Yamaha M2500-24 Brochure & Specs Download Page 3

 

L R PAN

             

      

 

LCR PAN

Signal Le

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Signal Le

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MONO/C BUSS

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 STEREO BUSS L

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 STEREO BUSS R

L

C

R

L

C

R

Switchable LR and LCR Panning

All of the mono inputs and group master controls feature LCR

switches which, when engaged, assign the related panpot to the left,
right, 

and

 center busses for LCR panning rather than just to the left

and right busses as for standard LR stereo panning. When an LCR
switches is not engaged, the corresponding PAN control functions in
the normal way, panning the signal from left to right on the stereo
buss. When a channel’s LCR switch is engaged, however, the center
panpot position directly feeds the channel signal to the MONO/C
buss, which can feed a center amp/speaker system as required,
while intermediate pan positions feed both the L or R and C buss
proportionately. The advantage is that centered signals are heard
precisely in the center of the sound field, regardless of listening
position — an ideal situation for vocals, speech, etc.
(,while intermediate
pan positions feed both
the L or R and C buss
proportionately.)
Intermediate pan pot
positions pan between
L&C when left of center
and C&R when posi-
tioned right of center.

Group/Aux Flip Function

This innovative feature makes it possible to flip the functions of

the group master 1 through 8 controls (including pan pots, assign
switches, and insert I/O jacks) with aux send controls 7 through 14
via a single switch. When the GROUP/AUX FLIP switch is set to
GROUP, the 100-mm group master faders and related controls
function in the normal way, affecting the signal fed to the console’s
group outputs — the ideal configuration for most house mixing
applications. When the GROUP/AUX FLIP switch is set to AUX,
however, the group master
faders are flipped with rotary aux
sends 7 through 14, so that all of
the console’s master aux sends
are controlled via full-length
faders for unmatched monitor
mixing convenience.

Photo: M2500-56C

Summary of Contents for M2500-24

Page 1: ...MIXING CONSOLES 24 32 40C 48C 56C ...

Page 2: ...all group masters and aux sends 1 through 6 the group master faders controls and aux send 7 through 14 controls can be flipped for maximum system versatility Group auxiliary flip function allows the master section to be instantly optimized for main or monitor mixing Mono channel pan controls switchable for LR or LCR operation All mono inputs feature switchable phantom power 26 dB pad switches 44 d...

Page 3: ...y in the center of the sound field regardless of listening position an ideal situation for vocals speech etc while intermediate pan positions feed both the L or R and C buss proportionately Intermediate pan pot positions pan between L C when left of center and C R when posi tioned right of center Group Aux Flip Function This innovative feature makes it possible to flip the functions of the group m...

Page 4: ...ono channels also feature a very flexible 4 band equalizer which provides sweepable frequen cies for the HI MID and LO MID bands The stereo channels offer 2 band shelving EQ EQ bypass switches are provided on all channels so equalization can be punched in or out as required without having to change settings 14 Aux Sends The AUX 1 through AUX14 controls are mono auxiliary sends feeding the correspo...

Page 5: ...MASTER CONTROLS MASTER CONTROLS ...

Page 6: ...tions are electronically controlled by a microcomputer and MIDI interface Up to 128 mute scenes can be stored in memory and recalled either via the panel controls or an external MIDI device Eight DIRECT RECALL switches can be used for instant recall of the most often used scenes while others can be recalled via the numeric keys The memory contents can be checked and edited at any time without actu...

Page 7: ...M2500 24Front Panel M2500 24 Rear Panel M2500 40C Front Panel M2500 40C Rear Panel ...

Page 8: ...ol Mute to Control to TB OSC MIDI OUT IN THRU RECALL DIRECT SELECT METER OSCILATOR u q ENTER 0 9 2 1 8 7 2 1 G1 8 A7 14 AUX1 6 A7 14 G1 8 MATRIX CHECK STORE RECALL UTILITY ON 100Hz 1kHz 10kHz PINK to METER INPUT GROUP AUX FLIP AUX GROUP from AUX 8 14 GROUP 2 8 MIC TB OSC MATRIX AUX 11 14 AUX 11 14 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 B A and and AUX GRP...

Page 9: ...c a J o n o h P k c a J o n o h P CH INSERT IN 1 n 8 38 8 mV B d 26 STEREO L R MONO C INSERT IN GRP AUX INSERT IN 1 7 8 14 AUX INSERT IN 1 6 k 0 1 Ω 0 0 6 Ω s e n i L V 5 7 7 0 B d 0 V 5 7 7 B d 0 2 V m 5 4 2 B d 0 1 TRS TRS 7 k c a J o n o h P TRS n o i t c e n n o C e c r u o S l a u t c A e c n a d e p m I l a n i m o N h t i W e s U r o F l 1 e v e L t u p t u O r e x i M n I r o t c e n n o C...

Page 10: ...HIGH 10 kHz shelving LOW 100 Hz shelving Phantom Power 48VDC is applied to balanced inputs via 6 8 kΩ current limiting isolation resistors for powering condenser microphones may be turned ON or OFF via rear panel phantom Master switch When Master is ON individual channels may be turned ON or OFF via 48V switches with red LED on each input channel CH LED Indicators PEAK LED red built into each CH I...

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