AKG WMS40 FLEXX Скачать руководство пользователя страница 9

3 Setting Up

Important!

3.1 Positioning 

the Receiver

3.2 Connecting

the Receiver 

to a Balanced Input

Refer to fig. 5 on page 3.

3.3 Connecting 

the Receiver 

to an Unbalanced Input

Refer to fig. 6 on page 3.

Important!

3.4 Connecting 

the Receiver to 

Power

Refer to fig. 7 on page 3.

3.5 Inserting and Testing

Batteries in theHandheld/

Bodypack Transmitters

Refer to fig. 8 on page 2.

• Before setting up your WMS 40 FLEXX, make sure to set the frequency selectors

on the transmitter and receiver to the same frequency (1, 2, or 3). If the trans-
mitter and receiver are tuned to different frequencies, no signal will be received!

• Never use the two audio outputs (BALANCED and UNBALANCED) simultaneously!

This may cause signal loss or increased noise.

• You can either use the receiver freestanding or mount it in a 19" rack using the optional

RMU 40 PRO rack mounting kit. For instructions on how to rack mount the receiver, refer
to the RMU 40 PRO manual.

• Reflections off metal parts, walls, ceilings, etc. or the shadow effects of musicians and

other people may weaken or cancel the direct transmitter signal.
For best results, place the receiver as follows:

1. Place the receiver near the performance area (stage). Make sure, though, that the trans-

mitter will never get any closer to the receiver than 10 ft. (3 m). Optimum separation is
16 ft. (5 m).

2. Check that you can see the receiver from where you will be using the transmitter.
3. Place the receiver at least 5 ft. (1.5 m) away from any big metal objects, walls, scaf-

folding, ceilings, etc.

1. Use a standard XLR cable to connect the BALANCED output (10) on the receiver rear

panel to a balanced XLR microphone input on the mixer.

2. Turn the VOLUME control (7) on the receiver front panel all the way CCW to set the re-

ceiver output to microphone level.

1. Use a standard 1/4" jack cable to connect the UNBALANCED jack (11) on the receiver

rear panel to an unbalanced 1/4" line input on the mixer.

2. Turn the VOLUME control (7) on the receiver front panel all the way CW to set the receiver

output to line level.

• To avoid hum interference, do not use audio cables longer than 10 feet (3 m)!

1. Check that the AC mains voltage stated on the included power supply is identi-

cal to the AC mains voltage available where you will use your system. Using the
power supply with a different AC voltage may cause damage to the unit.

2. Point the antennas (1) upward.
3. Plug the feeder cable on the included power supply into the DC ONLY socket (13) on the

receiver.

4. Bend part of the feeder cable into a small bight, pass the bight through the strain relief

(12) from above, and slip the bight over the hook on the strain relief (12). Tighten the
cable.

5. Plug the AC adapter into a convenient power outlet.
6. To switch power to the receiver on, press ON/OFF (2). To switch power to the receiver

off, press ON/OFF (2) again.

1. Depress the snap hook on the battery compartment lid (20)/(28).
2. Pull the battery compartment lid (20)/(28) off the transmitter in the direction of the arrow.
3. Insert the supplied battery into the battery compartment conforming to the polarity marks.

The transmitter will not function if you insert the battery the other way round.

4. Set the on/off switch (15)/(22) to "ON" to switch power to the transmitter on.

If the battery is in good condition, the status LED (16)/(23) will be lit green.
If the status LED (16)/(23) is lit red, the battery will be dead within about two hours. Re-
place the battery with a new one as soon as possible.

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WMS 40 FLEXX

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BDA WMS 40 FLEXX 08_Hex:Layout 1  01/08/2008  15:52   Seite 28    (Schwarz/Black Auszug)

Содержание WMS40 FLEXX

Страница 1: ...g the equipment MODE D EMPLOI p 36 Veuillez lire cette notice avant d utiliser le syst me ISTRUZIONI PER L USO p 52 Prima di utilizzare l apparecchio leggere il manuale MODO DE EMPLEO p 68 Sirvase lee...

Страница 2: ...andheld Bodypack Transmitters 28 3 6 Setting Up the Handheld Transmitter 29 3 6 1 Replacing the Color Code Clip 29 3 7 Setting Up the Bodypack Transmitter 29 3 7 1 Connecting a Microphone 30 3 7 2 Con...

Страница 3: ...nt even when the equipment is switched off To save energy disconnect the AC adapter from the power outlet if you will leave the equipment unused for a long period of time 2 When scrapping the equipmen...

Страница 4: ...ds you can even use up to nine channels simulta neously The SR 40 FLEXX is a diversity receiver and uses two antennas in order to receive the trans mitter signal at two different spots The diversity e...

Страница 5: ...uted automatically 4 DIVERSITY LEDs A and B Indicate which of the two receiving antennas is active at any time 5 Color code The color indicates the carrier frequency band of the receiver Transmitters...

Страница 6: ...wide frequency band for which you ordered your WMS 40 FLEXX The antenna is integrated in the body The microphone element permanently mounted on the transmitter uses a high quality car dioid transducer...

Страница 7: ...ide a maximum of two operating hours We recommend replacing the battery with a new one as soon as possible If you use a rechargeable battery the LED will change to red 15 minutes before the bat tery w...

Страница 8: ...microphones CK 55 L C 417 L C 520 L C 555 L C 516 ML C 518 ML C 519 ML The MKG L guitar cable from AKG lets you connect an electric guitar electric bass or re mote keyboard to the bodypack transmitter...

Страница 9: ...phone input on the mixer 2 Turn the VOLUME control 7 on the receiver front panel all the way CCW to set the re ceiver output to microphone level 1 Use a standard 1 4 jack cable to connect the UNBALANC...

Страница 10: ...nput gain is too low Set GAIN 18 to HIGH If OK 6a is lit constantly and CLIP 6b flashes frequently or is lit constantly the trans mitter input gain is too high Set GAIN 18 to LOW 6 Set the levels on y...

Страница 11: ...itter 4 Set the on off switch 22 to ON to switch power to the bodypack transmitter on 5 Set the SQUELCH control 14 on the receiver to minimum and switch power to the receiver on 6 Play your instrument...

Страница 12: ...the system Perform steps 1 through 6 for each frequency band separately 1 Switch power to all transmitters and receivers off 2 Set the frequency selectors on the transmitter and receiver for channel 1...

Страница 13: ...pecific volume or system gain setting called the feedback threshold the signal starts being regenerated indefinitely making the sound system howl and the sound engineer desperately dive for the master...

Страница 14: ...ble attach the sup plied windscreen to the microphone 1 Slide the windscreen onto the microphone capsule 2 Pull the windscreen over the outer edge of the microphone capsule A special moisture shield o...

Страница 15: ...ON 8 Insert batteries conforming to and marks 9 Replace batteries 10 Move closer to receiver or reduce squelch threshold setting 11 Remove obstructions 12 Avoid spots where you cannot see receiver 13...

Страница 16: ...C 15 kHz 15 kHz 15 kHz Rated deviation 15 kHz 15 kHz 15 kHz T H D at 1 kHz typ 0 8 typ 0 8 typ 0 8 Compander Yes Yes Yes Signal noise ratio typ 110 dB A typ 110 dB A typ 110 dB A RF output 10 mW 10 mW...

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