AirRaid Audio Relapse, Руководство по эксплуатации, Страница: 7 / 16

it will create a stereo delay (so long as
L-Time
and
R-Time
are set to di ff erent
values).
Note: By “mono delay”, we do not imply that the outputted audio signal will be
mono, as no summing takes place, only that the delay times of the Left and the
Right channels will be identical.
3.6.
Sync
— Syncs the Left and Right delay times to the song’s tempo.
3.7.
Equal
— Ensures that the Left and Right channels’ feedback times are equal,
regardless of each one’s individual settings. For example, a Left channel delay of
1/4 would logically decay earlier than its 1/3 Right channel counterpart, which is
not always desirable, and enabling
Equal resolves this.
4.
BAND FX
Relapse’s FX modules provide you with a suite of powerful tools to sculpt the sound of
your delay line. On board is a bi-polar frequency shifter, and a multimode filter with five
filter types and built-in saturation. Both the frequency shifter and the filter’s frequency can
be modulated with global Envelope Follower and per-band LFOs. In addition, each e
ff ect
can be placed in or out of the band delay’s feedback loop, creating a substantially
di
ff erent e ff ect (see: 9.3 ).
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4.1
4.2
4.4
4.3
4.6
4.5