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GL3800

 User Guide    

  

 

 

 

 

 

      

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Using PFL / AFL

   Allen & Heath are renowned for bringing you 

the most comprehensive engineer’s monitoring system in consoles at 
this price point.  We recognise the importance of correct gain structure 
and signal handling.  The 

GL3800

 includes LED meters for every 

input channel and main output, as well as a pair of high resolution 
meters dedicated to monitor duty only.  In monitor mode the M fader 
and associated controls become a full featured PFL/AFL monitor feed 
for the engineer’s listen wedge. 

The input channels provide 

PFL

 (pre-fade listen) so that each source 

can be checked using the meters and headphones before you bring 
the fader up.  You can even use PFL while the channel is muted to 
prevent the signal reaching the house and monitor speakers until you 
have checked it and are ready. 

All the main and aux outputs provide 

AFL

 (after-fade listen) so that you 

can check the exact level leaving the console.  Once again, the AFL 
switch gets its source before the output mute switch so that you can 
check the signal before you send it to its destination.  This can be very 
important when you are feeding remote destinations such as 
broadcast and recording.  

 

The Decibel

   the ‘Bell’ is the unit of sound level.  Decibel is 1/10 

Bell, a more conveniently sized unit.  dB = 20 log (Vo / Vi) where Vi 
and Vo are two signal voltages, in and out (ignoring the impedances).  
The dB is used to express the relationship between two levels, chosen 
because of the logarithmic way our ears respond to sound.  The ‘dB’ 
relates one level to another.  For example, a preamp with a gain of 
40dB (100x) would produce an output of +10dBu for an input of -
30dBu.  Several audio standards exist to relate a signal level to a 
known reference.  Audio engineers need to deal with a variety of 
equipment standards, for example, a -10dBV CD player plugged into a 
console with +4dBu outputs connected to a 0dBu input DSP speaker 
manager, or an operator using an SPL (sound pressure level) meter to 
measure sound intensity. 

  

dBu 

Relative to 0.775Vrms – professional standard 
0dBu = 0.775V  +4dBu = 1.228V 

  

dBV 

Relative to 1Vrms - consumer audio standard 
0dBV = 1V 

-10dBV = 316mV = -8dBu 

dB-A  Sound pressure with a filter contour to approximate 

the response of the human ear.  Three curves A, B, 
C exist for different loudness. 

dBfs 

Relative to signal maximum before clip (full scale) 

 

Using Inserts

      The 

GL3800

 channel inserts operate at 0dBu, 

the output inserts operate at -2dBu.  In practice this makes little 
difference as long as the inserted equipment is intended for line level 
operation (-6 to +4dBu).  Simply set the gain through the device to 
unity (0dB) with the bypass switch pressed (if available).  With the 
effect switched in, use the console channel gain control to make any 
further adjustments needed.  This keeps the gain structure correct 
through the channel signal path. 

 

With nothing plugged into the insert, the channel signal is routed 
through a switching (‘normalling’) contact in the socket.  As soon as a 
jack is plugged into the socket the contact is opened and the signal 
path broken so that the external device can be patched in series with 
the signal. 

AFL

dB 

SEND

INSERT

RETURN

TIP

RING

    

If you suspect the insert 

socket  to  be  faulty  or 
intermittent through excessive 
wear or contamination, test for 
this by plugging in a jack with 
its tip shorted to its ring 
contact.  This bypasses the 
contact in the socket.  Clean 
using suitable electrical 
contact cleaner. 

                      

 Tech talk… 

For an audio circuit stage: 
Pi = Input signal power 
Po = Output signal power 

The Decibel is defined as: 

dB = 10 log (Po / Pi) 
= 10 log (Vo

2

/Ro / Vi

2

/Ri) 

If input and output impedances 
Ri and R0 are the same, then:   
dB = 20 log (Vo / Vi) 

dB

m

 is defined as 1mW into 

600 ohms  = 0.775V 

dB

u

 = 0.775V  ignoring the 

600 ohms as we assume high 
input and low output 
impedance and therefore 
maximum voltage transfer 
between stages, appropriate 
for modern audio. 

Note: The stereo Aux 9-10 
and matrix 1-4 outputs can 
be monitored using the 
monitor select switch bank. 
This provides true stereo 
monitoring of these mixes. 
PFL/AFL automatically 
overrides any source 
selected on this 
switchbank. 

Содержание GL3800

Страница 1: ...ALLEN HEATH USER GUIDE Publication AP6157 GL3800...

Страница 2: ...om Limited One Year Warranty This product has been manufactured in the UK by ALLEN HEATH and is warranted to be free from defects in materials or workmanship for a period of one year from the date of...

Страница 3: ...er with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console or its power units to rain or moisture or use in damp or wet c...

Страница 4: ...he console is surrounded by shock absorbent foam to protect it from damage during transit Always use adequate packing if you need to ship the unit Protect the controls to avoid damage when moving the...

Страница 5: ...t efficient service please keep a record of your console serial number and date and place of purchase to be quoted in any communication regarding this product http www allen heath com http www glserie...

Страница 6: ...2 AUX PRE EQ 6 AUX 3 4 AUX 80Hz EQ IN 1k 35Hz LM 15 15 15 LF 15 AUX 12k 15 4k 15k 6k 1k 15 500Hz 700 HM 3k 15 250 400 15 70 45 180 100Hz HPF HF POLARITY LINE 48V PAD 6 MUTE ODD L EVEN R BAL 6 AUX 9 10...

Страница 7: ...N HEATH LIMITED STEREO INPUTS ST4 L M ST3 L M ST2 L M ST1 IN 2TRK IN 2TRK OUT L M R MTX OUT 1 IN MTX OUT 2 IN MTX OUT 3 IN MTX OUT 4 1 2 3 4 INDIVIDUAL OR COMMON 3 LINE IN MIC IN LINE IN MIC IN LINE I...

Страница 8: ...itor wedge Recording capable with channel direct outputs Matrix external inputs with level trim and common input capability Stereo channel mic can cross patch into matrix for ambience Dual stereo retu...

Страница 9: ...out Dual Functionality having pioneered this innovative feature back in the early 90 s The GL3800 takes this an important stage further with its new multiple stereo mix capability Tamperproof recessed...

Страница 10: ...foam intended for this purpose Ensure no part of the case or its lid touches the controls or connectors If you include a rear doghouse to house the connections make sure the cables can be supported i...

Страница 11: ...onnect the DC power lead between the socket labelled DC OUT on the RPS11 and the socket labelled DC POWER IN A on the GL3800 Switching the console on and off It is good practice to turn power amplifie...

Страница 12: ...2 HOT Sleeve ground Ring return Tip send UNBALANCED INSERT INPUT OUTPUT A B 13 GRP 4 12 AUX 1 11 AUX 2 10 AUX 3 9 AUX 4 8 AUX 5 7 AUX 6 6 PFL 5 AFL 4 nc 3 PFL DC 2 AFL DC 1 0V PAFL GRP 4 32 AUX 1 31 A...

Страница 13: ...ing the signal shielding down the length of cable WARNING For operator safety do not remove the ground earth connection in the power lead of the console power supply unit or connected equipment To avo...

Страница 14: ...reamp for an RTA measurement system STEREO CHANNEL LINE IN These inputs are balanced on TRS jacks The L input is normalled through the R socket to accept mono signals on a single jack INSERT A single...

Страница 15: ...o matrix pairs or four independent sources This is ideal for adding mono or stereo ambience to recordings or in ear monitors fed from the matrix 2 TRACK IN and OUT Unbalanced TRS jack outputs and TRS...

Страница 16: ...cture we do not recommend the practice of setting the faders to 0 and mixing using the GAIN controls HPF Switches in the channel high pass filter This attenuates frequencies below 100Hz by 12dB per oc...

Страница 17: ...the insert send The red indicator lights when the channel is muted Always mute the channel when switching phantom power or plugging the cables and sources PFL Press PFL to listen to the pre fade chan...

Страница 18: ...Hz and 2 5kHz centre frequencies AUX SENDS These work as described for the mono channel but the L and R sides of the stereo signal sum together to feed Auxes 1 to 8 in mono Aux 9 10 is fed with the st...

Страница 19: ...nal to a combination of the auxes The stereo signal is summed to feed Aux 1 and Aux 2 in mono The signal feeds aux 9 10 in stereo Internal jumper options are provided to set the auxes pre or post fade...

Страница 20: ...mode for example just four giving you 4 fader subgroups for level control 4 groups on rotaries for inserting effects 4 monitor sends on faders 4 effects sends on rotaries and main mix Note The groups...

Страница 21: ...d then add selected channels using their M routing switches This control always routes the LR signal to M regardless of mode METERS 4 LED bar meters display the post fade LRM master signals FOH mode o...

Страница 22: ...inked in a way that lets you plug in a mono or stereo common source to feed all the matrices or an independent source to each Plug into EXT1 only to feed one source to all four matrix EXT IN controls...

Страница 23: ...e top near the talkback mic A small 3 5mm socket is also provided for plugging in headphones or earpieces fitted with a mini jack It is useful to monitor an in ear mix using the same type of earpiece...

Страница 24: ...GNAL GENERATOR PINK NOISE Press to select either pink noise up position or a 1kHz sine wave tone as the test source Start with the trim control turned fully down The generator ON switch is recessed to...

Страница 25: ...dynamic range The signal can pass through many stages which affect its level within the console the channel its EQ fader pan a group mix and its fader on to the main LR mix with its master fader throu...

Страница 26: ...ulty With the noise sent to several speakers at the same time you can listen for comb filtering effects and the severe phasing effect which indicates that one of the speakers may have its wires revers...

Страница 27: ...ound pressure level meter to measure sound intensity dBu Relative to 0 775Vrms professional standard 0dBu 0 775V 4dBu 1 228V dBV Relative to 1Vrms consumer audio standard 0dBV 1V 10dBV 316mV 8dBu dB A...

Страница 28: ...ing phantom power Let equipment which has been stored in a damp or cold place acclimatise in the venue first before powering it up Power up the system in plenty of time before you start the sound chec...

Страница 29: ...puts are routed to the console main XLR sockets for electronically balanced drive with inserts for patching in processors such as graphic EQ limiters and delays Channel pre post switches and link opti...

Страница 30: ...before the fill Keep the fill level about 10dB or so below the main PA sound at that location It may help intelligibility to boost the vocals above the instruments in the fills and to use an EQ to cu...

Страница 31: ...tput or from a pair of matrices as described above if recording and mixing live at the same time To record to multitrack use whichever combination of groups matrix auxes and channel direct outputs is...

Страница 32: ...and the aux is on a rotary master The GL3800 overcomes this with the monitor mode REV switch that swaps the rotary aux master with the related fader group master This switch is recessed for protectio...

Страница 33: ...control to add the patched mic Patchable Microphone Preamplifier Plug into the MIC OUT breakpoint to disconnect the mic preamp from the channel and patch it elsewhere to be used independently For exa...

Страница 34: ...ter channel 90dB Noise rms 22Hz to 22kHz Mic EIN 128dB Residual output noise 96dBu 100dB S N LR mix noise 24 routed 86dBu 90dB S N Group mix noise 16 routed 86dBu 90dB S N Aux mix noise 16 routed 92dB...

Страница 35: ...10 output TRS impedance balanced 75 ohm 2dBu 20dBu max Electronic balance option 75 ohm 4dBu 26dBu max Direct out TRS impedance balanced 75 ohm 0dBu 20dBu max Matrix out TRS impedance balanced 75 ohm...

Страница 36: ...E FADE 2 1 AUX 9 10 POST FADE M L R 1 2 3 4 SUM SUM DUAL STEREO RETURN x2 WEDGE DIM M4 M3 M2 M1 MUTE MASTERS M PRESS TO TALK AUX3 4 L R AUX1 2 MTX3 4 MTX1 2 H J TB OSC IMPEDANCE BALANCED TB OSC OUT ON...

Страница 37: ...the instructions provided Set the option jumpers to the required positions Make sure they are pressed fully home Check that all channels are correctly set and all options fitted according to their ins...

Страница 38: ...pre post settings The stereo returns feed Auxes 1 2 and 9 10 Factory default is the post fader so that the fader becomes a master for all feeds from the return This may be changed to pre fade if you...

Страница 39: ...You should measure the same level but opposite polarity signal between hot and ground and cold and ground Sys Link V2 input output option A blank plate is fitted in both positions as standard This ma...

Страница 40: ...5 30 8 30 20 10 5 0 5 10 30 20 10 5 0 5 10 30 20 10 5 0 5 10 GRP8 AUX8 GRP7 AUX7 GRP6 AUX6 GRP5 AUX5 GRP4 AUX4 GRP3 AUX3 GRP2 AUX2 AUX1 GRP1 AFL AFL AFL AFL AFL AFL AFL AFL M LISTEN R L AUX9 10 10 5 0...

Страница 41: ...8 5 6 3 4 1 2 L R M SIG 0 6 PK PFL 30 20 10 5 0 5 10 M4 M3 M2 M1 7 8 5 6 3 4 1 2 L R M SIG 0 6 PK PFL 30 20 10 5 0 5 10 M4 M3 M2 M1 7 8 5 6 3 4 1 2 L R M SIG 0 6 PK PFL 30 20 10 5 0 5 10 M4 M3 M2 M1...

Страница 42: ...ARITY 8 8 8 8 8 8 8 8 8 8 6 AUX 9 10 PRE POST BAL L R STEREO 6 6 AUX 8 PRE POST 7 AUX 6 6 AUX AUX 5 6 PRE POST AUX 4 3 AUX 6 6 AUX AUX 2 1 6 HPF 100Hz 10 20 30 0 5 16 5 GAIN STEREO EQ IN 15 15 15 15 1...

Страница 43: ...X 6 6 POST PRE 6 6 5 AUX AUX 6 AUX 7 6 PRE EQ 6 1 2 AUX PRE EQ STEREO MUTE ODD PAN L EVEN R PRE POST 8 PRE POST 7 AUX 6 6 AUX AUX 5 6 PRE POST AUX 4 3 AUX 6 6 AUX AUX 2 1 6 HPF 100Hz 10 20 30 0 5 16 5...

Страница 44: ...AIN 20 0 50 40 30 6 14 40 60 GAIN 20 0 50 40 30 6 14 40 60 GAIN 20 0 50 40 30 6 14 40 60 MUTE ODD L EVEN R BAL 6 AUX 9 10 PRE POST BAL L R STEREO 6 6 AUX 8 PRE POST 7 AUX 6 6 AUX AUX 5 6 PRE POST AUX...

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