Yamaha M2500-24 Brochure & Specs Download Page 6

PW3000MA Power Supply

A newly developed, high-performance PW3000MA power supply unit  is available as an
optional accessory for the M2500 mixing  console. Two PW3000MA units can be parallel
connected so that if one fails the other will automatically take over — with no need for
any extra automatic switchover equipment.

Rear Panel

PW3000MA Specifications

Power consumption

U.S. and Canadian model:  120V AC,60Hz / 500W 600 VA
European model:

230V AC, 50Hz/ 500W

Australian model:

240V AC, 50Hz/ 500W

Dimensions (H 

×

 D 

×

 W)

103.5 

×

 455 

×

 480 mm (4-1/16” 

×

 17-5/16” 

×

 18-7/8”)

Weight

15kg (33.1 Ibs)

Accessory

Connecting cable (1m) 

×

 1

Master Auxiliary Sends

Master auxiliary sends 1 through 6 feature

full-length 100-millimeter faders with ON and
AFL switches, and theses directly feed the
corresponding AUX outputs. Master auxiliary
sends 7 through 14 are normally rotary
controls with ON and AFL switches, feeding the
corresponding AUX outputs, but these can be
flipped with the 100-millimeter faders and
related controls normally assigned to the 8
group busses.

Group Master Controls

All 8 group master faders are full-length

100-mm types with ON/EDIT switches and
indicators, AFL switches, PAN controls, MATRIX
assign, STEREO assign, MONO assign, and LCR
panning mode switches. These group controls,
in conjunction with the flippable aux master
controls, lets you configure the console to
meet your group/auxiliary requirements while
retaining full use of all 25 output busses.

Group/Aux Flip Switch

Flips the functions of the master group

controls (1 through 8) with aux send masters
7 through 14. This makes it possible to to
instantaneously optimize the master control
section for main or monitor mixing applica-
tions.

All Balance Outputs with Insert
Patching

All outputs from the M2500 console —

stereo, mono/center, group, aux, monitor, and
matrix out — are electronically balanced for full
compatibility with professional equipment and
optimum performance with long signal runs.
The group/aux, aux, stereo, and mono outputs
also feature insert patch points for external
signal processing.

Sub Inputs

Sub inputs to the stereo L and R busses, the

mono/center buss, and the submix matrix
allow external line-level signals to be added to
the mix as required.

128 MIDI Scene Memory & 8 Mute
Groups

In the M2500 console the channel, group/

aux, stereo, and mono/center buss mute
functions are electronically controlled by a
microcomputer and MIDI interface. Up to 128
mute “scenes” can be stored in memory and
recalled either via the panel controls or an
external MIDI device. Eight DIRECT RECALL
switches can be used for instant recall of the
most often-used scenes, while others can be
recalled via the numeric keys. The memory
contents can be checked and edited at any
time without actually affecting the mix.

In addition to recalling complete scenes,

external MIDI control can be used to individu-
ally turn the applicable channels and busses
off or on as required. A MIDI sequencer or
computer, for example, could be used for
complete mute automation. And since the
M2500 also transmits MIDI program change
messages whenever a scene is recalled, it can
be linked to MIDI-controllable signal proces-
sors so that appropriate effects are recalled
automatically. Furthermore, scene data can be
dumped to a MIDI data recorder or other
storage device for long-term storage.

Submix Matrix

The matrix mix concept was a Yamaha

innovation which has virtually become an
industry standard in professional audio
consoles. The M2500 features a 13 x 8 matrix
mix which allows the 8 group/aux buss signals,

the stereo signals, the mono buss signal, and
the L and R sub input signals to be mixed to
eight balanced outputs for extra stage monitor
mixes, zoned speaker mixes, or just about any
type of mix the job requires. All eight matrix
mixes include mix on/off switches and AFL
switches.

Flexible Monitoring & Metering

In addition to balanced stereo monitor

outputs, the M2500 consoles feature a
balanced mono/center monitor output for an
extra margin of monitoring versatility. There’s
also a separate headphone output with its own
level control. A L+R switch sums the left- and
right-channel signals when you want to
monitor in mono via the stereo monitor
outputs.

A total of 11 large illuminated VU meters

with built-in peak-reading LEDs provide
accurate visual level monitoring. Eight of the
meters can be switched to display levels on
the group busses, aux busses, or the matrix
outputs. The remaining three meters show
levels on the stereo and mono/center busses.

Oscillator/Talkback Module

For talkback the M2500 features a panel-

mounted microphone jack with level control
and on/off switch. For convenient system
calibration and testing there’s even a built in
oscillator with 100Hzm 1kHz, 10kHz and pink
noise output.

Lamp Connectors

Connectors for up to three Yamaha LA1800
(option) console lamps are provided on the
rear panel.

Summary of Contents for M2500-24

Page 1: ...MIXING CONSOLES 24 32 40C 48C 56C ...

Page 2: ...all group masters and aux sends 1 through 6 the group master faders controls and aux send 7 through 14 controls can be flipped for maximum system versatility Group auxiliary flip function allows the master section to be instantly optimized for main or monitor mixing Mono channel pan controls switchable for LR or LCR operation All mono inputs feature switchable phantom power 26 dB pad switches 44 d...

Page 3: ...y in the center of the sound field regardless of listening position an ideal situation for vocals speech etc while intermediate pan positions feed both the L or R and C buss proportionately Intermediate pan pot positions pan between L C when left of center and C R when posi tioned right of center Group Aux Flip Function This innovative feature makes it possible to flip the functions of the group m...

Page 4: ...ono channels also feature a very flexible 4 band equalizer which provides sweepable frequen cies for the HI MID and LO MID bands The stereo channels offer 2 band shelving EQ EQ bypass switches are provided on all channels so equalization can be punched in or out as required without having to change settings 14 Aux Sends The AUX 1 through AUX14 controls are mono auxiliary sends feeding the correspo...

Page 5: ...MASTER CONTROLS MASTER CONTROLS ...

Page 6: ...tions are electronically controlled by a microcomputer and MIDI interface Up to 128 mute scenes can be stored in memory and recalled either via the panel controls or an external MIDI device Eight DIRECT RECALL switches can be used for instant recall of the most often used scenes while others can be recalled via the numeric keys The memory contents can be checked and edited at any time without actu...

Page 7: ...M2500 24Front Panel M2500 24 Rear Panel M2500 40C Front Panel M2500 40C Rear Panel ...

Page 8: ...ol Mute to Control to TB OSC MIDI OUT IN THRU RECALL DIRECT SELECT METER OSCILATOR u q ENTER 0 9 2 1 8 7 2 1 G1 8 A7 14 AUX1 6 A7 14 G1 8 MATRIX CHECK STORE RECALL UTILITY ON 100Hz 1kHz 10kHz PINK to METER INPUT GROUP AUX FLIP AUX GROUP from AUX 8 14 GROUP 2 8 MIC TB OSC MATRIX AUX 11 14 AUX 11 14 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 B A and and AUX GRP...

Page 9: ...c a J o n o h P k c a J o n o h P CH INSERT IN 1 n 8 38 8 mV B d 26 STEREO L R MONO C INSERT IN GRP AUX INSERT IN 1 7 8 14 AUX INSERT IN 1 6 k 0 1 Ω 0 0 6 Ω s e n i L V 5 7 7 0 B d 0 V 5 7 7 B d 0 2 V m 5 4 2 B d 0 1 TRS TRS 7 k c a J o n o h P TRS n o i t c e n n o C e c r u o S l a u t c A e c n a d e p m I l a n i m o N h t i W e s U r o F l 1 e v e L t u p t u O r e x i M n I r o t c e n n o C...

Page 10: ...HIGH 10 kHz shelving LOW 100 Hz shelving Phantom Power 48VDC is applied to balanced inputs via 6 8 kΩ current limiting isolation resistors for powering condenser microphones may be turned ON or OFF via rear panel phantom Master switch When Master is ON individual channels may be turned ON or OFF via 48V switches with red LED on each input channel CH LED Indicators PEAK LED red built into each CH I...

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