Xtreme
Pag. 19
E l e c t r o n i c B r o a d c a s t E q u i p m e n t
Sec. 5-1
BRILLIANCE
Controls high frequencies and thus brilliance of the sound.
We recommend 3.0
Sec. 5-2 HF CLIPPING
Controls the timbre of high tones: either SOFT 0.0 or more cutting +6.0
We recommend 0.5
Sec. 5-3 PRESENCE
Controls medium frequencies whose range of values also includes voice signals.
We recommend 0.5
Sec. 5-4 MID BASS BOOST
Controls medium to low frequencies
We recommend 0.0
Sec. 5-5 LOW BASS BOOST
Controls low frequencies in two modes:
MODE A : Increases to obtain a peaking Bass
At full scale of MODE A there is automatic change-over to MODE B
MODE B : cancels mode A and increases a more muffled, softer bass.
Sec. 5-6 BASS MATCHING
Used to keep the Bass if Low Bass Boost is set high.
If low bass amplification is increased too much, sometimes the bass tends to go off its limit (it does not leave the 75KHz
modulation. The off limits bass effect is purely an acoustic effect ).
By using this control, high percentages of Low Bass Boost can be obtained, however, keeping the bass always under
control.
Bass Matching 0% = Free bass
Bass Matching 100% = Bass tied to medium frequency
We recommend 30%
Sec. 5-7 30Hz Hpf Filter
A filter which eliminates the “rumble” typical of turntables and feedback from speakers into the microphone.
We advise you to leave this ON
