background image

GL3800

 User Guide    

  

 

 

 

 

 

      

      13 

Audio Connections 

The

 

GL3800

 uses professional grade 3 pin XLR and 1/4" TRS (3 pole) jack sockets.  To 

ensure best performance, we recommend that you use high quality audio cables and 
connectors, and take time to check for reliable and accurate cable assembly.  It is well 
known that most audio system problems are due to faulty or sub standard interconnecting 
leads.  The following plugs may be used to connect audio to the console: 

Avoid rev and - on balanced connections as this will result in reversed polarity (out 
of phase) signals which may cause signal cancellation effects.  

Where long cables runs are required, balanced interconnections should be used.  However, 
line level interconnections between more affordable 2-wire (signal, ground) unbalanced 
equipment and the console are unlikely to cause problems if the cables are kept shorter 
than 10 metres or so.  Refer to the wiring diagrams on the opposite page. 

 

Dealing with Ground Loops, Buzz and Interference 

For optimum performance all audio signals should be referenced to a solid, noise-free 
ground (earth) point, frequently referred to as the ‘star point’ or ‘clean earth’. 

A ground loop is created when potential differences exist between grounds at different 
points in the system, and the signal has more than one path to ground.  In most cases 
ground loops do not result in audible problems.  Should you experience hum or buzz 
caused by a ground loop, check first that each piece of equipment has its own separate 
path to ground.  If so, operate ground lift switches on connected equipment in accordance 
with the instruction manuals.  Alternatively disconnect the cable screen at the destination 
end only.  This breaks the offending loop while keeping the signal shielding down the 
length of cable. 

  

WARNING:   For operator safety, do not remove the ground (earth) connection 

in the power lead of the console power supply unit or connected equipment.  

To avoid interference pickup keep audio cables away from mains power units and cables, 
lighting cables, thyristor dimmer units, computer equipment and mobile phones.  Where 
this cannot be avoided, cross the cables at right angles to minimise interference 

 

A note about balanced connections

 

A differentially balanced connection has two signal wires, (hot) and signal - (cold) 
and a shield.  The signal source generates positive going polarity down the + wire and 
negative polarity down the – wire.  The destination input stage accepts the + signal on its 
non-inverting (+) input pin, but it inverts the – signal, adding it to the + signal.  The result is 
that the wanted signal is boosted.  Now examine what happens when unwanted 
interference (hum and noise) is induced into the cable.  The noise is induced equally and 
with the same polarity into both wires.  At the destination input the – wire signal gets 
inverted and added to the + signal.  Because the polarity is the same on both input wires 
the noise cancels itself out at this input.  For this interference rejection to work it is important 
that the source, the cable and the destination input are all balanced.  Balancing provides 
greatest advantage with low level signals such as those produced by microphones. 

An impedance balanced output provides similar interference rejection, but not as much 
maximum drive capability as the differentially balanced output, typ20dBu versus 
+26dBu.  It does not generate a negative polarity signal at its – output.  Instead, the – wire 
has no signal but is held at the same impedance as the + wire.  This means that both wires 
pick up the noise equally resulting in the advantage of noise cancellation as described 
above when connected to a balanced input stage. 

 

Содержание GL3800

Страница 1: ...ALLEN HEATH USER GUIDE Publication AP6157 GL3800...

Страница 2: ...om Limited One Year Warranty This product has been manufactured in the UK by ALLEN HEATH and is warranted to be free from defects in materials or workmanship for a period of one year from the date of...

Страница 3: ...er with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console or its power units to rain or moisture or use in damp or wet c...

Страница 4: ...he console is surrounded by shock absorbent foam to protect it from damage during transit Always use adequate packing if you need to ship the unit Protect the controls to avoid damage when moving the...

Страница 5: ...t efficient service please keep a record of your console serial number and date and place of purchase to be quoted in any communication regarding this product http www allen heath com http www glserie...

Страница 6: ...2 AUX PRE EQ 6 AUX 3 4 AUX 80Hz EQ IN 1k 35Hz LM 15 15 15 LF 15 AUX 12k 15 4k 15k 6k 1k 15 500Hz 700 HM 3k 15 250 400 15 70 45 180 100Hz HPF HF POLARITY LINE 48V PAD 6 MUTE ODD L EVEN R BAL 6 AUX 9 10...

Страница 7: ...N HEATH LIMITED STEREO INPUTS ST4 L M ST3 L M ST2 L M ST1 IN 2TRK IN 2TRK OUT L M R MTX OUT 1 IN MTX OUT 2 IN MTX OUT 3 IN MTX OUT 4 1 2 3 4 INDIVIDUAL OR COMMON 3 LINE IN MIC IN LINE IN MIC IN LINE I...

Страница 8: ...itor wedge Recording capable with channel direct outputs Matrix external inputs with level trim and common input capability Stereo channel mic can cross patch into matrix for ambience Dual stereo retu...

Страница 9: ...out Dual Functionality having pioneered this innovative feature back in the early 90 s The GL3800 takes this an important stage further with its new multiple stereo mix capability Tamperproof recessed...

Страница 10: ...foam intended for this purpose Ensure no part of the case or its lid touches the controls or connectors If you include a rear doghouse to house the connections make sure the cables can be supported i...

Страница 11: ...onnect the DC power lead between the socket labelled DC OUT on the RPS11 and the socket labelled DC POWER IN A on the GL3800 Switching the console on and off It is good practice to turn power amplifie...

Страница 12: ...2 HOT Sleeve ground Ring return Tip send UNBALANCED INSERT INPUT OUTPUT A B 13 GRP 4 12 AUX 1 11 AUX 2 10 AUX 3 9 AUX 4 8 AUX 5 7 AUX 6 6 PFL 5 AFL 4 nc 3 PFL DC 2 AFL DC 1 0V PAFL GRP 4 32 AUX 1 31 A...

Страница 13: ...ing the signal shielding down the length of cable WARNING For operator safety do not remove the ground earth connection in the power lead of the console power supply unit or connected equipment To avo...

Страница 14: ...reamp for an RTA measurement system STEREO CHANNEL LINE IN These inputs are balanced on TRS jacks The L input is normalled through the R socket to accept mono signals on a single jack INSERT A single...

Страница 15: ...o matrix pairs or four independent sources This is ideal for adding mono or stereo ambience to recordings or in ear monitors fed from the matrix 2 TRACK IN and OUT Unbalanced TRS jack outputs and TRS...

Страница 16: ...cture we do not recommend the practice of setting the faders to 0 and mixing using the GAIN controls HPF Switches in the channel high pass filter This attenuates frequencies below 100Hz by 12dB per oc...

Страница 17: ...the insert send The red indicator lights when the channel is muted Always mute the channel when switching phantom power or plugging the cables and sources PFL Press PFL to listen to the pre fade chan...

Страница 18: ...Hz and 2 5kHz centre frequencies AUX SENDS These work as described for the mono channel but the L and R sides of the stereo signal sum together to feed Auxes 1 to 8 in mono Aux 9 10 is fed with the st...

Страница 19: ...nal to a combination of the auxes The stereo signal is summed to feed Aux 1 and Aux 2 in mono The signal feeds aux 9 10 in stereo Internal jumper options are provided to set the auxes pre or post fade...

Страница 20: ...mode for example just four giving you 4 fader subgroups for level control 4 groups on rotaries for inserting effects 4 monitor sends on faders 4 effects sends on rotaries and main mix Note The groups...

Страница 21: ...d then add selected channels using their M routing switches This control always routes the LR signal to M regardless of mode METERS 4 LED bar meters display the post fade LRM master signals FOH mode o...

Страница 22: ...inked in a way that lets you plug in a mono or stereo common source to feed all the matrices or an independent source to each Plug into EXT1 only to feed one source to all four matrix EXT IN controls...

Страница 23: ...e top near the talkback mic A small 3 5mm socket is also provided for plugging in headphones or earpieces fitted with a mini jack It is useful to monitor an in ear mix using the same type of earpiece...

Страница 24: ...GNAL GENERATOR PINK NOISE Press to select either pink noise up position or a 1kHz sine wave tone as the test source Start with the trim control turned fully down The generator ON switch is recessed to...

Страница 25: ...dynamic range The signal can pass through many stages which affect its level within the console the channel its EQ fader pan a group mix and its fader on to the main LR mix with its master fader throu...

Страница 26: ...ulty With the noise sent to several speakers at the same time you can listen for comb filtering effects and the severe phasing effect which indicates that one of the speakers may have its wires revers...

Страница 27: ...ound pressure level meter to measure sound intensity dBu Relative to 0 775Vrms professional standard 0dBu 0 775V 4dBu 1 228V dBV Relative to 1Vrms consumer audio standard 0dBV 1V 10dBV 316mV 8dBu dB A...

Страница 28: ...ing phantom power Let equipment which has been stored in a damp or cold place acclimatise in the venue first before powering it up Power up the system in plenty of time before you start the sound chec...

Страница 29: ...puts are routed to the console main XLR sockets for electronically balanced drive with inserts for patching in processors such as graphic EQ limiters and delays Channel pre post switches and link opti...

Страница 30: ...before the fill Keep the fill level about 10dB or so below the main PA sound at that location It may help intelligibility to boost the vocals above the instruments in the fills and to use an EQ to cu...

Страница 31: ...tput or from a pair of matrices as described above if recording and mixing live at the same time To record to multitrack use whichever combination of groups matrix auxes and channel direct outputs is...

Страница 32: ...and the aux is on a rotary master The GL3800 overcomes this with the monitor mode REV switch that swaps the rotary aux master with the related fader group master This switch is recessed for protectio...

Страница 33: ...control to add the patched mic Patchable Microphone Preamplifier Plug into the MIC OUT breakpoint to disconnect the mic preamp from the channel and patch it elsewhere to be used independently For exa...

Страница 34: ...ter channel 90dB Noise rms 22Hz to 22kHz Mic EIN 128dB Residual output noise 96dBu 100dB S N LR mix noise 24 routed 86dBu 90dB S N Group mix noise 16 routed 86dBu 90dB S N Aux mix noise 16 routed 92dB...

Страница 35: ...10 output TRS impedance balanced 75 ohm 2dBu 20dBu max Electronic balance option 75 ohm 4dBu 26dBu max Direct out TRS impedance balanced 75 ohm 0dBu 20dBu max Matrix out TRS impedance balanced 75 ohm...

Страница 36: ...E FADE 2 1 AUX 9 10 POST FADE M L R 1 2 3 4 SUM SUM DUAL STEREO RETURN x2 WEDGE DIM M4 M3 M2 M1 MUTE MASTERS M PRESS TO TALK AUX3 4 L R AUX1 2 MTX3 4 MTX1 2 H J TB OSC IMPEDANCE BALANCED TB OSC OUT ON...

Страница 37: ...the instructions provided Set the option jumpers to the required positions Make sure they are pressed fully home Check that all channels are correctly set and all options fitted according to their ins...

Страница 38: ...pre post settings The stereo returns feed Auxes 1 2 and 9 10 Factory default is the post fader so that the fader becomes a master for all feeds from the return This may be changed to pre fade if you...

Страница 39: ...You should measure the same level but opposite polarity signal between hot and ground and cold and ground Sys Link V2 input output option A blank plate is fitted in both positions as standard This ma...

Страница 40: ...5 30 8 30 20 10 5 0 5 10 30 20 10 5 0 5 10 30 20 10 5 0 5 10 GRP8 AUX8 GRP7 AUX7 GRP6 AUX6 GRP5 AUX5 GRP4 AUX4 GRP3 AUX3 GRP2 AUX2 AUX1 GRP1 AFL AFL AFL AFL AFL AFL AFL AFL M LISTEN R L AUX9 10 10 5 0...

Страница 41: ...8 5 6 3 4 1 2 L R M SIG 0 6 PK PFL 30 20 10 5 0 5 10 M4 M3 M2 M1 7 8 5 6 3 4 1 2 L R M SIG 0 6 PK PFL 30 20 10 5 0 5 10 M4 M3 M2 M1 7 8 5 6 3 4 1 2 L R M SIG 0 6 PK PFL 30 20 10 5 0 5 10 M4 M3 M2 M1...

Страница 42: ...ARITY 8 8 8 8 8 8 8 8 8 8 6 AUX 9 10 PRE POST BAL L R STEREO 6 6 AUX 8 PRE POST 7 AUX 6 6 AUX AUX 5 6 PRE POST AUX 4 3 AUX 6 6 AUX AUX 2 1 6 HPF 100Hz 10 20 30 0 5 16 5 GAIN STEREO EQ IN 15 15 15 15 1...

Страница 43: ...X 6 6 POST PRE 6 6 5 AUX AUX 6 AUX 7 6 PRE EQ 6 1 2 AUX PRE EQ STEREO MUTE ODD PAN L EVEN R PRE POST 8 PRE POST 7 AUX 6 6 AUX AUX 5 6 PRE POST AUX 4 3 AUX 6 6 AUX AUX 2 1 6 HPF 100Hz 10 20 30 0 5 16 5...

Страница 44: ...AIN 20 0 50 40 30 6 14 40 60 GAIN 20 0 50 40 30 6 14 40 60 GAIN 20 0 50 40 30 6 14 40 60 MUTE ODD L EVEN R BAL 6 AUX 9 10 PRE POST BAL L R STEREO 6 6 AUX 8 PRE POST 7 AUX 6 6 AUX AUX 5 6 PRE POST AUX...

Отзывы: