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System Setup Bulk Data

Transmission is enabled on the MIDI channel of the currently selected bank. Data
is transmitted when BULK OUT 2 is displayed and BULK OUT is executed, and when
the SYSTEM SETUP DATA DUMP REQUEST message is received.

STATUS

ID No.

SUB STATUS
FORMAT No.
BYTE COUNT
BYTE COUNT

DATA NAME

SOFT VERSION
SOFT VERSION

DATA Oddddddd

16BYTE

Oddddddd
Oeeeeeee
11110111(F7H)

CHECK SUM
EOX

59 Memory/All Banks/All ER Patterns/System Setup Data/Bulk Data

Transmission is enabled on the MIDI channel of the currently selected bank. Data
is transmitted when BULK OUT 1 is displayed and ALL BULK OUT is executed. The
data to be transmitted is the programs of Memory Nos. 41 - 9 9 , all programs of
the 4 bank change charts, the four ER patterns, and the System Setup data. The
transmission order is as follows: programs of Memory Nos. 41 to 9 9 , Bank A
program change chart to Bank D program change chart, ER pattern A to ER pattern
D , and System Setup data.

Add-18

11110000(F0H)
01000011(43H)
0000nnnn(0nH)
01111110(7EH)
00000000(00H)
00011100(1CH)
01001100 ( 4 C H ) " L "
01001101 ( 4 D H ) " M "
00100000 (20H)SPACE
00100000(20H)SPACE
0 0 1 1 1 0 0 0 ( 3 8 H ) " 8 "
0 0 1 1 0 0 1 1 ( 3 3 H ) " 3 "

0 0 1 1 0 1 1 1 ( 3 7 H ) " 7 "
0 0 1 1 1 0 0 0 ( 3 8 H ) " 8 "
0 1 0 1 0 0 1 1 ( 5 3 H ) " S "
00100000(20H)SPACE

N o . Ovvvvvvv
N o . Orrrrrrr

n=0(Channel NO.1)~15(Channel N o . 1 6 )

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Summary of Contents for SPX1000

Page 1: ...AUTHORIZED PRODUCT MANUAL YAMAHA Professional Multi effect Processor ...

Page 2: ...YAMAHA Professional Multi effect Processor Operation Manual ...

Page 3: ...ures listed below are applicable world wide This series of Yamaha professional music equipment uses frequencies that appear in the radio frequency range and if installed in the immediate proximity of some types of audio or video devices within three meters interference may occur This series of Yamaha combo equipment have been type tested and found to comply with the specifications set for a class ...

Page 4: ... 18 14 STEREO FLANGE B 18 15 CHORUS 18 16 STEREO PHASING 18 17 TREMOLO 18 18 SYMPHONIC 18 NOISE GATE 19 19 ADR NOISE GATE 19 PITCH CHANGE PROGRAMS 19 20 PITCH CHANGE 1 20 21 PITCH CHANGE 2 20 22 PITCH CHANGE 3 20 39 STEREO PITCH 21 FREEZE PROGRAMS 21 23 FREEZE 1 21 24 FREEZE 2 23 40 STEREO FREEZE 23 PAN PROGRAMS 23 25 PAN 24 26 TRIGGERED PAN 24 DISTORTION PROGRAM 24 27 DISTORTION 24 MULTI EFFECT P...

Page 5: ...m battery which maintains the contents of the buffer and user memory locations even when the unit is turned OFF With normal use the battery should last for approximately 5 years If the battery voltage falls below the safe level however the WARNING LOW BATTERY display will appear on the LCD when the power is first turned ON If this occurs have the battery replaced by a qualified Yamaha service cent...

Page 6: ...er has been selected its value or setting can be changed using the parameter and keys 9 Details on page 12 INT PARAMETER Key Accesses a special set of internal parameters for each effect program Once the INT PARAM key has been pressed both the INT PARAM key and SCROLL BACK 7 key can be used to select parameters Once the desired parameter has been selected its value or setting can be changed using ...

Page 7: ...ving only the direct signal when BYPASS is active The BYPASS key has the same function as a footswitch plugged into the rear panel BYPASS jack THE CONNECTOR PANEL 4 Details on page 9 LCD Liquid Crystal Display This 16 character x 2 line liquid crystal display panel normally displays the title of the selected effect on the top line and a selected parameter and its value on the bottom line One or bo...

Page 8: ...etails on page 9 INC DEC Footswitch Jack An optional Yamaha FC5 footswitch or equivalent connected to this jack can be used to recall a range of programs specified by the UTILITY mode F SW MEMORY RECALL RANGE function Details on page 34 TRIGGER 1 SW Footswitch Jack The TRIGGER 1 SW footswitch jack accepts a Yamaha FC5 or equivalent footswitch for foot controlled triggering of any SPX1000 effect pr...

Page 9: ...rs a choice of input modes as well as analog and digital input output configurations providing extraordinary flexibility in adapting to various systems and requirements INPUT MODES The SPX1000 offers the following input modes regardless of the selected DIGITAL I O mode STEREO NORMAL 6 This is the normal mode of operation in which left and right channel signals received at the left and right channe...

Page 10: ...alog OUTPUT L and R jacks DIGITAL DIGlTAL ONLY In this mode the analog INPUT L and R jacks are inactive and the SPX1000 receives input via the DIGITAL IN connector Both the analog OUTPUT L and R and DIGITAL OUT connectors are active so that the SPX1000 s output can be simultaneously fed to analog and digital equipment if required Selecting a DIGITAL l O Mode DIGITAL I O modes are selected using th...

Page 11: ...m internal INT to external EXT or vice versa a noise pulse may appear at the outputs This also occurs if the SPX1000 is switched from digital to analog input while CLK is set to EXT CLK is automatically reset to INT in this case Be sure to lower the volume level of equipment connected to the SPX1000 outputs when performing any of above operations 8 ...

Page 12: ...outed to the output terminals i e the effect is OFF Press the BYPASS key or footswitch a second time to turn off the BYPASS Key LED and turn the effect back ON Each SPX1000 program has 4 different groups of parameters which are accessed by pressing the corresponding parameter select keys KEY ACCESSES PARAM The main effect parameters for each program These parameters will vary according the type of...

Page 13: ...y will stop flashing and the stored memory location will become the active effect NOTE You CANNOT store edited data to memory locations 1 through 40 If you attempt to do this the LCD will show READ ONLY NOTE Once an effect has been stored in a memory location between 41 and 99 its parameters can be further edited in the new memory location Such changes will be lost if a different effect is selecte...

Page 14: ...AX parameters for the appropriate controller to set the control range If the parameter to be controlled has a range of 0 to 100 for example setting the MIN parameter to 20 and the MAX parameter to 80 will allow the foot controller to vary the selected parameter from 20 to 80 of its total range NOTE Either or both controllers may be assigned When both controllers are used each can be assigned a dif...

Page 15: ...ilter mode provides a filter which can be automatically swept across a specified frequency range by the SPX1000 s internal low frequency oscillator or the level of the input signal PARAMETERS AVAILABLE IN THE EQ MODE Low EQ Peaking or Shelving Response LOW EQ PEAK SHLV High EQ Peaking or Shelving Response HIGH EQ PEAK SHLV These parameters determine whether the corresponding band has a peaking or ...

Page 16: ...y and thus the speed of dynamic filter sweep when the LFO control type is selected 2 CHANNEL PROGRAM PROGRAMS 31 35 EQ PARAMETERS The EQ parameters for the 2 channel programs programs 31 35 are the same as for the other programs except that separate EQ parameters are provided for the left and right channels when the EQ mode is selected L LOW EQ Left channel Low EQ L LOW F Left channel Low Frequenc...

Page 17: ...THRU 5 REV5 ECHO ROOM Reverb Time REV TIME 0 3 480 seconds The length of time it takes for the level of reverberation at 1 kHz to decrease by 60 dB virtually to silence In a live setting this depends on several factors room size room shape type of reflective surfaces and others Room Width WIDTH 0 5 100 0 meters Room Height HEIGHT 0 5 100 0 meters Room Depth DEPTH 0 5 100 0 meters These parameters ...

Page 18: ...ions the initial group of sparse reflections that precede the dense reverb sound and the beginning of the reverb sound Density DENSITY 0 4 This parameter determines the density of the reverb reflections i e the average amount of time between reflections A setting of 1 produces minimum reverb density for a more spacious sound while a setting of 4 produces the most dense tightest reverberation Trigg...

Page 19: ...ngly live sound simulating an increasing area of reflective surfaces in the room 16 Diffusion DIFFUSION 0 10 The complexity of the many reflections that make up reverberation varies according to the shape of the room and its contents In the SPX1000 the term diffusion refers to the complexity of these reflections If the DIFFUSION parameter is set to 0 minimum complexity and therefore a clearer more...

Page 20: ... H z Permits rolling off the low frequency content of the reverb signal above the set frequency The HPF is OFF when set to THRU Low pass Filter Frequency LPF FRQ 1 16 kHz THRU Permits rolling off the high frequency content of the reverb signal above the set frequency The LPF is OFF when set to THRU Feedback 1 Delay FB1 DLY 0 1 5200 milliseconds Feedback 2 Delay FB2 DLY 0 1 5200 milliseconds Two se...

Page 21: ...strument The flanging effect is produced by varying the delay between two identical signals thus producing a complex varying comb filter effect Phasing is basically a gentler version of the flange effect lending a smooth animated quality to the original sound The tremolo effect is produced in the same way as the flange effect but has a bigger more sweeping sound The symphonic effect adds richness ...

Page 22: ...e to open fully from the time it begins to open Decay Time DECAY 3 24000 milliseconds Determines the length of time it takes for the gate envelope to fall to DECAY LEVEL after it is fully open Decay Level DECAY LVL 0 100 Determines the level at which the gate remains open for the HOLD TIME The lower the value the lower the HOLD gate level Hold Time HOLD 1 24000 milliseconds Determines how long the...

Page 23: ...he left and right channel outputs the direct sound is positioned at the center of the stereo sound field for a true stereo harmony effect 20 Left Pitch Shift L PITCH 24 24 Right Pitch Shift R PITCH 24 24 Set the pitch of the left or right channel pitch shifted note between two octaves below 24 and two octaves above 24 the input note Left Fine Tuning L FINE 100 100 Right Fine Tuning R FINE 100 100 ...

Page 24: ...channel on which the synthesizer is transmitting If for example the BASE KEY parameter is set to C4 pressing the C3 key on the synthesizer C3 is one octave lower than C4 will set the pitch change value to 12 Pressing D4 on the keyboard would produce a pitch increase of one whole tone 2 When two keys are pressed the highest note determines the pitch of the 1 PITCH or L PITCH sound and the lower not...

Page 25: ...ard or other device e g play a key on the keyboard Overdub Ready OVERDUB RECORD see above is used to sample a new sound OVERDUB is used to record a new sound over a previously recorded sound Call the OVERDUB display and begin overdubbing by using either the MANUAL or AUTO method described above The display changes to while overdubbing is in progress and then to OK when overdubbing is complete OVER...

Page 26: ...ling of left and right channel signals TRG DLY 2900 1000 milliseconds START END 0 2900 milliseconds PARAMETERS ACCESSED BY THE INT PARAM KEY Please note that the FREEZE 2 program has only the BASE KEY internal parameter Input Trigger INPUT TRG OFF ON Determines whether playback can be triggered by an input signal of sufficient level Analog Trigger ANALOG TRG OFF ON Determines whether playback can ...

Page 27: ...sk TRG MSK 3 24000 milliseconds This parameter makes it impossible to re trigger the effect until the programmed time has elapsed Attack Time ATTACK 3 24000 milliseconds Determines how rapidly the panning effect begins Panning Time PANNING 3 24000 milliseconds Determines how long it takes to complete the main portion of the pan Release Time RELEASE 3 24000 milliseconds Determines the speed of the ...

Page 28: ...s fully closed The larger the value the smoother the cut off of the reverberation sound becomes MULTI EFFECT PROGRAMS 28 MULTI CHO REV 29 MULTI SYM REV 30 MULTI EXC REV The SPX1000 multi effect programs combine compressor distortion equalizer or dynamic filter access via EQ key reverb and chorus or exciter effects Refer to the effect configuration diagram for each program to understand how the var...

Page 29: ...efer to MULTI CHO REV on page 26 30 MULTI EXC REV 26 The COMPRESSOR DISTORTION and REVERB parameters for this program are the same as for MULTI CHO REV and MULTI SYM REV described above When the EXCITER EX effect is turned ON the following parameters also appear EX HPFF Refer to EXCITER on page 30 EX ENHANCE Refer to EXCITER on page 30 EX MIX LVL Refer to EXCITER on page 30 2 CHANNEL PROGRAMS The ...

Page 30: ...oom Size ROOM SIZE Refer to EARLY REF 1 on page 16 Early Reflection Liveness LIVENESS Refer to EARLY REF 1 on page 16 Early Reflection Diffusion ER DIF Refer to EARLY REF 1 on page 16 Early Reflection Initial Delay ER DLY Refer to EARLY REF 1 on page 16 Rev Reverb Time REV RT Refer to REV 1 HALL on page 14 Rev High Frequency Reverb Time Ratio REV HIGH Refer to REV 1 HALL on page 14 Reverb Low pass...

Page 31: ...Delay REV DLY Refer to REV 1 HALL on page 14 PARAMETERS ACCESSED BY THE INT PARAM KEY Stereo or Mono x 2 Output OUT MODE ST MO x 2 When set to ST stereo the outputs of the left and right channel processors are mixed and the output signal is delivered in stereo When MONO x 2 is selected the left and 28 right channel processors are completely independent Reverb Low pass Filter Frequency REV LPF 1 16...

Page 32: ...e compression effect begins Set at a low level 48 dB all input signals will be compressed At a higher level only those signals exceeding the THRESHOLD level will be compressed thus producing a limiting effect The THRESHOLD level must be set to match the level and characteristics of the instrument being used as well as the desired effect Compression Ratio RATIO 1 20 This parameter sets the amount o...

Page 33: ...Initial Delay Time DELAY 0 1 2300 milliseconds Determines the time delay between the direct sound and the beginning of expander operation EXCITER PROGRAM 38 EXCITER This program artificially adds appropriate harmonics to the input signal adding luster and effectively bringing buried sounds to the foreground HPF FRQ 500Hz 16kHz Determines the range of high harmonics added to the input sound The sma...

Page 34: ...d by the EARLY REF 3 effect program Each pattern is comprised of up to 19 separate reflections The delay level a stereo position pan of each reflection can be individually programmed 1 Use the UTILITY key to call the USER ER EDIT function 2 Use the parameter and keys to select the pattern you wish to edit A B C or D 3 Press the PARAM key to call the 1 DLY parameter and use the parameter and keys t...

Page 35: ... receive channels and program number memory number assignments is given below 32 Bank Selection and MIDI Channel Programming 1 Press the UTILITY key until the MIDI CONTROL function appears 2 The underline cursor should be under the BANK parameter Use the parameter and keys to select the bank you wish to program 3 Move the cursor to the ch parameter by pressing the PARAM key then use the parameter ...

Page 36: ... synthesizer connected to the SPX1000 MIDI IN connector assuming that the MIDI channels are properly matched The cursor can be moved back to the ASS parameter if necessary by pressing the SCROLL BACK key BULK OUT 1 BULK OUT 2 This function permits dumping program data and or BANK MIDI assignments via the MIDI OUT terminal The MIDI THRU OUT terminal must be switched to MIDI This permits transferrin...

Page 37: ...function The underline cursor should be located under the first memory number in the range 2 Use the parameter and keys to enter the first number in the range 3 Press the PARAM key to move the cursor to the second number in the range 4 Use the parameter and keys to enter the second number in the range 34 F SW MEMORY RCL RANGE 50 TO 60 If for example the RANGE parameter is set to 50 TO 60 as shown ...

Page 38: ...6 DATA SPECIFICATIONS ROM CONTENTS AND CONTROLLABLE PARAMETERS Add 1 ...

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Page 40: ...Add 3 ...

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Page 52: ...TE Oddddddd Oeeeeeee 11110111 F7H M l MEMORY No 1 99 MEMORY N o 9 9 Add 15 2 TransmittingData 2 1 System information 1 System Exclusive Messages MEMORY BULK DATA MIDI DATA FORMAT Transmission is enabled on the MIDI channel of the currently selected bank Data is transmitted when BULK OUT 1 is displayed and BULK OUT is executed and when the MEMORY BULK DUMP REQUEST message is received The data to be...

Page 53: ...program numbers and memory numbers If the bank number is the data from banks 1 4 A D is transmitted in succession STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT 11110000 FOH 01000011 43H OOOOnnnn OnH 01111110 7EH 00000001 01H 00001010 OAH 01001100 4CH L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 38H 8 00110011 33H 3 00110111 37H 7 00111000 38H 8 01010100 54H T Ozzzzzzz ...

Page 54: ... pattern number is patterns 1 4 A D are transmitted in succession STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT DATA NAME ER PATTERN No DATA CHECK SUM EOX 11110000 F0H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000001 01H 01101110 6EH 01001100 4CH L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 38H 8 00110011 33H 3 00110111 37H 7 00111000 38H 8 01000101 45H E Ozzzzzzz n 0 C...

Page 55: ...cted bank Data is transmitted when BULK OUT 1 is displayed and ALL BULK OUT is executed The data to be transmitted is the programs of Memory Nos 41 9 9 all programs of the 4 bank change charts the four ER patterns and the System Setup data The transmission order is as follows programs of Memory Nos 41 to 9 9 Bank A program change chart to Bank D program change chart ER pattern A to ER pattern D an...

Page 56: ...Memory No 41 99 Memory N o 9 9 0ddddddd 0eeeeeee 11110111 F7H 256BYTE CHECK SUM EOX STATUS 11110000 F0H MEMORY 42 MEMORY9 9 11110111 F7H EOX STATUS 11110000 F0H EOX 11110111 F7H STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT DATA NAME BANK No 11110000 F0H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000001 01H 00001010 0AH n 0 Channel No 1 15 Channel N o 1 6 01001100 4CH L 01001101 4DH M 0010...

Page 57: ... 11110111 F7H BANK B BANK C BANK D 11110000 FOH 0100001l 43H OOOOnnnn OnH 01111110 7EH 00000001 01H 01101110 6EH n 0 Channel No 1 15 Channel N o 1 6 01001100 4CH L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 38H 8 00110011 33H 3 00110111 37H 7 00111000 38H 8 01000101 4 5 H E ER PATTERN Ozzzzzzz Oddddddd Oddddddd Oeeeeeee 11110111 F7H 11110000 FOH 11110111 F7H 11110000 FOH 1111011...

Page 58: ...H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000000 00H 00011100 1CH 01001100 4CH L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 3 8 H 8 00110011 3 3 H 3 00110111 37H 7 00111000 38H 8 01010011 5 3 H S 00100000 20H Ovvvvvvv orrrrrrr DATA NAME SOFT VERSION No SOFT VERSION No n 0 Channel No 1 15 Channel No 16 Add 21 ...

Page 59: ...I channel of the currently selected bank For programs of Memory Nos 1 5 1 9 and 2 6 if the parameter of MIDI TRG is ON this is received as a trigger For programs of Memory Nos 20 24 3 9 and 40 this is received as a message to control pitch variation The velocity value is ignored Reception is not possible when the Base Key parameter is OFF Add 22 ...

Page 60: ...7 G8 VELOCITY ovvvvvvv v 0 127 Control Change Reception is enabled on the MIDI channel of the currently selected bank When receiving parameters can be controlled Change them by using the corresponding controller based on the Control Assignment List STATUS 1011nnnn BnH n 0 CHANNEL NO 1 15 CHANNEL NO 16 CONTROL NO 0ccccccc c 0 120 CONTROL VALUE 0vvvvvvv v 0 127 Program Change Reception is enabled on...

Page 61: ...n 2nH n 0 Channel No 1 15 Channel No 16 FORMAT No 01111110 7EH 01001100 4CH L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 38H 8 00110011 3 3 H 3 00110111 37H 7 00111000 38H 8 DATA NAME 01001101 4DH M MEMORY No 0mmmmmmm M 41 memoryNo 41 99 MEMORYNo 9 9 EOX 11110111 F7H Program Change Chart Bulk Dump Request Reception is enabled on the MIDI channel of the currently selected bank Wh...

Page 62: ...nk When this message is received BULK OUT is executed for the data of the indicated ER pattern number STATUS 11110000 F0H ID No 01000011 43H SUB STATUS 0010nnnn 2nH n 0 Channel No 1 15 Channel N o 1 6 FORMAT No 01111110 7EH 01001100 4CH L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 3 8 H 8 00110011 33H 3 00110111 3 7 H 7 00111000 3 8 H 8 DATA NAME 01000101 45H E ER PATTERN No 0zz...

Page 63: ...ion is enabled on the MIDI channel of the currently selected bank When this message is received the desired bank can be switched to STATUS ID No SUB STATUS FORMATNo 11110000 F0H 01000011 43H 0010nnnn 2nH n 0 Channel No 1 15 Channel N o 1 6 01111110 7EH 01001100 4 C H L 01001101 4DH M 00100000 20H SPACE 00100000 20H SPACE 00111000 3 8 H 8 00110011 3 3 H 3 00110111 37H 7 00111000 3 8 H 8 01010101 55...

Page 64: ...n Bulk Data Same as User ER Pattern Bulk Data for transmission System Setup Bulk Data Same as System Setup Bulk Data for transmission When receiving from the MIDI Data Filer MDF1 a computer or other sources the time interval between data exchanges F7 F0 with the other unit must be set to 30msec or longer Add 27 ...

Page 65: ...e OFF After Key s Touch Ch s Pitch Bender 0 120 Control Change Prog Change True System Exclusive System Song Pos Song Sel Common Tune System Clock Real Time Commands Aux Local ON OFF A11 Notes OFF Mes Active Sense sages Reset Notes 1 For program 1 128 memory 1 99 is selected 2 Active sensing is recognized only in freeze x x x x x x x 0 x x x x x x x x x 0 127 x x x x x x 0 o 0 127 0 X X X X X X X ...

Page 66: ...Add 29 BLOCK DIAGRAM ...

Page 67: ...Add 30 DIMENSIONS ...

Page 68: ...OTE ON MIDI BASE KEY SELECT TRIGGER CONTROL CHANGE BULKDUMP LOAD PARAMERTER DUMP FRONT PANEL CONTROLS KEYS DISPLAY CONNECTORS REAR PANEL CONNECTORS SWITCHS GENERAL POWERSUPPLY DIMENSIONS W x H x D INPUT LEVEL PARAM INC DEC PARAMETER SCROLL BACK LEVEL EQ INT PARAM EXT CTRL ASSIGN STORE MEMORY INC DEC RECALL UTILITY TRIGGER BYPASS 16 CHARA x 2 LINE LCD 2 DIGIT 7 SEGMENT LED MEM 2 ch 8 SEGMENT LED LE...

Page 69: ...Add 32 ...

Page 70: ...Add 33 ...

Page 71: ...Add 34 DIO Mode Analog Pre Post Digital ...

Page 72: ...Add 35 Input Mode Stereo Normal Stereo Reverse Mono L Mono R ...

Page 73: ...Effect Mode Multi No 28 30 2ch ln No 31 35 Stereo No 36 40 Add 36 Single No 1 27 ...

Page 74: ...EREO PHASING TREMOLO SYMPHONIC ADR NOISE GATE PITCHCHANGE 1 PITCH CHANGE 2 PITCH CHANGE 3 FREEZE 1 FREEZE 2 PAN TRIGGERED PAN DISTORTION MULTI CHO REV MULTI SYM REV MULTI EXC REV PLATE HALL ER REV ECHO REV Memory No 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 ProgramTitle CHORUS REV PAN PAN COMPRESSOR LO LVL EXPANDER EXCITER STEREO PITCH STERE...

Page 75: ...Add 38 ...

Page 76: ...M 60 PGM 61 PGM 62 PGM 63 PGM 64 PGM 65 PGM 66 PGM 67 PGM 68 PGM 69 PGM 70 PGM 71 PGM 72 PGM 73 PGM 74 PGM 75 PGM 76 PGM 77 PGM 78 PGM 79 PGM 80 PGM 81 PGM 82 PGM 83 PGM 84 PGM 85 PGM 86 MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM MEM PGM 87 PGM 88 PGM 89 PGM 90 PGM 91 PGM 92...

Page 77: ......

Page 78: ...YAMAHA YAMAHA CORPORATION P O Box1 Hamamatsu Japan 88 12 0 75 CR Printed in Japan ...

Page 79: ...YAMAHA Yamaha Corporation of America 6600 Orangethorpe Avenue P O Box 6600 Buena Park CA 90622 6600 1 24 97 24955 ...

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