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ARTURIA – MOOG MODULAR V – USER’S MANUAL
In the low position, the synchronization is said to be “hard”, which is to say that the synchronized
oscillator will restart a cycle for every cycle on the synchronizing oscillator.
In the high position, the synchronization is said to be “soft”, and in this case, the synchronized os-
cillator will only restart its cycle if it is coming to the end of the cycle when the synchronizing oscil-
lator begins its cycle.
Remark: a connected oscillator is active and consumes calculation power. It is therefore necessary to verify that the con-
nected oscillators are in use. Similarly, a group of oscillators disconnected from the keyboard by the “keyb” interrupter is
permanently active.
5.1.3 Filters
The Moog Modular V possesses 3 filter modules. It is possible to choose one of four types of filter for
each of the modules: a low-pass 24 dB/octave (type 904A), a high-pass 24dB/octave (type 904B), a
band cut and band pass 24 dB/octave (type 904C) and finally a multi-mode 12 dB/octave filter.
Clicking on the name of the module and selecting the filter from the menu proposed does the type
change.
All of these filters possess internal connections to simplify the use of keyboard follows, portamento,
pitch bend and sequencer.
To avoid having to manage the tuning of the keyboard follow with the amplitude of the modulation
input, with a display we can choose if a keyboard follow is to be used and which one. This keyboard
follow is done to get a correct pitch from the keyboard. Depending on the configuration of the cho-
sen keyboard follow, the portamento and the pitch bend will be applied or not to this filter.
The functioning is the same for the sequencer outputs (1 to 4) controlling the tuning of the cut-off
frequency of this filter. In the “no” follow position, the filter is independent of the notes played on
the keyboard. In the same manner, set to the “no” sequencer position, the filter is disconnected
from the sequencer output.
It is still possible to connect a keyboard follow or a sequencer output to a modulation input obtain-
ing a tuning as fine as necessary.
5.1.3.1 Low pass 24dB Filter (904A)
Low pass 24dB Filter
Frequency
Resonance
Audio Output
Audio Input
Modulation inputs
Sequencer choice
Keyboard follow
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