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E
On/Off (Switch 4)
Settings: 1 – 3
Determines how Pedal Switch 4 affects on/off switching
for the selected Modulation block. (For more information,
see the same parameter in the Chorus section above.)
Type
3
Phaser
The stereo Phaser effect is similar to the sound of a rotary
speaker, but with a stronger and deeper modulation.
B
Speed
Range: 1 – 16
Determines the speed of the phase modulation. Settings
close to the maximum produce very high speed modula-
tion.
C
Depth
Range: 1 – 16
Determines the depth of the phase modulation, or how
widely the pitch is varied.
D
Feedback
Range: 0 – 15
Determines the amount of the Phaser-processed signal that
is fed back to the Phaser input. Higher values result in a
stronger, more pronounced phasing sound.
E
On/Off (Switch 4)
Settings: 1 – 3
Determines how Pedal Switch 4 affects on/off switching
for the selected Modulation block. (For more information,
see the same parameter in the Chorus section above.)
Type
4
Pitch Shift
Pitch Shift lets you change the pitch of the sound and mix
the pitch-shifted sound with the original signal. The pitch
can be shifted up to an octave above or below the pitch of
the input signal.
When both the Modulation 1 and 2 blocks are set to Pitch
Shift, the effect is automatically produced in stereo. This
means that the degree of pitch shift can be set indepen-
dently for the left and right channels, creating three
separate pitches (including the original direct signal).
When set to stereo operation, Modulation 1 is output from
the left channel and Modulation 2 from the right.
Applications for Pitch Shift include setting the pitch shift
to an octave below or above (to make a six-string guitar
sound like a twelve-string), or setting the pitch to other
intervals (such as a fourth or fifth) to create instant harmo-
nies and fill out the sound.
B
Pitch
Settings: -8 – 8
Determines the amount by which the pitch is shifted
relative to the original signal.
The illustration below shows the relationship between the
settings and the actual pitch produced. The example
pitches below are produced when the input sound is C.
C
—
(No parameter for this Parameter Dial.)
D
Mix
Range: 0 – 15
Determines the level of the Pitch Shift sound. At 0, the
Pitch Shift level is zero; at 15, the level of the Pitch Shift
sound is roughly equal to that of the original signal.
E
On/Off (Switch 4)
Settings: 1 – 3
Determines how Pedal Switch 4 affects on/off switching
for the selected Modulation block. (For more information,
see the same parameter in the Chorus section above.)
Type
5
Detune
Detune, like Pitch Shift, allows you to change the pitch of
the sound. However, it gives you finer control, letting you
shift the pitch slightly. It is also a stereo effect. Detune is
good for creating a natural, spacious stereo chorus effect
in which the left and right pitches are detuned slightly
relative to the direct sound.
B
Pitch L (Left)
Range: -8 – 8
Determines the degree of detuning for the left channel.
Settings:
±
1:
±
2 cents
±
5:
±
10 cents
±
2:
±
4 cents
±
6:
±
20 cents
±
3:
±
6 cents
±
7:
±
30 cents
±
4:
±
8 cents
±
8:
±
50 cents
* Fifty cents is equal to 1/2 of one semitone (half-
step).
+1
( 3rd)
+2
(3rd)
+3
(4th)
+4
( 5th)
+5
(5th)
+6
(6th)
+7
( 7th)
+8
(Oct)
[Setting]
Input Sound
-8
(Oct)
-1
( 3rd)
-2
(3rd)
-3
(4th)
-4
( 5th)
-5
(5th)
-6
(6th)
-7
( 7th)
[Setting]