Aguilar DB 680 Скачать руководство пользователя страница 3

 

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Input Gain Control:

  

 
This pot controls the gain of the preamp section.  Clean sounds are usually achieved by 
setting the input gain around 11 or 12 o’clock.  A little bit of musical distortion will occur 
if set past one or two o’clock. 
 

Dual Parametric Equalization:

 

 
There are two serially arranged active networks, +/-12db.  One EQ is set up from 180 Hz, 
(low mids), fully variable to 1.2K, (high mids), with fully adjustable bandwidth (Q), and 
level controls.  The other EQ is set up to be fully variable from 1.3K to 7.5K, (highs), 
again with fully variable bandwidth and level (boost and cut).  This is the most flexible 
arrangement for bass. 
 

What’s so great about 

fully parametric 

equalization?

 

 
Pleasant sounding equalization tends to be broad bandwidth.  This means that 
you’re boosting not only the selected "center frequency", but specific surrounding 
frequencies as well.  This makes for a more "musical" effect than a "fixed" narrow 
bandwidth equalization.  So why have bandwidth control? Because many useful "cuts" are 
narrow or relatively narrow.  For example, if you think your bass sound is muddy, you 
might want to decrease or cut 200 Hz, a frequency in the low-mids area.  But you 
probably don’t want to decrease the frequencies around 40 Hz, as that might make your 
low end sound weak.  Other bass preamps offer only "semi" or "quasi" parametric EQ.  
These types of EQ are not as effective because they don’t allow you to "zoom in" as 
precisely on the frequencies you wish to affect.  The DB 680’s EQ section is as 
sophisticated as the finest studio EQs available. 
 

TUBE EQ: 

 
Treble:

 

 
Tube driven shelving type, boosts up to 12db.  The center frequency is set at 
4 kHz. 
 

Bass:

 

 
Tube driven shelving type, boosts up to 12db.  The center frequency is set at 40 Hz. 
 

Deep Switch:

 

 
The deep switch controls a tube driven RLC resonant EQ, fixed at 30 Hz.  Two positions 
are provided for flexibility.  In the left setting (+) 30 Hz has a smaller amount of gain than 
in the right setting (++).  The (+) setting is great for "fattening up" a bass sound, while the 
(++) setting adds loads of bottom. 

Содержание DB 680

Страница 1: ...le classic studio gear The DB 680 has two fully parametric EQs not semi parametric for complete tone shaping possibilities a tube driven resonance circuit tube effects loop and variable balanced outpu...

Страница 2: ...tion Power consumption at 120 VAC 0 75 A 87 75 W Rack size 2 spaces Weight 17 lbs INPUTS Two Selectable Inputs There are two inputs on the front panel of the DB 680 There is an input selector switch t...

Страница 3: ...ow bandwidth equalization So why have bandwidth control Because many useful cuts are narrow or relatively narrow For example if you think your bass sound is muddy you might want to decrease or cut 200...

Страница 4: ...the loop The loop circuitry is active only when a plug is inserted in either return jack Master Output This controls the level of the signal going to your power amp Crossover section The crossover se...

Страница 5: ...e the 2 or 4 settings will provide better output levels Our balanced output uses the highest quality Jensen output transformer If you hear any ground noise change the position of the ground lift switc...

Страница 6: ...nd lows are separated and sent to the different outputs This frequency the crossover frequency is set by the characteristics of your speakers and amps but most players set it around 500 Hz F X Loop Th...

Страница 7: ...untouched For example you can pull out some 500 Hz from the midrange and leave the lows and highs intact if you set the bandwidth towards the right the narrow mountain because you are creating a narr...

Страница 8: ...s Contact us via phone fax or email techsupport aguilaramp com with a description of the problem We will then issue to you a return authorization number You are responsible for all shipping charges Yo...

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