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26

WZ20S

 User Guide

Application Notes

The WZ20S is well suited to many high performance live, recording and installed sound
applications including multi source stereo mixing, dual output submixing, club systems,
low end broadcast, production mixing… and more.  The following notes present
suggestions for these applications.  Of course, you may find different or better ways to suit
the particular requirements of your application.

Mixing Many Stereo Sources

There are many situations where you need to mix multiple stereo sources for
example keyboards, MIDI synthesisers, voice modules, sound cards, samplers,
outboard mic preamps, effects processors, CD, vinyl, DAT, MiniDisc, new media
players and recorders, stereo recorded tracks.

Dual stereo inputs

   You can connect two stereo sources to each channel and

switch between them or mix them together as required.  Inputs A and B have
independent gain control so that the balance can be set as required.  You do not
need to reset the gain each time you switch the inputs.  You also have the
convenience of selecting either the RCA phono or TRS jack connections as
appropriate rather than using cable adapters.

External stereo inputs

   The two additional EXT inputs increase the number of

stereo inputs to 18.  You still have the four mono channels for microphone or
line level inputs.  The EXT inputs are best used to return the processed signal
from effects devices such as reverb, or to plug in a submixer.  Remember to
select the MIX1(2) routing switches.

Signal processing

   All channels provide 4 band EQ for creative or corrective

equalisation.  The six AUX sends provide plenty of outputs for effects, monitors
and special feeds.  The effects can be returned to the EXT or dual stereo
channels.  For example, two stereo reverbs could be combined on one stereo
channel.  The mono channels and main outputs provide inserts for patching in
additional signal processors such as compressors.

Production and Recording

The number of inputs and processing power together with the sonic purity of
analog sound make the WZ20S well suited to professional recording and
program production.

Inputs

   Connect up to 4 microphones and 16 stereo line sources plus 2 effects

returns.  Up to 6 stereo channel A inputs can be optionally fitted with the internal
RIAA card for direct connection to record decks.  For multitrack recording you
can connect up to 16 track returns to the 8 stereo channels.  You can use either
mono or stereo channels to connect to outboard mic preamps, increasingly
common in the studio.

Outputs

   The two stereo outputs can feed independent recording devices.  This

is useful when recording translations and voiceovers.  Use the MIX2 jack
outputs when connecting to low level devices.  Set the EXT1(2) routing switches
to their up position when returning the 2-track outputs to the monitor select
bank.

Subgrouping

   Select MIX1 to MIX2 to create a stereo subgroup for single

fader control and inserted processing.  In this case use MIX2 as the main
output.

Содержание MixWizard WZ20S

Страница 1: ...MixWizard Series WZ WZ20S Stereo Audio Mixing Console USER GUIDE USER GUIDE Publication AP3634...

Страница 2: ...e unit to ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions Conditions Of Warranty 1 The equipment has been installed and operated i...

Страница 3: ...ord so that it is not likely to be walked on stretched or pinched by items placed upon or against it Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain o...

Страница 4: ...e must be connected to the terminal in the plug which is marked with the letter N The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L Ensur...

Страница 5: ...place of purchase to be quoted in any communication regarding this product The serial number is located on the connector panel A space is provided here for you to note this Console SERIAL NUMBER Date...

Страница 6: ...g stereo and mono broadcast and amplifier feeds cleanfeed sends zone and recording feeds A unique combination of monitoring features is provided to satisfy the specific requirements of live mixing bro...

Страница 7: ...300 0 450 1kHz 15 15 500Hz 1k 700 12kHz HF 30 GAIN 20 10 PAD 100Hz 15 7k 5k 15kHz 3kHz 0 50 60 30 40 30dB PAD 0 MF1 180Hz PEAK 10 20 5 AUX MIX2 MIX1 PAN L 6 O O O O AUX 3 O O O O 4 AUX AUX 2 O O AUX 1...

Страница 8: ...d 2 TIP L RING R M R OUT AUX SYS LINK OUT option R L R 6 AUX R OUT IN AUX EXT IN 2 L AUX5 4 M OUT user connections REMOTE R SERIAL No IMPEDANCE BALANCED INSERT RETURN SEND IN OUT LINE TIP TIP RING RIN...

Страница 9: ...utput noise XLR 90dBu 94dB S N TRS jack 94dBu 94dB S N Mix noise ch routed XLR 86dBu 90dB S N TRS jack 90dBu 90dB S N Power Supply Internal switch mode power unit with auto sensing mains input MAINS I...

Страница 10: ...refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 Rack Mounting Mount the console in...

Страница 11: ...equipment panels and so on The same earth is also used to shield audio cables from external interference such as the hum fields associated with power transformers lighting dimmer buzz and computer rad...

Страница 12: ...gnal cancellation effects For live work where long cables runs are required balanced interconnections should be used However interconnections between more affordable 2 wire signal ground unbalanced eq...

Страница 13: ...when phantom power is selected Use 48V only with balanced microphones which require powering Note that harm will not be done to non powered microphones as long as they are balanced To avoid loud clic...

Страница 14: ...unbalanced 2 wire TS jack sources To connect an unbalanced source using a TRS jack you should link ring to sleeve in the plug as shown above The inputs can accept line level signals from as low as 20d...

Страница 15: ...maximum interference rejection on long cable runs To connect to unbalanced equipment link Pin 3 to Pin 1 in the XLR plug as shown Signal level is a nominal 4dBu 0 on the meters Typical uses include fe...

Страница 16: ...nced equipment as shown above Nominal operating level is 2dBu but gain is available to drive 4dBu if required Independent control is provided for the local and the headphones monitor systems HEADPHONE...

Страница 17: ...any ALLEN HEATH console fitted with SYS LINK input SYS LINK operates unbalanced at 2dBu and is not intended for long cable runs Note that SYS LINK input is not available on the WZ20S Contact your ALLE...

Страница 18: ...ies in each band may be boosted or cut by up to 15dB The centre flat position is detented for quick resetting HF Turn this control clockwise to boost and anticlockwise to cut the high treble frequenci...

Страница 19: ...ate the required image The centre mono position is detented for quick resetting ON Turns the channel signal on or off The green LED lights when the channel is turned on All outputs except the insert s...

Страница 20: ...e tone control over four fixed frequency bands The frequencies in each band may be boosted or cut by up to 15dB The centre flat position is detented for quick resetting HF Turn this control clockwise...

Страница 21: ...le to prevent dressing room talk when working with radio microphones The pre fade sends are set post EQ post ON as standard These can be reconfigured pre ON by changing internal links BAL Adjusts the...

Страница 22: ...for 2 track replay into the mix EXT1 can route to either or both MIX1 and MIX2 EXT2 can route to MIX2 only This would give you a dedicated effects return to each mix or one return routed to both The...

Страница 23: ...ignal to MIX2 to create a stereo subgroup Route all the channels you want to group to MIX1 only Route the other channels to MIX2 only Press the underpanel MIX2 switch above the master fader to route M...

Страница 24: ...eters PFL also overrides the local monitor if PFL ENABLE has been selected It is important to use PFL to set the channel gains correctly to maintain the wide dynamic range achievable with this console...

Страница 25: ...tallation personnel Further information is available in the applications section of this User Guide SPLIT PFL Press this switch to change the way PFL operates Normally pressing a channel PFL switch ov...

Страница 26: ...devices such as reverb or to plug in a submixer Remember to select the MIX1 2 routing switches Signal processing All channels provide 4 band EQ for creative or corrective equalisation The six AUX send...

Страница 27: ...ed with SYS LINK Mounting convenience Rotate and fix the connector pod as required for flightcase desktop or rack mounting It is usual to install the effects or stage submixer in a rack system togethe...

Страница 28: ...cue sends and post fade for sends to effects processors such as reverb and echo The processed wet reverb signal can be returned to the mix through a stereo channel The dual inputs allow two units to b...

Страница 29: ...irect to MIX2 only This lets you control the live mix with a single fader for example to turn the live sources off when the DJ is performing Output example 1 MIX2 feeds the house system with its MONO...

Страница 30: ...standard These can be reconfigured for 4dBu operation by cutting track links on the connector card DIM switch function The DIM switch is set to mute the local monitor as standard This can be reconfig...

Страница 31: ...Hz 20 10 5k 7k HF 12kHz 15 MONO 0 30 60 0 GAIN 5 50 10 15 10 5 20 20 10 20 10 MONO 0 HF 12kHz 0 5 0 5 10 15 10 20 0 GAIN 5 5 10 20 9 1 O O O O O O O O O O O O STEREO DUAL DUAL STEREO DUAL STEREO STERE...

Страница 32: ...IX2 AUX SL SYS LINK CONNECTION MIX1 EXT1 only MIX2 STEREO 3 4 R MIX L MIX INSERT 2dBu 4dBu RIGHT MIX 1 BAL 2 INSERT 2dBu MIX1 FADER ALL UP MIX2 MIX1 STEREO 5 6 EXT1 AUX6 AUX5 AUX4 LEFT BAL 2 MASTER AU...

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