background image

D I G I T A L   P R O D U C T I O N   C O N S O L E   D M 2 0 0 0

Studio Manager Version 2

The DM2000 Studio Manager application has undergone a significant evolution and has been reborn as Studio Manager Version 2. 

The hybrid Windows

®

/Macintosh

®

 Studio Manager application has been rewritten as a host application 

which hosts the DM2000 Editor which actually controls the DM2000 console, and which can be used simultaneously 

with other editors for professional digital audio gear such as the 02R96 Version 2 digital mixer or the SPX2000 professional multi-effect processor. 

Simply connect the console to a computer via its TO HOST port (combined USB/serial), and the computer functions 

as comprehensive control center for the entire system. You can even open and close Studio Manager Version 2 windows 

from the DM2000 console controls, for seamless system integration and optimum operation efficiency in any application.

STUDIO MANAGER Version 2 also integrates an advanced GUI for the new VCM and ISSP effects.

DM2000 Editor

The DM2000 Editor runs under the Studio Manager Version 2 host application, and offers features and functionality 

that have been refined and updated for professional-level control. Some of the most significant updates include:

Master Fader Window provides independent master fader display and control.

Meter Window shows levels on all 96 channels.

A new Automix tab has been added to the library windows.

Layer Window allows selection and display of effects and other sources above the panel pan controls.

Selected Channel Window adds graphic gate displays and long-stroke channel metering.

Patch Edit Window is now resizable, and displays effect block inputs and outputs.

Effect Editor Window adds a VCM and ISSP effect interface and fine control.

Master Window

SURROUND PAN POSITIONING

SURROUND MONITOR SETUP
(THX pm3

 MONITOR FLOW)

Layer Window

Studio Manager V2 Host Window

Patch Editor Window

Patch Editor-Effect Window

This preset is configured for DVD-Video production. Use this preset when mixing and/or monitoring 
audio content not from a theatrical film source. The parameters cannot be changed.

This preset is configured for Film pre-production. Use this preset when mixing and/or monitoring 
theatrical film-based content (such as a pre-mix for film). The parameters cannot be changed.

This preset is configured for DVD-Music production. Use this preset when mixing and/or monitoring 
multi-channel music content (including DVD-Audio and SACD). Only one parameter can be changed. 
The LFE gain (AMP) can be set to +10dB (default) or 0dB. Select the level that complies with the 
standards of the target media. Please note: The LFE output gain on some DVD players, receivers, and/or 
decoders may already be set to +10dB. Select the 0dB setting only if the destination environment (home 
theatre, etc.) has the LFE gain set to 0dB. Otherwise, use the default setting.

[THXD] THX DVD

[THXF] THX Film

[THXM] THX Music

THX Bass Management Presets:

The following presets have been approved by THX

 Ltd. for use in THX pm3

 Certified Studios*. They are designed to provide 

dedicated parameters for the proper playback of multi-channel audio content in bass managed systems and to be compatible 

with subwoofer-satellite type consumer systems.

* Use of a THX preset does not permit a studio to use the designation  THX pm3

 Certified Studio. The THX pm3

 Studio Certification Program uses performance and 

design specifications to create calibrated environments for optimum sound and picture presentation. For more information, visit the THX website at http://www.thx.com

The THX pm3

 logo is a trademark of THX Ltd. which may be registered in some jurisdictions. All rights reserved.

For more information on THX pm3

, please visit THX website at http://www.thx.com.

Visit Yamaha website at http://www.yamahaproaudio.com/ to find DM2000/1000, 02R96 surround set up manual, Quick Guide and Surround Tutorial Booklet.

Yamaha Digital consoles DM2000VCM, DM1000V2 & 02R96V2 are the worlds first digital 
consoles equipped with complete surround monitoring facilities built-in, eliminating the 
need to connect and feed the signal to external monitoring equipment and offer perfect 
solution used in combination with the Powered Monitor Speaker MSP10 STUDIO.

Known worldwide for high quality entertainment sound and picture, the THX pm3

 (Professional 

Multi-Channel Mixing & Monitoring) Studio Certification Program addresses the need for reliable, 

translatable, and superior performance in professional multi-channel mixing and monitoring studios 

worldwide. THX has created a performance standard that focuses on the listening and viewing 

environment, selection of audio and video equipment, layout of the working area, and calibration. 

DM2000VCM, DM1000V2 & 02R96V2 are included in the THX pm3

 Approved Equipment list as Studio 

Monitoring Systems, and Powered Monitor Speaker MSP10 STUDIO as Front & Surround speakers.

Yamaha Digital Consoles have the following surround functions built-in. 

Surround production functions

• Fully compatible with 3-1, 5.1 and 6.1 surround processing, 

panning and monitoring

• Flexible surround bus set up

• Built-in Joy stick

• Graphical user interface and parameters to assist accurate 

surround PAN positioning and efficient moves of sound image.

• Built-in surround effects including “Reverb 5.1”, “Comp 5.1”, 

“Expand 5.1” etc.

THX pm3™ Approved surround monitoring functions

• Downmix monitoring matrix

• Bass Management: comprehensive filter and attenuator setting 

and THX pm3

 presets

• Monitor Alignment functions 

(Attenuator and delay for individual speakers)

• Build-in Oscillator

• “Snap to 85dB SPL” function

GEQ Editor Window

Library Window

Meter Window

Surround Editor Window

Selected Channel Window

SPX 2000 Editor (REV-X)

Summary of Contents for DM 2000VCM

Page 1: ... ...

Page 2: ...d filter processing It sounds complicated but all this powerful technology is packaged in a way that makes it easy and in intuitive to operate The Renowned DM2000 Plus an Extraordinary New Range of Effects and Simulations Yamaha s top of the line DM2000 Digital Production Console is already well established as a standard in the professional audio production field It has become the first choice of ...

Page 3: ...ace Designed for Maximum Productivity Anyone who is familiar with the 02R will immediately feel comfortable with the DM2000 While the comprehensive efficient display format of the 02R has been inherited by the DM2000 the control surface and user interface system has been greatly expanded and enhanced to allow analog style hands on operation with minimum need to refer to the LCD The motto mix with ...

Page 4: ...splay Editing and selection of on screen parameters is easy too via encoders located immediately below the display 3 Selected Channel Section The SELECTED CHANNEL controls form the largest single control group on the DM2000 panel and with good reason Here s where you re likely to be spending most of your time setting up channel EQ dynamics panning or surround positioning matrix send levels and mor...

Page 5: ...recorders without having to switch layers The DM2000 s machine control features are divided into three main sections as summarized below 8 1 Transport Controls Standard transport controls in the familiar layout REW FF STOP PLAY and REC for fast efficient transport operation 8 2 Locator All the locator controls you would normally find on an advanced locator panel plus a few extras are duplicated ri...

Page 6: ...ia word clock inputs and outputs SMPTE and MTC time code inputs MIDI connectors a keyboard connector and both serial and USB to host connectors Cascade in and output connectors allow two DM2000 consoles to be cascaded to provide up to 192 channels Even the cooling fan is specially designed for ultra quiet operation so that machine noise doesn t interfere with critical monitoring or recording opera...

Page 7: ...ighly values for their rich warm sound VCM technology brings these outstanding effects back to life with greater controllability and flexibility than ever MAX100 Born in the late 70 s this phaser is still available in reissue form There are many who believe the original 70 s models sounded better than the current models and so the K s Lab team have painstakingly modeled the original circuit and co...

Page 8: ...e 0dB setting only if the destination environment home theatre etc has the LFE gain set to 0dB Otherwise use the default setting THXD THX DVD THXF THX Film THXM THX Music THX Bass Management Presets The following presets have been approved by THX Ltd for use in THX pm3 Certified Studios They are designed to provide dedicated parameters for the proper playback of multi channel audio content in bass...

Page 9: ...ls of high resolution digital AES EBU audio can then be transferred to the console over distances of up to 200 meters without loss or degradation If you also use the DM2000 s 24 built in microphone inputs you have a total of 72 inputs available on a par with large live sound systems but with relatively simple setup and operation In the system example a second DM2000 is used for monitoring as well ...

Page 10: ... 1 65 Max100 VCM technology modulation 1 1 1 66 Vintage Phaser VCM technology phaser 1 1 1 67 Dual Phaser VCM technology dual phaser 1 1 1 Effects marked with an asterisk can only be recalled for the EFFECT 1 and EFFECT 2 processors If an effect which uses 4 DSP processors is used the total number of effects that can be used simultaneously is reduced by three For example if REVERB 5 1 is selected ...

Page 11: ...E E 9 E E 41 Q 2 9 9 E 9 E G 4 9 A 32 5 5 354 523 O 4P 9 E 9 E 0 Q 34 9 A 1 4 5 354 523 4 O 4P 9 E 9 E G 4 9 A 1 4 5 354 523 O 4P 9 E 9 E G 4 9 A 5 523 9 9 7 9 E 9 E 0 Q 34 9 A 9 9 E 9 E 43 523 9 E 9 E 0 Q 34 9 A 5 C C 0 Q 34 2 9 A C F C A G 4 9 8 8 53 8 15 A 0 K 9 3 8 53 4 8 15 8 A 5 0 K 9 3 8 3 4 8 4 3 8 R 3 4 5 523 O 4P 9 E 7 9 E R 0 7 I0 9 7 9 7 9 FF E R 43 523 GAIN SW Output Level Digital Inp...

Page 12: ...3 OMNI 4 OMNI 5 OMNI 6 OMNI 7 OMNI 8 2 12 8 8 96 126 8 STEREO AUX1 12 MTRX1L 4R BUS1 8 DIRECT OUT 1 96 INSERT OUT SURROUND MONITOR OUTPUT PATCH SOLO R SOLO L MATRIX2L MATRIX2R MATRIX3L MATRIX3R MATRIX4L MATRIX4R MATRIX1R MATRIX1L PAN LEVEL Same Above Same Above Same Above from BUS1 8 from AUX1 12 TALK BACK AD IN 1 24 USE AD IN 1 24 AS TALKBACK SLATE TB AD CASCADE OUT SINE 100Hz SINE 1kHz SINE 10kH...

Reviews: