from our extended warranty. Alternatively, you can use

our  online  registration  option  available  on  the  world  wide  web

(www.behringer.com).  You  will  find  the  serial  number  on  the

rear of your mixing console.

2. CONTROL ELEMENTS AND CONNECTORS

All manuals and user guides at all-guides.com

all-guides.com

Содержание Eurorack UB1222FX-PRO

Страница 1: ...Version 1 0 October 2003 User s Manual ENGLISH EURORACK UB1222FX PRO All manuals and user guides at all guides com a l l g u i d e s c o m ...

Страница 2: ...oduce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect ...

Страница 3: ...trim control s Effective extremely musical 3 band EQ plus switchable low cut filter on all mono channels s Inserts on each mono channel for flexible connection of outboard equipment s 12 high headroom line inputs s Standby switch mutes all mic channels during breaks while background music is provided via CD tape or line inputs s State of the art 4580 operational amplifiers provide lowest noise and...

Страница 4: ...e of those people who have devoted themselves body and soul to your chosen area and no doubt this has trans formed you into an expert in your field Well for over 30 years my passion has been music and electronics This not only led me to establish BEHRINGER but also enabled me to convey and share my enthusiasm with my employees During all the years that I ve been involved with studio technology and...

Страница 5: ...x Direct Injection or the output of a sound card or a keyboard often have to be adjusted to the operating level of your mixing console Frequency response correction Using the equalizers found in each channel strip you can simply quickly and effectively adjust the way a signal sounds Effects mixing In addition to the effects processor contained in your mixer using the insert connectors on the mono ...

Страница 6: ... pre aux send Unlike reverb or other effects devices whose signals are usually added to the dry signal dynamic processors are most effective on the complete signal In this case aux send paths are a less than perfect solution It is better to interrupt the signal path and insert a dynamic processor and or equalizer After processing the signal is routed back to the console at precisely the same point...

Страница 7: ...t signal you shouldn t turn this control all the way to the left oo Don t have the FX MUTE switch pressed and you should also not have the FX SEND fader pulled down 2 1 4 Pan mute switch and channel fader Fig 2 4 Channel fader and additional control elements PAN The PAN control determines the position of the channel signal within the stereo image This control features a constant power characterist...

Страница 8: ...tanding of the channel strips we now look at the mixing console from left to right The signals are so to speak collected from one point on each of the channel strips and then routed to the main section all together 2 3 1 Monitor send and FX send channels Fig 2 6 Aux send controls of the main section A channel signal is routed to the MON ITOR send bus if the MON control is turned up on the correspo...

Страница 9: ...ol of the channel being used as an effects return should be turned fully counter clockwise otherwise feedback problems can occur 2 3 4 CD tape return channel voice canceller and connection socket Fig 2 9 CD tape return channel This channel intended especially for connecting stereo signal sources CD players DAT recorders or even sound cards features a particularly practical feature the VOICE CANCEL...

Страница 10: ...amplifiers Often limiters are already built into active crossovers e g BEHRINGER SUPER X PRO CX2310 and ULTRADRIVE PRO DCX2496 Active crossovers are implemented directly before the power amplifier and they divide the frequency range into several segments that are first amplified in the amplifiers and then passed onto the corresponding loudspeakers Recording For mastering using a stereo compressor ...

Страница 11: ... the main mix and inactive on the monitor mix When the switch is depressed the equalizer is active in mono on the monitor mix and inactive on the main mix 2 5 Rear view of UB1222FX PRO Fig 2 16 Voltage supply and fuse FUSE HOLDER IEC MAINS RECEPTACLE The console is connected to the mains via the cable supplied which meets the required safety standards Blown fuses must only be replaced by fuses of ...

Страница 12: ...ssor is muted via the footswitch In chapter 4 2 you will find an illustration showing how to connect your footswitch correctly Fig 3 3 Digital Effects module and XPQ Surround Function control elements LEVEL The LED level meter on the effects module should display a sufficiently high level Take care to ensure that the clip LED only lights up at peak levels If it is lit constantly you are overloadin...

Страница 13: ...mono plugs or ensure that ring and sleeve are bridged inside the stereo plug or pins 1 3 in the case of XLR connectors Caution You must never use unbalanced XLR connectors pins 1 and 3 connected on the MIC inputs if you intend to use the phantom power supply Fig 4 2 XLR connections Fig 4 3 1 4 TS connector Fig 4 4 1 4 TRS connector Fig 4 5 Insert send return 1 4 TRS connector Fig 4 6 1 4 TRS conne...

Страница 14: ... Low 80 Hz 15 dB Mid 2 5 kHz 15 dB High 12 kHz 15 dB Low cut 80 Hz 18 dB oct EQ stereo channels Low 80 Hz 15 dB Mid 2 5 kHz 15 dB High 12 kHz 15 dB MON FX send Type 1 4 TS connector unbalanced Impedance approx 120 Ω Max output level 22 dBu Aux returns Type 1 4 TRS connector unbalanced Impedance approx 10 kΩ Max input level 22 dBu Main outputs Type XLR electronically balanced Impedance approx 240 Ω...

Страница 15: ...ons tubes and similar parts 4 Damages defects caused by the following conditions are not covered by this warranty s improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals s connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the p...

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