Yamaha M2500-24 Brochure & Specs Download Page 10

LPA436

  991223      Printed in Japan

For details please contact:

General specifications

All specifications subject to change without notice.

http://www.yamaha.co.jp/english

http://www.yamaha.co.jp/product/proaudio/homeenglish/

YAMAHA Web Site

Total Harmonic Distortion

Less than 0.1% (THD 

+

 N)

(Master output)

20 Hz–20 kHz @ 

+

14 dB 600 

Frequency Response

+

 1, –3 dB

(Master Output)

20 Hz–20 kHz @ 

+

4 dB 600 

(Input Gain control at Minimum)

Hum & Noise 

*1

Rs = 150 

Ω 

(20 Hz–20 kHz)

Input sensitivity=-60 dB

128 dB

Equivalent Input Noise.

99 dB

Residual Output Noise. (STEREO OUT,
MONO/C OUT, GROUP/AUX OUT, AUX OUT,
AUX/GROUP OUT)

64 dB (68 dB S/N)

STEREO OUT Master Level control and one
Ch fader at nominal level.

80 dB (84 dB S/N)

STEREO OUT, MONO/C OUT Master fader at
nominal level and all Ch assign SW’s off and all
GROUP to ST SW’s off.

81 dB (85 dB S/N)

GROUP 1/AUX 7~GROUP 8/AUX 14 OUT
Master Level control at nominal level and all Ch
assign SW’s off.
GROUP/AUX FLIP SW off.

75 dB (79 dB S/N)

AUX 1~6, AUX 7/GROUP 1~AUX 14/GROUP
8 OUT Master Level control at nominal level
and all Ch send controls at minimum.
GROUP/AUX FLIP SW off.

90 dB (94 dB S/N)

MATRIX OUT Master level control at nominal
level and all Matrix Mix controls at minimum
level.

Crosstalk

70 dB

@ 1 kHz adjacent inputs.

70 dB

@ 1 kHz input to output. (CH INPUT)

50 dB

@ 1 kHz input to output. (ST CH INPUT)

Maximum Voltage  Gain

*GROUP/AUX FLIP SW = off
60 dB

CH INPUT to CH INSERT OUT

84 dB

CH INPUT to GROUP 1/AUX 7~GROUP 8/
AUX 14 OUT

80 dB

CH INPUT to AUX 1, 2 OUT (Pre Fader)

90 dB

CH INPUT to AUX 3~6, AUX 7/GROUP 1~
AUX 14/GROUP 8 OUT (Post Fader)

84 dB

CH INPUT to STEREO OUT (CH to ST)

70 dB

CH INPUT to MONITOR OUT (PFL)

CH INPUT PAD SW

26 dB

CH INPUT GAIN control

44 dB

variable

ST CH 1A, 2–4 INPUT GAIN control

40 dB

variable

ST CH 1B INPUT GAIN control 30 dB

variable

CH INPUT High Pass Filter

18 dB/octave roll-off below 80 Hz at 

3 dB

point.

CH INPUT Equalization

+

15, 

15 dB maximum

HIGH

10 kHz (shelving)

HIGH-MID

400–8 kHz (peaking)

LOW-MID

80–1.6 kHz (peaking)

LOW

100 Hz (shelving)

ST CH INPUT Equalization

+

15, 

15 dB maximum

HIGH

10 kHz (shelving)

LOW

100 Hz (shelving)

Phantom Power

+48VDC is applied to balanced inputs (via 6.8 k

 current-limiting/isolation

resistors) for powering condenser microphones ; may be turned ON or
OFF via rear-panel phantom Master switch.
When Master is ON, individual channels may be turned ON or OFF via

+

48V switches (with red LED) on each input channel.

CH LED Indicators

PEAK

LED (red) built into each CH INPUT turns on
when pre-fader level reaches 

+

17 dB.

NOM

LED (yellow) built into each CH INPUT turns
on when pre-fader level reaches 0 dB.

SIGNAL

LED (green) built into each CH INPUT turns on
when pre-fader level reaches 

13 dB.

ST CH LED Indicators

PEAK

LED (red) built into each ST CH INPUT turns
on when pre-fader [L

+

R] level reaches 

+

17 dB.

NOM

LED (yellow) built into each ST CH INPUT turns
on when pre-fader [L

+

R] level reaches 0 dB.

SIGNAL

LED (green) built into each ST CH INPUT turns
on when pre-fader [L

+

R] level reaches 

13 dB.

Oscillator/Noise

Switchable sine wave @ 100 Hz, 1 kHz or 10 kHz, or pink noise.

Scene Memory

Direct Scene Memory recall switches (1–8)
Switchable Scene Memory recall (1–128)

VU Meters

11 illuminated meters
(0VU= 

+

4 dB output @ 600 

 load)

#1 ; GROUP 1/AUX 7, AUX 1, AUX 7/GROUP 1, MATRIX 1
#2 ; GROUP 2/AUX 8, AUX 2, AUX 8/GROUP 2, MATRIX 2
#3 ; GROUP 3/AUX 9, AUX 3, AUX 9/GROUP 3, MATRIX 3
#4 ; GROUP 4/AUX 10, AUX 4, AUX 10/GROUP 4, MATRIX 4
#5 ; GROUP 5/AUX 11, AUX 5, AUX 11/GROUP 5, MATRIX 5
#6 ; GROUP 6/AUX 12, AUX 6, AUX 12/GROUP 6, MATRIX 6
#7 ; GROUP 7/AUX 13, NONE, AUX 13/GROUP 7, MATRIX 7
#8 ; GROUP 8/AUX 14, NONE, AUX 14/GROUP 8, MATRIX 8
#9 ; STEREO L, PFL/AFL L
#10; MONO/C
#11; STEREO R, PFL/AFL R

VU Meter Peak Indicators

LED (red) built into each VU meter turns on when output signal is above
the level 3 dB lower than clipping level.

Dimension

Height

265 mm (10-6/7”)

Depth

875 mm (34-3/8”) Except rear connectors

Width

56C: 2385 mm (93-7/8")
48C: 2142 mm (84-5/16")
40C: 1899 mm (74-3/4")
32: 1642 mm (64-5/8")
24: 1400 mm (55-1/8")

Weight

56C: 102 kg (224.9 Ibs.)
48C: 93 kg (205 Ibs.)
40C: 84 kg (185.2 Ibs.)
32: 71 kg (156.5 Ibs.)
24: 62 kg (136.7 Ibs.)

Accessory

 Connecting cable (3 m) 

×

 1

0 dB is referenced to 0.775 Vrms.

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to

a 20 kHz filter with infinite dB/octave attenuation.

This document is printed on chlorine free (ECF) paper.

Summary of Contents for M2500-24

Page 1: ...MIXING CONSOLES 24 32 40C 48C 56C ...

Page 2: ...all group masters and aux sends 1 through 6 the group master faders controls and aux send 7 through 14 controls can be flipped for maximum system versatility Group auxiliary flip function allows the master section to be instantly optimized for main or monitor mixing Mono channel pan controls switchable for LR or LCR operation All mono inputs feature switchable phantom power 26 dB pad switches 44 d...

Page 3: ...y in the center of the sound field regardless of listening position an ideal situation for vocals speech etc while intermediate pan positions feed both the L or R and C buss proportionately Intermediate pan pot positions pan between L C when left of center and C R when posi tioned right of center Group Aux Flip Function This innovative feature makes it possible to flip the functions of the group m...

Page 4: ...ono channels also feature a very flexible 4 band equalizer which provides sweepable frequen cies for the HI MID and LO MID bands The stereo channels offer 2 band shelving EQ EQ bypass switches are provided on all channels so equalization can be punched in or out as required without having to change settings 14 Aux Sends The AUX 1 through AUX14 controls are mono auxiliary sends feeding the correspo...

Page 5: ...MASTER CONTROLS MASTER CONTROLS ...

Page 6: ...tions are electronically controlled by a microcomputer and MIDI interface Up to 128 mute scenes can be stored in memory and recalled either via the panel controls or an external MIDI device Eight DIRECT RECALL switches can be used for instant recall of the most often used scenes while others can be recalled via the numeric keys The memory contents can be checked and edited at any time without actu...

Page 7: ...M2500 24Front Panel M2500 24 Rear Panel M2500 40C Front Panel M2500 40C Rear Panel ...

Page 8: ...ol Mute to Control to TB OSC MIDI OUT IN THRU RECALL DIRECT SELECT METER OSCILATOR u q ENTER 0 9 2 1 8 7 2 1 G1 8 A7 14 AUX1 6 A7 14 G1 8 MATRIX CHECK STORE RECALL UTILITY ON 100Hz 1kHz 10kHz PINK to METER INPUT GROUP AUX FLIP AUX GROUP from AUX 8 14 GROUP 2 8 MIC TB OSC MATRIX AUX 11 14 AUX 11 14 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 B A and and AUX GRP...

Page 9: ...c a J o n o h P k c a J o n o h P CH INSERT IN 1 n 8 38 8 mV B d 26 STEREO L R MONO C INSERT IN GRP AUX INSERT IN 1 7 8 14 AUX INSERT IN 1 6 k 0 1 Ω 0 0 6 Ω s e n i L V 5 7 7 0 B d 0 V 5 7 7 B d 0 2 V m 5 4 2 B d 0 1 TRS TRS 7 k c a J o n o h P TRS n o i t c e n n o C e c r u o S l a u t c A e c n a d e p m I l a n i m o N h t i W e s U r o F l 1 e v e L t u p t u O r e x i M n I r o t c e n n o C...

Page 10: ...HIGH 10 kHz shelving LOW 100 Hz shelving Phantom Power 48VDC is applied to balanced inputs via 6 8 kΩ current limiting isolation resistors for powering condenser microphones may be turned ON or OFF via rear panel phantom Master switch When Master is ON individual channels may be turned ON or OFF via 48V switches with red LED on each input channel CH LED Indicators PEAK LED red built into each CH I...

Reviews: