RAM RP500 User Manual Download

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Manuel Utilisateur

User’s Manual

Analog and Digital Console Broadcast

(page 26 to 49)

RP500

WWW.RAMIAUDIO.COM

AUDIO VIDEO PROFESSIONNEL

Console de radiodiffusion

(page 1 à 25)

Summary of Contents for RP500

Page 1: ...Manuel Utilisateur User s Manual Analog and Digital Console Broadcast page 26 to 49 RP500 WWW RAMIAUDIO COM AUDIO VIDEO PROFESSIONNEL Console de radiodiffusion page 1 25...

Page 2: ...Manuel Utilisateur RP500 WWW RAMIAUDIO COM Console de Radiodiffusion AUDIO VIDEO PROFESSIONNEL...

Page 3: ...2 RP500 RAmi...

Page 4: ...jack avec t l commande rouge antenne C blage avec un insert t l phonique TEL150 SOMMAIRE 04 05 06 08 10 12 16 20 21 22 23 23 INTRODUCTION SYNOPTIQUE ALIMENTATION MODULE D ENTREE MODULE DE SORTIE CART...

Page 5: ...rt PGM2 pour les enregistrements hors Antenne La premi re sortie pour l animateur principal re oit les ordres du r alisateur la deuxi me pour les invit s ne re oit pas les ordres La RP500 est pourvue...

Page 6: ...ANT L ANT R PGM2 L PGM2 R Hybrid L Hybrid R Red light mute Left Right EXTENSION Left EXTENSION Right 7 identical INPUT modules MASTER MIC module HYBRID module EXTENTION module MIDI START module USB m...

Page 7: ...V V ON 1 2 3 4 5 Face arri re 1 5 6 9 13 5V 0V 13 5V Made in France Fr 230V 5060Hz 40W T 1A L 13 5 V 1A 13 5 V 1A ALIMENTATION Power Supply 6 RP500 RAmi...

Page 8: ...apparitions de bruit de ronflement en connectant la console sur une sonorisation existante ne jamais interrompre le connecteur terre de protection mais utilisez des quipements d isolation galvanique...

Page 9: ...BASS A ANTENNA REC PGM2 35 25 0dB 3 6 60 40 30 20 15 10 5 START PFL 10 16 6 3 0dB 6 3 10 SENS 0 0 10 10 HYBRID 12 12 12 12 12 12 0 0 0 MIC 1 LINE 1 LINE 2 1 6 9 4 8 10 12 11 13 14 15 16 2 1 3 5 7 MOD...

Page 10: ...ne 12 associ e un t moin lumineux Cl d affectation de la voie vers le d part st r o PGM2 Rec 13 Cl de pr coute PFL associ e un t moin lumineux Elle permet d envoyer le son directement vers vum tre et...

Page 11: ...o 21dBu LINE 2 MIC SENS START LINE 1 OFF ON MIC 1 PHANTOM SUPPLY R L R L L CHANNEL 1 START PUSH 2 1 3 PUSH XLR 3 pts Femelle 1 Masse ch ssis 2 Pt chaud 3 Pt froid Exemple de c blage XLR MODULE D ENTRE...

Page 12: ...ud en 2 Point froid en 3 D Embase RCA d entr e droite Ligne 2 E Embase RCA d entr e gauche Ligne 2 F Embase RCA d entr e droite Ligne 1 G Embase RCA d entr e gauche Ligne 1 H Embase jack de t l comman...

Page 13: ...REC PGM2 AFL ON STUDIO OUT PHONES MASTER MIC EXTENSION ON OFF OFF ON PFL AFL L L R R 6 3 1 9 12 15 18 22 28 35 1 3 6 0dB HYBRID MIC SENS VOL VOL VOL VOL VOL TRESHOLD RELEASE 0 0 0 0 0 0 0 0 10 10 10...

Page 14: ...des intervenants par la sortie Studio OUT 12 T moin lumineux indiquant la s lection de la modulation PGM2 Rec vers la sortie Studio 13 Potentiom tre de volume de la sortie Studio 14 Commutateur perme...

Page 15: ...STUDIO ANTENNA REC PGM2 AFL ON STUDIO OUT PHONES MASTER MIC EXTENSION ON OFF OFF ON PFL AFL L L R R 6 3 1 9 12 15 18 22 28 35 1 3 6 0dB HYBRID MIC SENS VOL VOL VOL VOL VOL TRESHOLD RELEASE 0 0 0 0 0 0...

Page 16: ...tre de r glage des aigus Efficacit 12 dB La position m diane du potentiom tre est neutre 32 Potentiom tre de r glage des m diums Efficacit 12 dB La position m diane du potentiom tre est neutre 33 Pote...

Page 17: ...SEND USB AUDIO OUT RETURN PHONES POWER SUPPLY 15V DC 1 A max 15V DC 1 A max ON AIR GPO PGM2 REC USB AUDIO IN OUT WITHOUT WITH MASTER MIC OTHER MIC PUSH PUSH PUSH 3 2 1 1 Masse ch ssis 2 Pt chaud 3 Pt...

Page 18: ...s Sortie PGM2 REC J Embase XLR 3 points de sortie gauche de PGM2 REC de type sym trique K Embase XLR 3 points de sortie droite de PGM2 REC de type sym trique Sortie ANTENNE L Embase XLR 3 points de so...

Page 19: ...R L C ROOM 1 3 2 R L R L DIGITAL OUT AES EBU ALL MIC DJ DJ ONLY C ROOM MUTE R L R L SEND USB AUDIO OUT RETURN PHONES POWER SUPPLY 15V DC 1 A max 15V DC 1 A max ON AIR GPO PGM2 REC USB AUDIO IN OUT WI...

Page 20: ...selon la position de l interrupteur W Cette entr e est du type Sym trique lectronique Masse en 1 Point chaud en 2 Point froid en 3 Y Embase Jack de t l commande des rouges Antenne ext rieurs Il y a de...

Page 21: ...pour envoyer les commandes de start AD Dip switch permettant de changer le mode de start pour coller au mieux votre logiciel de radio diffusion 1 2 3 4 on Hold Envoi d une valeur de start fixe Revers...

Page 22: ...n carte MIDI et USB RP500 2 console avec potentiom tre master sortie AES sans option carte MIDI et USB RP500 3 console avec potentiom tre master et interface start MIDI et USB Dimensions d encastremen...

Page 23: ...MIC position micro Master MIC position line Sym trique Sym trique Studio avec Ordre Studio Hybrid Sym trique Asym trique Asym trique 47 KOhms 10 KOhms 12 KOhms 47 KOhms 4 7 KOhms 4 7 KOhms 4 7 KOhms 4...

Page 24: ...500 page 18 Y Jack pour connecteur ON AIR GPO voir notice RP500 page 18 Y Jack pour connecteur ON AIR GPO HYBRID embases D page 16 Connecter la ligne t l phonique sur les points 1 et 3 du conjoncteur...

Page 25: ...ithout prior notice RAmi se r serve le droit de modifier les sp cifications du produit sans pr avis E mail rami ramiaudio com T l 33 0 1 64 66 20 20 Fax 33 0 1 64 66 20 30 7 Rue Raoul Follereau 77600...

Page 26: ...Analog and Digital Console Broadcast User s Manual RP500 WWW RAMIAUDIO COM AUDIO VIDEO PROFESSIONNEL...

Page 27: ...RAmi RP500 2...

Page 28: ...l Rear panel Jack with ON AIR control wiring TEL150 Hybrid wiring 04 05 06 08 10 12 16 20 21 22 23 23 SUMMARY INPUT CHANNEL OUTPUT CHANNEL INTRODUCTION POWER SUPPLY MIDI CARD DIMENSIONS SPECIFICATIONS...

Page 29: ...oiding audio feedback The studio output is the same as a antenna output RP500 features a unique channel for the main speaker with tone controls one output for hybrid and a ON OFF key for fast action T...

Page 30: ...ANT L ANT R PGM2 L PGM2 R Hybrid L Hybrid R Red light mute Left Right EXTENSION Left EXTENSION Right 7 identical INPUT modules MASTER MIC module HYBRID module EXTENTION module MIDI START module USB mo...

Page 31: ...V V RMP 26 POWER SUPPLY ON POWER SUPPLY 1 2 3 4 5 Rear panel 1 5 6 9 13 5V 0V 13 5V Made in France Fr 230V 5060Hz 40W T 250mA L 13 5 V 1A 13 5 V 1A RAmi RP500 6...

Page 32: ...quipement without proper grounding Check quality of grounding Should noise or hum occurs when connected to other equipments never disconnect grounding use insulating transformer on mains Never open th...

Page 33: ...MID BASS A ANTENNA REC PGM2 35 25 0dB 3 6 60 40 30 20 15 10 5 START PFL 10 16 6 3 0dB 6 3 10 SENS 0 0 10 10 HYBRID 12 12 12 12 12 12 0 0 0 MIC 1 LINE 1 LINE 2 1 6 9 4 8 10 12 11 13 14 15 16 2 1 3 5 7...

Page 34: ...associated indicator Sens audio to the display and headphones even is fader16 is closed 14 Start and associated indicator It requires two actions On one hand First key 14 must be on and fader 16 sligh...

Page 35: ...38dBu 49dButo 21dBu LINE 2 MIC SENS START LINE 1 OFF ON MIC 1 PHANTOM SUPPLY R L R L L CHANNEL 1 START PUSH 2 1 3 PUSH XLR 3 pts Female 1 Ground 2 hot 3 cold Example XLR wiring INPUT CHANNEL 1 MIC1 L...

Page 36: ...e 2 right input E RCA socket Line 2 left input F RCA socket Line 1 right input G RCA socket Line 1 left input H Jack START remote control Internal circuit uses opto coupler Above description applies t...

Page 37: ...A REC PGM2 AFL ON STUDIO OUT PHONES MASTER MIC EXTENSION ON OFF OFF ON PFL AFL L L R R 6 3 1 9 12 15 18 22 28 35 1 3 6 0dB HYBRID MIC SENS VOL VOL VOL VOL VOL TRESHOLD RELEASE 0 0 0 0 0 0 0 0 10 10 10...

Page 38: ...All microphone channels are switched to PGM2 recording uses PGM2 output and people listen the headphones trough Studio out 12 Indicator ON when PGM2 Rec goes to Studio output 13 Studio level control 1...

Page 39: ...STUDIO ANTENNA REC PGM2 AFL ON STUDIO OUT PHONES MASTER MIC EXTENSION ON OFF OFF ON PFL AFL L L R R 6 3 1 9 12 15 18 22 28 35 1 3 6 0dB HYBRID MIC SENS VOL VOL VOL VOL VOL TRESHOLD RELEASE 0 0 0 0 0...

Page 40: ...4 to 30dBu 30 Send to Hybrid control Telephone hybrid 31 High control ranges 12 12dB center is neutral 32 Middle control ranges 12 12dB center is neutral 33 Bass control ranges 12 12dB center is neutr...

Page 41: ...NLY C ROOM MUTE R L R L SEND USB AUDIO OUT RETURN PHONES POWER SUPPLY 15V DC 1 A max 15V DC 1 A max ON AIR GPO PGM2 REC USB AUDIO IN OUT WITHOUT WITH MASTER MIC OTHER MIC PUSH PUSH PUSH 3 2 1 1 Earth...

Page 42: ...output I 3 pins XLR AES EBU digital out 48KHz 24 bits PGM2 REC output J 3 pins balanced XLR left PGM2 REC output K 3 pins balanced XLR right PGM2 REC output ANTENNA output L 3 pins balanced XLR left...

Page 43: ...OUT R L C ROOM 1 3 2 R L R L DIGITAL OUT AES EBU ALL MIC DJ DJ ONLY C ROOM MUTE R L R L SEND USB AUDIO OUT RETURN PHONES POWER SUPPLY 15V DC 1 A max 15V DC 1 A max ON AIR GPO PGM2 REC USB AUDIO IN OUT...

Page 44: ...ic for X input MASTER MIC Key pressed Microphone level Key depressed Line level X 3 pins electronically balanced female XLR socket input for Mic or Line according to W position 1 Ground 2 Hot 3 Cold Y...

Page 45: ...AC Dip switch to change the midi channel used to send start commands AD Dip switch to change start mode in order to exactly march your automation software 1 2 3 4 on Hold Send a fixed start value Rev...

Page 46: ...and USB option RP500 2 Mixing desk using master faders AES output without MIDI card and USB option RP500 3 Mixing desk using master faders AES output T Start MIDI controller and USB audio IN OU Fitti...

Page 47: ...nced Master MIC micro position Master MIC line position Balanced Balanced Studio with talkback Studio Hybrid Balanced Unbalanced Unbalanced SPECIFICATIONS 47 KOhms 10 KOhms 12 KOhms 47 KOhms 4 7 KOhms...

Page 48: ...ector see RP500 manual page 18 Y see RP500 manual page 18 Y Jack for ON AIR GPO connector Jack for ON AIR GPO connector HYBRID socket D page 16 Connect telephone line to the connector pins 1 and 3 Ord...

Page 49: ...ithout prior notice RAmi se r serve le droit de modifier les sp cifications du produit sans pr avis E mail rami ramiaudio com T l 33 0 1 64 66 20 20 Fax 33 0 1 64 66 20 30 7 Rue Raoul Follereau 77600...

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