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MDS-8
Section I
5
Harp
Typical hand-plucked stringed Harp.
Handbells Typical
English handbell sound.
GREAT ORGAN:
Lieblichgedackt 16’
Softer stopped flute of delicacy and definition. Useful where a
soft 16’ pitch is required.
Diapason 8’
Foundation stop of the Great principal chorus, which consists of
the Diapason 8’, Octave 4’, and Superoctave 2’.
Rohrflöte 8’
Full-bodied, partially stopped flute tone.
Flute Celeste II (8’)
Two soft flute tones, one slightly detuned from the other, that
create a warm celeste.
Octave 4’
The 4’ member of the Great principal chorus.
Spitzflöte 4’
Partially stopped flute tone.
Superoctave 2’
An open metal stop that produces foundation tone at the 2’ pitch
level.
Mixture IV
A compound stop of principal tones. Four notes in octave and
fifth relationships sound together when a single key is depressed.
As pitches progress upward, they “break” back to the next lower
octave or fifth. Used to cap the Great principal chorus, adding
brilliance and pitch definition throughout the entire compass.
Chimes
Typical Tubular Chimes expressed with the Great Shoe.
Tremulant
Operates the same as the Tremulant in Swell, but affects stops in
the Great division. It will not couple to the pedal voices.
Swell to Great
This intermanual coupler allows Swell division stops to be
played from the Great manual.
MIDI on Great
Opens MIDI channel to Great manual and division.
Classic Voicing Gt/Pd See Section II, Solo Voices and Second Voices.
GENERAL STOPTABS:
Bass Coupler
When this coupler is used,
the lowest note played on the Great
manual
will automatically key any Pedal voice, playing those