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XONE:92

 User Guide 

MIDI Control of External Devices 

MIDI

 is short for Musical Instrument Digital Interface conceived in the 1980’s so that 

keyboards and other electronic instruments could have a common interface allowing 
them to communicate with each another.  Applications now include sound and lighting 
consoles,  computer sequencing, show control and performance effects control.  The 

XONE:92

 is unique in being the first DJ mixer to include MIDI functionality.  Equipped 

with a MIDI out socket, 

XONE:92

 allows the DJ to control other external MIDI devices 

from featured front panel controls.  This adds to the unique combination of creative tools 
available to the DJ.

 

XONE:92

 can be used to remotely control effects units, sequencers, drum machines etc 

via MIDI providing the unit you wish to control is compatible with the MIDI controller 
codes generated.  Most computer sequencing programs allows you to map different 
controller codes to virtually any function within the software, so providing the greatest 
flexibility of control.  Refer to the user guide of the device or program you wish to use to 
check for compatibility. The default MIDI channel used is 16, but this can be changed 
internally to 15 if required.  

 

Basic Setup 

Connect MIDI OUT from the 

XONE:92

 to the MIDI IN of the device you wish to control. 

Use a standard 5-pin MIDI lead. Set the device MIDI channel number to 16 (or 15 if the 

XONE:92

 has been changed internally). Refer to the device user guide for further details. 

If you want to use the 

XONE:92

 as a master clock, for instance with a drum machine or 

sequencer, you need to set the device to receive External MIDI clocks.  Once again you 
need to refer to the relevant user guide. 

For a more detailed description of how to set up specific software/effects units etc please 
log on to our web site at  

www.xone.co.uk/midi_apps.html

  This will be updated from 

time to time as more applications and compatible devices are included. 

 

XONE:92 as a Master Tempo Controller 

Using the 

XONE:92

 to sync an external sequencer or drum machine to a pre-recorded 

source takes practice, but once learned can be achieved quite quickly, and is a great 
way to add your own loops, patterns and so on to your favourite tracks. 

Once you have got the device to respond to the 

XONE:92

 master MIDI clock and 

stop/start button, use the following method: 

Set the Tempo/Data control  1   to its center (detented) position, with the Stop/Start 
button 2  OFF.  Tap in the tempo of the track you want to sync to, using the VCF 2 LFO 
Tap Tempo  button  3    Accuracy here is very important, try to tap in the beat as 
precisely as possible; you will find that you get more adept the more you practice.  Once 
you have a near approximation of the tempo, hit the Start button to set off the sequencer 
on the first beat of a bar. 

Depending on how accurately you have tapped in the beat the sequence should play in 
sync for a short while, but will probably drift after a few seconds.  If the tempo is too fast, 
turn the Tempo/Data control anti-clockwise to slow down the MIDI clock, if it is too slow, 
turn it clockwise to speed it up.  After each adjustment restart the sequencer until the 
clock speed has been set to match the beat and maintain synchronisation.  The 
Tempo/Data control has finer effect on clock speed in and around its center position, and 
greater effect as it is rotated towards either end. For this reason the more accurate tap 
tempo you start with the easier it will be to fine tune to stay in sync. 

Remember to always return the Tempo/Data control to the center position before tapping 
in a new BPM.  

 

Содержание XONE 92

Страница 1: ...USER GUIDE Publication AP5345...

Страница 2: ...com Limited One Year Warranty This product has been manufactured in the UK by ALLEN HEATH and is warranted to be free from defects in materials or workmanship for period of one year from the date of p...

Страница 3: ...ot remove or tamper with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet...

Страница 4: ...control surface scratching the surface with sharp objects or rough handling and vibration Environment Protect from excessive dirt dust heat and vibration when operating and storing Avoid tobacco ash s...

Страница 5: ...or simply to chat about matters audio To help us provide the most efficient service please keep a record of your console serial number and date and place of purchase to be quoted in any communication...

Страница 6: ...EMES CARACTERISTIQUES FUSE MIX 1 LEFT RIGHT PHONO LINE INPUT 100 240V AC MAINS IN 47 63Hz 30W MAX L L BOOTH 4 MIDI OUT AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR WARNING THIS APPARATUS MUST BE EARTH...

Страница 7: ...DJ with a new level of live performance creativity These are very similar to those found on classic analogue synths but benefit from modern quiet and stable technology Use these to sweep the sound by...

Страница 8: ...USE WITH SAME TYPE AND RATING 100 240V T500mAL 250V 20mm OFF SERIAL No 0 I ON CAUTION ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES FUSE MIX 1 LEFT RIGHT PHONO LINE INPUT 100 240V...

Страница 9: ...possible from the XONE 92 depending on MIDI controller compatibility Refer to each devices user guide for details of its MIDI setup The stereo return On switches can be used to drop an effect or delay...

Страница 10: ...RIAA equalisation 3 Plug in the headphones Plug into either of the top panel headphones sockets Use the best headphones you can afford for your application We recommend the professional grade closed e...

Страница 11: ...set by the channel gain control This is the ideal setting with meters averaging 0dB so giving the best signal to noise performance while maintaining plenty of headroom to avoid clipping 10 Listen to t...

Страница 12: ...toggles push the toggle to the left for filter 1 and to the right for filter 2 Activate the filter by pressing the FILTER ON switch The blue led light pipe lights to show that the filter is active Ch...

Страница 13: ...mally operate near the top of their travel Make sure the amplifier speaker system has been correctly calibrated for the loudest volume required at the fader top position Boosting the EQ 2 also adds ga...

Страница 14: ...art with you are less likely to experience problems Do not remove the earth connection from the console mains plug The console chassis is connected to mains earth through the power cable to ensure you...

Страница 15: ...y cause signal cancellation effects Where long cables runs are required balanced interconnections should be used However interconnections between more affordable 2 wire signal ground unbalanced equipm...

Страница 16: ...BE EARTHED TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE APPARATUS TO RAIN OR MOISTURE WARNING FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING 100 240...

Страница 17: ...put RCA phono This provides a music only output not affected by the main mix fader Connect to a stereo recorder such as MD DAT or cassette to record the show Use CABLE A with or without adapters or a...

Страница 18: ...t to the device follows the fader level The processed wet signal returned to the mix elsewhere is therefore in proportion to the direct dry signal regardless of fader position This could for example b...

Страница 19: ...ing can enhance the intelligibility of vocals On the other hand some situations may require cutting to notch out a ringing frequency so increasing gain before feedback MID 2 This is similar to MID 1 b...

Страница 20: ...r has no affect on the Aux level Post fade sends are typically used to send channel signals to effects devices such as reverb or delay processors The amount of signal sent to the device follows the fa...

Страница 21: ...when cutting This prevents accumulated gain when all EQ controls are fully clockwise MID 2 This is similar to MID 1 but affects the lower mid frequencies centred at 350Hz Boosting can enhance the war...

Страница 22: ...er produces a DC control voltage which determines the signal level of the VCAs The voltage is filtered to prevent any audible noise clicks or scratchiness resulting should the fader track become worn...

Страница 23: ...ating range and more control over the filter response to create unlimited combinations of tonal effect Two stereo VCFs are provided one either side of the crossfader Each can be switched in or out has...

Страница 24: ...REQ can now be controlled by the FREQ VCF sweep control of FILTER 1 This can be used to synchronise the cut off point of both filters For instance assign Channel 1 to Filter 1 and Channel 2 to Filter...

Страница 25: ...e mix Progressively rotate the VCF control anticlockwise to bring in the bass 12 BPF Press this switch to select the band pass filter Frequencies above and below the cut off point are removed leaving...

Страница 26: ...too sensitive for the operating level of the console With the controls set to their maximum positions adjust the input level trim of connected equipment for the loudest level allowed In a club or sim...

Страница 27: ...ers or flip the crossfader Use the Aux send controls as your preview faders Pressing any CUE switch will override the preview 8 CUE ADD MIX control Allows the main mix output to be added to the CUE si...

Страница 28: ...user guide For a more detailed description of how to set up specific software effects units etc please log on to our web site at www xone co uk midi_apps html This will be updated from time to time as...

Страница 29: ...h once to transmit MIDI start data push again to transmit MIDI clock stop rewind data MIDI output ON 1st press STOP REWIND 2nd press 3 TAP TEMPO button The tempo of the MIDI clock is set by tapping it...

Страница 30: ...ered X X X X X X Note Number X X Velocity Note ON Note OFF X X X X Aftertouch Keys Channel X X X X Pitch Bend X X Control Change 12 13 92 94 O O O O X X X X Internal jumper option Program Change X X S...

Страница 31: ...rement of the rhythmic beat of the music Booth The area often enclosed where the DJ operates Usually provided with local booth monitor loudspeakers Cardiod The response of a microphone which is more s...

Страница 32: ...or so Response is further impaired if the ear is subjected to continual high sound pressure levels Highpass A filter that attenuates frequencies below the cut off frequency Hum Apart from not knowing...

Страница 33: ...channel fader RPM Revolutions Per Minute The measurement of turntable speed Sampler Another performance effect popular with DJs The channel signal is sent to a digital processor that samples stores a...

Страница 34: ...3 5 358 mm 14 6 kg 13 lbs Rack ears fitted 1 370 mm 14 6 87 6 mm 3 5 358 mm 14 Rack ears fitted 2 482 mm 19 87 6 mm 3 5 358 mm 14 Packed 470 mm 18 5 210 mm 8 3 400 mm 15 7 8 kg 18 lbs Rack Ears Allow...

Страница 35: ...FADE SELECT CUE PRE POST EQ SELECT POST EQ PRE EQ AUX1 AUX2 PRE PRE MIC RTN INPUTS 1 2 4 BAND EQ MID2 MID1 MIC RTN LEVEL LO HI CLEANFEED CONTROL GN MIC RED RTN FADER CUE AUX1 AUX2 PRE PRE 2 R L M MIC...

Страница 36: ...to prevent rounding the screw heads First remove the 4 pipped TORX screws located on rear panel in the center of each block of input channel RCA Phono connectors and then undo the 8 M3 x 8 screws tha...

Страница 37: ...to one leg of the connector This retains them for future use if needed Input Gain Disable Locate and remove the two jumper sleeves JP5 JP6 illustrated in detail A to disable the input gain Full clock...

Страница 38: ...Filter 2 only Refer to detail B A four way dip switch selects which controls on the XONE 92 output MIDI data The default setting is all ON set each switch to off to prevent the associated control fro...

Страница 39: ...XONE 92 User Guide 39 XONE 92 CUE SHEET Photocopy and use to log your console settings...

Страница 40: ...40 XONE 92 User Guide Check out my Internet site http www xone co uk...

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