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XONE:92

 User Guide 

27 

 

 4   

HEADPHONES level control

.  Adjusts the level 

of the signal in the stereo headphones.  This does 
not affect the level of the local booth monitor. 

 

 WARNING

   

Some headphones are more 

sensitive than others and can produce higher 
output levels.  To avoid damage to your hearing 
start with the level control at minimum and turn 
up only as much as is needed to maintain 
comfortable listening level.  Do not drive 
headphones at high listening levels for long 
periods of time. 

 

 5   

POST EQ switch

.   In the normal up position 

the headphones and meters monitor the Pre-EQ 
cue signal from each music channel.  This means 
that you will not hear changes made in the EQ, 
which can be useful if you dramatically alter the 
frequency response by cutting all LF, but still need 
to monitor the beats to keep a track in sync.   
Pressing this switch will allow you to monitor post 
EQ and hear any changes made to the channel EQ.  
Toggling between pre and post EQ is useful to 
compare the effect of the EQ.  

 

 6   

SPLIT CUE switch

.   Press this switch to 

change the way CUE operates.  Normally, pressing 
a channel CUE switch overrides both left and right 
monitor program signals with the stereo cue signal.  
With the switch pressed, CUE overrides just the left 
channel leaving the program in the right channel.  
The left monitor meter displays the cue signal, right 
displays program.  This is invaluable in club mixing 
where the main program should remain audible 
while cueing other channels ready to bring them into 
the mix.  It is very useful when beat mixing using 
headphones.  Note that Cue does not affect the 
main output or booth monitor. 

 

 7   

AUX 1-2 switches

.   In the normal up position 

the headphones and meters monitor the main mix.  
Press these switches to select either of the stereo 
Aux mixes as the headphones monitor source.  
Note that this does not affect the main outputs or 
booth monitor. 

 

Tip

.   Use split-CUE to match the beat between 

two tracks when beat mixing, or check the effect 
before cut mixing.  Alternatively, you can select 
either of the Auxs and raise the sends on the two 
channels to give you a pre-fade stereo 

PREVIEW

 of 

the mix which does not affect the main output.  In 
this way you can hear exactly how it will sound in 
the main mix before you raise the channel faders or 
flip the crossfader.  Use the Aux send controls as 
your preview faders.  Pressing any CUE switch will 
override the preview. 

 

 8   

CUE/ADD MIX control

.   Allows the main mix 

output to be added to the CUE signal.  Turned fully 
anticlockwise, only the active CUE is heard through 
the headphones when CUE is active.  Gradually 
turning clockwise introduces the main mix output to 
the headphones, together with the active CUE.  
Selecting SPLIT CUE will automatically override this 
control. 

 

The HEADPHONES Monitor 

The DJ uses the headphones to check the mic and 
music sources and to cue tracks ready to bring them 
into the mix.  The headphones isolate the dance 
floor sound from the DJ and also prevent the 
audience from hearing the monitor. 

9   

HEADPHONE OUTPUTS

.   These outputs are 

positioned on the front panel so that the DJ can plug 
in favourite headphones without needing access to 
the rear connector panel.  Headphones are 
available in many different styles, impedances and 
volume ratings.  To get the best from your system 
we recommend that you use high quality closed-ear 
headphones with ¼” jack connection in the range 30 
to 100 ohms.  8 Ohm headphones are not 
recommended. 

 

The BOOTH Monitor 

The DJ uses the booth monitor to reinforce the 
music level in his booth so that he can ‘feel’ and 
interact with the beat.  This provides an independent 
music only monitor that is not affected by the main 
Mix master or Cue controls.  To avoid acoustic 
feedback the microphone signals are not routed to 
the booth monitor. 

 10   

MONO switch

.   Sums the left and right 

monitor signals together so that the selected stereo 
source can be checked in mono.  Use this to check 
for mono compatibility, especially important in dance 
floor and recording applications.  A drop in level or 
loss of low frequencies when pressed indicates 
reversed polarity between the left and right signals.  
Alternatively, you can select this if you wish to run 
the booth monitor in mono rather than stereo.  Note 
that the MONO switch does not affect the 
headphones monitor. 

 11   

BOOTH MONITOR level control

.   Adjusts the 

level of the signal to the stereo booth monitor 
output.  This does not affect the headphones. 

 12   

MUTE switch

.   Press to mute the booth 

monitor output.  The red led lights when the monitor 
is muted.  The headphones and main outputs are 
not affected.  This is useful when the DJ chooses to 
work with headphones only, check the sound level 
from the dance floor, or quieten the monitor to talk 
to staff or take a request. 

Содержание XONE 92

Страница 1: ...USER GUIDE Publication AP5345...

Страница 2: ...com Limited One Year Warranty This product has been manufactured in the UK by ALLEN HEATH and is warranted to be free from defects in materials or workmanship for period of one year from the date of p...

Страница 3: ...ot remove or tamper with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet...

Страница 4: ...control surface scratching the surface with sharp objects or rough handling and vibration Environment Protect from excessive dirt dust heat and vibration when operating and storing Avoid tobacco ash s...

Страница 5: ...or simply to chat about matters audio To help us provide the most efficient service please keep a record of your console serial number and date and place of purchase to be quoted in any communication...

Страница 6: ...EMES CARACTERISTIQUES FUSE MIX 1 LEFT RIGHT PHONO LINE INPUT 100 240V AC MAINS IN 47 63Hz 30W MAX L L BOOTH 4 MIDI OUT AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR WARNING THIS APPARATUS MUST BE EARTH...

Страница 7: ...DJ with a new level of live performance creativity These are very similar to those found on classic analogue synths but benefit from modern quiet and stable technology Use these to sweep the sound by...

Страница 8: ...USE WITH SAME TYPE AND RATING 100 240V T500mAL 250V 20mm OFF SERIAL No 0 I ON CAUTION ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES FUSE MIX 1 LEFT RIGHT PHONO LINE INPUT 100 240V...

Страница 9: ...possible from the XONE 92 depending on MIDI controller compatibility Refer to each devices user guide for details of its MIDI setup The stereo return On switches can be used to drop an effect or delay...

Страница 10: ...RIAA equalisation 3 Plug in the headphones Plug into either of the top panel headphones sockets Use the best headphones you can afford for your application We recommend the professional grade closed e...

Страница 11: ...set by the channel gain control This is the ideal setting with meters averaging 0dB so giving the best signal to noise performance while maintaining plenty of headroom to avoid clipping 10 Listen to t...

Страница 12: ...toggles push the toggle to the left for filter 1 and to the right for filter 2 Activate the filter by pressing the FILTER ON switch The blue led light pipe lights to show that the filter is active Ch...

Страница 13: ...mally operate near the top of their travel Make sure the amplifier speaker system has been correctly calibrated for the loudest volume required at the fader top position Boosting the EQ 2 also adds ga...

Страница 14: ...art with you are less likely to experience problems Do not remove the earth connection from the console mains plug The console chassis is connected to mains earth through the power cable to ensure you...

Страница 15: ...y cause signal cancellation effects Where long cables runs are required balanced interconnections should be used However interconnections between more affordable 2 wire signal ground unbalanced equipm...

Страница 16: ...BE EARTHED TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE APPARATUS TO RAIN OR MOISTURE WARNING FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING 100 240...

Страница 17: ...put RCA phono This provides a music only output not affected by the main mix fader Connect to a stereo recorder such as MD DAT or cassette to record the show Use CABLE A with or without adapters or a...

Страница 18: ...t to the device follows the fader level The processed wet signal returned to the mix elsewhere is therefore in proportion to the direct dry signal regardless of fader position This could for example b...

Страница 19: ...ing can enhance the intelligibility of vocals On the other hand some situations may require cutting to notch out a ringing frequency so increasing gain before feedback MID 2 This is similar to MID 1 b...

Страница 20: ...r has no affect on the Aux level Post fade sends are typically used to send channel signals to effects devices such as reverb or delay processors The amount of signal sent to the device follows the fa...

Страница 21: ...when cutting This prevents accumulated gain when all EQ controls are fully clockwise MID 2 This is similar to MID 1 but affects the lower mid frequencies centred at 350Hz Boosting can enhance the war...

Страница 22: ...er produces a DC control voltage which determines the signal level of the VCAs The voltage is filtered to prevent any audible noise clicks or scratchiness resulting should the fader track become worn...

Страница 23: ...ating range and more control over the filter response to create unlimited combinations of tonal effect Two stereo VCFs are provided one either side of the crossfader Each can be switched in or out has...

Страница 24: ...REQ can now be controlled by the FREQ VCF sweep control of FILTER 1 This can be used to synchronise the cut off point of both filters For instance assign Channel 1 to Filter 1 and Channel 2 to Filter...

Страница 25: ...e mix Progressively rotate the VCF control anticlockwise to bring in the bass 12 BPF Press this switch to select the band pass filter Frequencies above and below the cut off point are removed leaving...

Страница 26: ...too sensitive for the operating level of the console With the controls set to their maximum positions adjust the input level trim of connected equipment for the loudest level allowed In a club or sim...

Страница 27: ...ers or flip the crossfader Use the Aux send controls as your preview faders Pressing any CUE switch will override the preview 8 CUE ADD MIX control Allows the main mix output to be added to the CUE si...

Страница 28: ...user guide For a more detailed description of how to set up specific software effects units etc please log on to our web site at www xone co uk midi_apps html This will be updated from time to time as...

Страница 29: ...h once to transmit MIDI start data push again to transmit MIDI clock stop rewind data MIDI output ON 1st press STOP REWIND 2nd press 3 TAP TEMPO button The tempo of the MIDI clock is set by tapping it...

Страница 30: ...ered X X X X X X Note Number X X Velocity Note ON Note OFF X X X X Aftertouch Keys Channel X X X X Pitch Bend X X Control Change 12 13 92 94 O O O O X X X X Internal jumper option Program Change X X S...

Страница 31: ...rement of the rhythmic beat of the music Booth The area often enclosed where the DJ operates Usually provided with local booth monitor loudspeakers Cardiod The response of a microphone which is more s...

Страница 32: ...or so Response is further impaired if the ear is subjected to continual high sound pressure levels Highpass A filter that attenuates frequencies below the cut off frequency Hum Apart from not knowing...

Страница 33: ...channel fader RPM Revolutions Per Minute The measurement of turntable speed Sampler Another performance effect popular with DJs The channel signal is sent to a digital processor that samples stores a...

Страница 34: ...3 5 358 mm 14 6 kg 13 lbs Rack ears fitted 1 370 mm 14 6 87 6 mm 3 5 358 mm 14 Rack ears fitted 2 482 mm 19 87 6 mm 3 5 358 mm 14 Packed 470 mm 18 5 210 mm 8 3 400 mm 15 7 8 kg 18 lbs Rack Ears Allow...

Страница 35: ...FADE SELECT CUE PRE POST EQ SELECT POST EQ PRE EQ AUX1 AUX2 PRE PRE MIC RTN INPUTS 1 2 4 BAND EQ MID2 MID1 MIC RTN LEVEL LO HI CLEANFEED CONTROL GN MIC RED RTN FADER CUE AUX1 AUX2 PRE PRE 2 R L M MIC...

Страница 36: ...to prevent rounding the screw heads First remove the 4 pipped TORX screws located on rear panel in the center of each block of input channel RCA Phono connectors and then undo the 8 M3 x 8 screws tha...

Страница 37: ...to one leg of the connector This retains them for future use if needed Input Gain Disable Locate and remove the two jumper sleeves JP5 JP6 illustrated in detail A to disable the input gain Full clock...

Страница 38: ...Filter 2 only Refer to detail B A four way dip switch selects which controls on the XONE 92 output MIDI data The default setting is all ON set each switch to off to prevent the associated control fro...

Страница 39: ...XONE 92 User Guide 39 XONE 92 CUE SHEET Photocopy and use to log your console settings...

Страница 40: ...40 XONE 92 User Guide Check out my Internet site http www xone co uk...

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