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simultaneously add top-class echo to vocal channels, chorus to keyboard channels, short delay and gating to 
drum channels, and master reverb to the overall mix� Internal signal routing eliminates the need for complex 
external patching as well as the associated noise and interference problems� You can select, edit, and blend 

effects until the desired mood and texture are achieved without sacrificing performance or flexibility. The fact 

that the equivalent of four high-performance digital effect processors are built right into the console actually 
delivers performance and versatility that exceed what you’d have with external effects�

Virtual Rack

Yamaha’s Virtual Rack concept lets you approach and manage the console’s internal effects and EQ in the same way you 
would with an external rack system, for intuitive, efficient operation� You can stack effect and EQ units in the rack and patch 
them into the system via a comprehensive interface that effectively simulates a hardware rack environment� For example, 
you could mount a graphic equalizer for the main outputs in the topmost rack space, and another for monitor output in 
the second rack space, and so on� And since input and output patching is handled using easy-to-understand bus names, 
there’s less chance of making connection errors than when using unmarked or numbered cables�

Selected Channel

The Selected Channel section is a common feature on Yamaha digital consoles, and it includes all the controls and 
functions you’d normally find in each channels module of a conventional analog mixer, and plenty more� You select the 
channel you want to work on by pressing it’s [SEL] key, then use the Select Channel encoders and keys to directly edit the 
channel parameters: input gain, EQ, dynamics, panning, MIX/MATRIX bus send level, and more� And with this interface 
you can control the entire console without having to move from the optimum listening position� In addition to hands-on 
operation via the Selected Channel controls, parameter values and graphs displayed on the console’s LCD panel provide 
precise visual feedback and confirmation� This type of centralized operation and display allows the engineer to concentrate 
more fully on the job at hand while providing operating ease that allows extra leeway for creativity�

Sends On Fader

The Sends On Fader mode allows the mix bus send levels to be directly controlled via the channel faders� Since the send 
levels to the mix buses appear on the physical faders in this mode, you can visualize the relative levels of the entire send 
mix at a glance, which can be a great advantage for monitor mixing applications, for example� In actually operation you 
select a mix bus and the send levels to that mix bus appear on the faders, so if a player asks for “a little more kick and 
snare,” or wants you to “boost the vocals and bass a bit,” you can simply reach for the appropriate faders and make the 
required adjustments immediately�

User Defined Keys

As their name implies, these keys can be user-defined to perform a range of functions� You could, for example, assign mute 
group [1] ~ [8] to USER DEFINED KEYS [1] ~ [8], allowing you to instantly mute or un-mute any group by simply pressing 
the assigned key� The USER DEFINED KEYS are also a great way to control the LS9’s new USB Memory recorder 
function� Instead of having to call up the recorder’s transport controls on the display, you could assign USER DEFINED 
KEY [11] to start recording, and key [12] to stop recording, for example� That way you can quick start and stop recording 
whenever necessary� Other functions you might want to assign to the USER DEFINED KEYS include scene recall, tap 
tempo entry, and oscillator on/off, and you can bookmark display pages you use frequently for instant recall� In a compact 
digital mixer with this many features and functions it is simply not possible to make all of them directly accessible via the 
panel at all times� But with the USER DEFINED KEYS you can make the functions you need to access most often easily 
available at all times�

The Selected Channel interface allows 
complete control from the display position.

Press one of the 16 MIX/MATRIX keys twice and 
all other MIX/MATRIX keys will light while the 
pressed button flashes. At the same time “SENDS 
ON FADER” will flash on the display to indicate 
that the Sends On fader mode is active.

SPX000

Summary of Contents for LS9 Editor

Page 1: ...use and operation of scenes the virtual rack and other useful functions The Quick Start Guide is provided for first time users of the Yamaha LS9 Digital Mixing Console and provides a streamlined intr...

Page 2: ...EQ Channel Assignment 8 GEQ Selection and Editing 9 Recalling and Saving Scenes 10 Scene Data 11 Recall Safe 12 BGM Playback from USB Memory 13 USER DEFINED KEY Assignment 14 Connecting the LS9 to a C...

Page 3: ...annel section and all default settings are stored in scene number 000 So all you have to do to normalize or reset the entire console is to recall scene 000 Check Your Connections This document presume...

Page 4: ...AUX and EFF controls as the LS9 it should be referred to only as an example The Selected Channel section is located to the right of the LCD panel Module Comparison The channel module controls the par...

Page 5: ...s you want to edit press the button once The selected MIX bus button will light 3 Press the same button a second time and all buttons in the MIX MATRIX section while light while the selected button fl...

Page 6: ...k spaces and you cal select either the single channel 31 band GEQ type or the dual channel 15 band Flex15 GEQ type Effect units can only be mounted in rack spaces 5 through 8 You can change the type o...

Page 7: ...window to open the EFFECT LIBRARY pop up window Use the dial to select an effect from the list that appears in the pop up window You can click the RECALL button to load the selected effect Edited eff...

Page 8: ...fect returns to channels In scene 000 the effect return are assigned to STEREO input channels 1 4 but these assignments can be changed Either click the button to the right of the effect unit in the ra...

Page 9: ...ex15 GEQ unit is being edited the number of remaining available bands will be displayed Although you can boost and cut the EQ bands via the display you can also use the channel faders to directly cont...

Page 10: ...been reset you can begin to edit the various parameters for your mix But of course you can edit parameters from any scene number When any changes have been made to the currently selected scene an Edit...

Page 11: ...off position Direct out settings on off position level EQ settings all parameters including HPF ATT digital attenuator Dynamics 1 and 2 settings all parameters Rack settings all parameters MIX send s...

Page 12: ...ene is recalled This is known as Partial Safe Select specific parameters for Recall Safe by using the SAFE PARAMETER field buttons any button other than ALL Partial Safe and engage the SAFE button in...

Page 13: ...nsupported formats will not be recognized Playback will begin at the selected song and all checked songs up to the end of the title list will be played in sequence Playback will stop automatically whe...

Page 14: ...pened is actually specified by pressing and holding the USER DEFINED KEY for more than 2 seconds while the target display page is showing Once assigned you can instantly open the assigned display page...

Page 15: ...ub using a high quality CAT5 Ethernet cable Either a straight or cross Ethernet cable can be used when connecting the LS9 directly to the computer Press the SETUP key in the DISPLAY ACCESS section as...

Page 16: ...oped for use with Yamaha DME series Digital Mixing Engines thus the DME in the name But through successive versions it has grown to provide TCP IP functionality for a wide range of Yamaha products Fro...

Page 17: ...be matched to the settings you made in the Studio Manager LS9 32 in this example If an administrator password has been set for the LS9 enter the password in the Administrator Password field When all...

Page 18: ...at has been specifically designed to provide open ended expansion capability Input and output expansion in a variety of analog and digital audio formats is provided via Mini YGDAI cards that install e...

Page 19: ...visual feedback and confirmation This type of centralized operation and display allows the engineer to concentrate more fully on the job at hand while providing operating ease that allows extra leewa...

Page 20: ...l to be varied for AUX type operation while the send level of the FIXED type is fixed at nominal for BUS type operation The MATRIX buses are used to further group the MIX bus signals MATRIX buses have...

Page 21: ...etween the MIX bus PRE and POST settings After pressing the HOME key position the cursor at the target MIX bus and press the ENTER key A pop up window will appear in which you can select PRE or POST A...

Page 22: ...Block Diagram 22...

Page 23: ...23...

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