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XENYX UFX1604

Quick Start Guide

XENYX UFX1604 Controls

(EN) 

Step 2: Controls

(1) 

XLR balanced input.

(2) 

LINE/HI-Z input.

(3) 

LINE/HI-Z button. When HI-Z mode is 
engaged, you can plug your guitar or bass into 
this input without using an external direct 
input (D.I.) box.

(4) 

+48 V Phantom power is used for condenser 
microphones that require between 9 V DC and 
48 V DC power to operate. 

(5) 

LOW CUT button fi lters out frequencies below 
80 Hz.

(6) 

GAIN knob adjusts the sensitivity of the MIC 
and LINE/HI-Z inputs.

(7) 

SEND lets you choose to route your input 
signal to FireWire/USB pre or post EQ.

(8) 

COMP(RESSOR) knob adjusts the amount of 
compression eff ect on the channel.

(9) 

EQ knobs adjust the HIGH, HIGH MID, 
LOW MID, and LOW frequencies of 
the channel.

(10) 

EQ button turns the EQ section on and off .

(11) 

AUX / FX A and FX B knobs adjust how much 
of the channel’s signal is sent to the AUX SEND 
jacks and/or the internal FX processors.

(12) 

PAN knob positions the channel’s signal in the 
stereo fi eld. 

(13) 

MUTE button removes the channel from the 
MAIN MIX and sends it to the ALT 3-4 bus.

(14) 

SOLO button sends the channel signal to 
the solo bus (Solo in Place) or to the PFL bus 
(Pre-Fader Listen).

(15) 

LEVEL METER shows the input signal level of 
the channel’s input signal.

(16) 

CHANNEL FADER adjusts the channel volume.

(17) 

LINE IN left and right input jacks for mono or 
stereo signals.

(18) 

LINE/FW 1-2 (3-4) button allows the 
signal from a computer to be routed via 
FireWire/USB to these channels and controlled 
by the EQ and AUX and Fader functions.

NOTE: All FireWire (FW) routing switches work 
for USB connectivity to a computer and for the 
USB stand-alone mode depending on how you 
have the MODE selector switch (50) set.

(19) 

4–band EQ for the stereo channels.

(20) 

BAL(ANCE) knob controls the relative volume 
of the left and right input signals before they 
are routed to the stereo main mix bus.

(21) 

CONTROL ROOM OUT jacks carry the summed 
eff ects and main mix signals, as well as soloed 
channel signals.

(22) 

MAIN OUT jacks for connecting line level signal 
to powered speakers or external amplifi er.

(23) 

ALT 3-4 OUT jacks for connecting line level 
signal of an alternate stereo mix to a recording 
device, powered speakers or external 
amplifi er. Can also be used for subgrouping.

(24) 

CD/TAPE IN and OUT for connecting a stereo 
source or for sending the main signal to an 
external recorder.

(25) 

PHONES jacks for connecting headphones.

(26) 

INPUT level meters display the signal input 
intensity going into the FX A or FX B bus.

(27) 

FX A eff ect knob selects which eff ect is 
applied to the signal (same for FX B).

(28) 

EDIT knob adjusts the eff ect’s main parameter.

(29) 

FX ON button turns the eff ect on and off .

(30) 

The TAP/SELECT button performs two 
functions. Hit the button several times in the 
tempo of the music piece to adapt the delay 
time of presets 9 and 15 or the modulation 
speed of presets 10-12. The button will 
start fl ashing in the corresponding tempo. 
The TAP/SELECT button also changes the 
characteristic of the second parameter on 
presets 1-8, 13-14 and 16. By pressing the 
button you can toggle between two diff erent 
values (light off /on) for the second parameter.

(31) 

FW/USB LED indicates the computer is 
connected (based on the selection switch on 
back panel).

(32) 

VU METER displays the MAIN OUTPUT 
signal level.

(33) 

MODE button determines whether the 
SOLO button operates in ‘Solo in Place’ 
(button out) or ‘Pre-Fader Listen’ (button in). 
PFL is preferred for gain setting purposes.

(34) 

PHONES knob controls the volume level of 
the PHONES jacks.

(35) 

CONTROL RM knob controls the volume of the 
CONTROL ROOM OUT jacks.

(36) 

SOURCE monitoring select buttons route the 
signal to either the CONTROL RM/PHONES 
jacks (left column) or the MAIN MIX 
(right column).

(37) 

PRE/POST fader select buttons for all 
4 AUX SEND busses.

(38) 

AUX SEND 1-2 to FW 13-14 switch disables 
mixer channels 13-14 from being sent via 
FireWire/USB so that AUX SEND 1-2 can be 
routed to a computer (for recording, etc.).

(39) 

Destination routing switches for AUX RETURN 
3 source signal.

(40) 

Destination routing switch for 
AUX RETURN 4 (to MAIN bus or 
CONTROL ROOM/PHONES bus).

(41) 

MUTE, SOLO and output LEVEL knobs for 
ALT 3-4 bus.

(42) 

Assign to FW 15-16 switch sends the 
MAIN MIX signal via FireWire/USB to 
computer or external USB drive when in the 
ON position. When off , mixer channels 15-16 
can be sent via FireWire/USB.

(43) 

PRE/POST switch sends the MAIN MIX 
signal to FireWire/USB pre or post main 
fader (requires ASSIGN TO FW 15-16 switch 
to be on).

(44) 

TALKBACK MIC (built-in), LEVEL knob 
(adjusts TALKBACK microphone volume), 
DESTINATION switches and TALK button 
(press while talking).

(45) 

16 TRACK USB DRIVE RECORDER/MIDI 
TRANSPORT CONTROL for use while 
connected to a computer via FireWire or 
USB as a MIDI Machine Control. Also used 
In STAND ALONE MODE for controlling the 
internal USB recorder functions.

(46) 

MAIN MIX stereo fader adjusts the overall 
output of the mixer. 

(47) 

POWER ON turns the mixer on.

(48) 

USB DRIVE jack for use with external USB 
hard disk drives (recommended) or thumb 
drives in STAND ALONE mode.

(49) 

USB jack for connecting to a computer.

(50) 

MODE selector switch.

(51) 

FireWire jack for connecting to a computer.

(52) 

MAIN OUTPUTS for sending MAIN MIX via 
balanced XLR cables.

(53) 

AUX(ILIARY) SENDS route the 4 auxiliary bus 
signals via balanced or unbalanced ¼  " cables.

(54) 

CHANNEL INSERTS allow you to connect 
external eff ects to the individual channels 
(1-8) PRE-FADER and PRE-EQ. 

(55) 

AUX(ILIARY) RETURNS allow you to bring 
a stereo eff ects signal routed from an 
AUX SEND jack, through a processor, back into 
the designated auxiliary bus. These inputs 
can also be used to connect additional line 
sources such as keyboards.

Summary of Contents for UFX1604

Page 1: ...Quick Start Guide XENYX UFX1604 Premium 16 Input 4 Bus Mixer with 16 x 4 USB FireWire Interface 16 Track USB Recorder XENYX Mic Preamps Compressors British EQs and Dual Multi FX Processors...

Page 2: ...tavozprofesionalesydealtacalidadconconectores TSde6 3mmodebayonetaprefijados Cualquierotra instalaci nomodificaci ndebeserrealizada nicamente porunt cnicocualificado Estes mbolo siemprequeaparece lead...

Page 3: ...APPLIEDTECHNOLOGIES sont des marques ou marques d pos es de MUSIC Group IP Ltd MUSIC Group IP Ltd 2015Tous droits r serv s Pourconna trelestermesetconditionsdegarantie applicables ainsiquelesinformat...

Page 4: ...11 Oaparelhotemdeestarsempreconectado rede el ctricacomocondutordeprotec ointacto 12 Seutilizarumafichaderedeprincipalouuma tomadadeaparelhosparadesligaraunidadede funcionamento estadeveestarsempreac...

Page 5: ...1 Verkabelung PT Passo 1 Conex es TopViewHook Up A500 reference amplifier With HI Z button engaged XM8500 dynamic microphone XM8500 dynamic microphone B 2 PRO dual diaphragm condenser microphone TRUT...

Page 6: ...604 Hook up EN Step 1 Hook Up ES Paso 1 Conexi n FR Etape 1 Connexions DE Schritt 1 Verkabelung PT Passo 1 Conex es RearPanelHook Up VIRTUALIZER 3D FX2000 Eurolive F1320D Active Stage Monitor MULTIGAT...

Page 7: ...ols 21 22 23 25 30 29 28 32 33 26 27 31 36 35 34 24 37 38 44 45 46 43 42 40 39 41 1 3 4 5 6 10 14 8 7 2 9 11 13 16 15 12 Controls 20 19 18 17 Stereo Inputs 48 49 50 51 54 55 53 52 47 Rear Panel Contro...

Page 8: ...the button several times in the tempo of the music piece to adapt the delay time of presets 9 and 15 or the modulation speed of presets 10 12 The button will start flashing in the corresponding tempo...

Page 9: ...aptar el tiempo de retardo de los presets 9 y 15 o la velocidad de modulaci n de los presets 10 12 El bot n empezar a parpadear con el tempo ajustado El bot n TAP SELECT tambi n le permite cambiar la...

Page 10: ...hme La touche TAP SELECT permet galement de modifier le second param tre des Presets 1 8 13 14 et 16 Avec la touche vous pouvez s lectionner l une de deux valeurs allum e teinte du second param tre 31...

Page 11: ...man die Delay Zeit der Presets 9 und 15 oder die Modulationsgeschwindigkeit der Presets 10 12 anpassen Die Taste blinkt im entsprechenden Tempo Die TAP SELECT Taste ndert auch die Charakteristik des...

Page 12: ...dos presets 9 e 15 ou a velocidade da modula o dos presets 10 12 O bot o come ar a piscar no ritmo correspondente O bot o TAP SELECT tamb m muda a caracter stica do Segundo par metro nos presets 1 8 1...

Page 13: ...st the level of connected microphones and instruments by raising each CHANNEL FADER Adjust the left right position of a channel in the stereo field if necessary by turning the channel s PAN or BAL kno...

Page 14: ...these steps to add one or two effects to one or more channels Turn the FX A or FX B knob up halfway on each channel you would like to add an effect to Turn the FX SEND and FX RETURN knobs to 0 You ma...

Page 15: ...or to abort To show the sample rate setting push and hold the TIME REMAIN button until the sample rate is displayed To change the sample rate to 44 1 kHz push and hold TIME REMAIN until the sample ra...

Page 16: ...ect Sampling Rate 44 1 kHz Push and hold TIME REMAIN until the sample rate appears and then press while still holding TIME REMAIN Select Sampling Rate 48 kHz Push TIME REMAIN until the sample rate app...

Page 17: ...uno de los faders CHANNEL FADER Si es necesario ajuste la posici n izquierda derecha de cada canal dentro del campo stereo girando el mando PAN o BAL de dicho canal Si es necesario ajuste el mando CO...

Page 18: ...dir uno o dos efectos a uno o m s canales Gire el mando FX A o FX B hasta la mitad en cada uno de los canales en los que quiera a adir un efecto Lleve los mandos FX SEND y FX RETURN hasta la posici n...

Page 19: ...estreo mantenga pulsado el bot n TIME REMAIN hasta que aparezca ese valor Para cambiar la frecuencia de muestreo a 44 1 kHz mantenga pulsado el bot n TIME REMAIN hasta que aparezca el valor de la frec...

Page 20: ...EREMAIN hastaqueaparezcalafrecuenciademuestreoen pantalla ypulseentonces mientrassigue manteniendopulsadoelbot nTIMEREMAIN Selecci n de frecuencia de muestreo de 48 kHz Pulse el bot n TIME REMAIN hast...

Page 21: ...n 0 ou sur le niveau souhait R glez le niveau des micros et instruments avec chaque Fader de voie R glez la position gauche droite des signaux mono dans le champ st r o l aide des r glages PAN ou BAL...

Page 22: ...ux effets aux signaux de vos voies R glez mi chemin les boutons FX A ou FX B des voies auxquelles vous souhaitez ajouter des effets Placez les boutons FX SEND et FX RETURN sur 0 Vous pourrez les r gle...

Page 23: ...enfonc e jusqu ce qu elle s affiche Pour r gler la fr quence d chantillonnage sur 44 1 kHz maintenez la touche TIME REMAIN enfonc e jusqu ce que la fr quence d chantillonnage s affiche puis appuyez su...

Page 24: ...tout en continuant d appuyer sur la touche TIME REMAIN S lection de la fr quence d chantillonnage de 48 kHz Maintenez la touche TIME REMAIN enfonc ejusqu cequelafr quenced chantillonnage s affiche pu...

Page 25: ...angeschlos senen Mikrofone und Instrumente ein indem Sie die einzelnen KANALFADER hochschieben Stellen Sie n tigenfalls die Links Rechts Position eines Kanals im Stereofeld ein indem Sie den PAN oder...

Page 26: ...t prozessoren Gehen Sie schrittweise wie folgt vor um einem oder mehreren Kan len einen oder zwei Effekt hinzuzuf gen Drehen Sie bei jedem Kanal dem Sie einen Effekt hinzuf gen m chten den FX A oder F...

Page 27: ...IME REMAIN Taster gedr ckt bis die Samplerate angezeigt wird Um die Samplerate in 44 1 kHz zu ndern halten Sie TIME REMAIN gedr ckt bis die Samplerate erscheint und dr cken Sie dann w hrend Sie TIME R...

Page 28: ...8 kHz w hlen Halten Sie TIME REMAIN gedr ckt bis die Samplerate erscheint und dr cken Sie dann w hrend Sie TIME REMAIN weiterhin gedr ckt halten PLAY PAUSE umschalten PLAY f r Start dr cken PLAY f r P...

Page 29: ...n vel desejado Ajuste o n vel dos microfones conectados e instrumentos aumentando cada CHANNEL FADER Ajusta a posi o esquerda direita do canal no campo est reo se necess rio ao girar o bot o PAN ou B...

Page 30: ...ga esses passos para adicionar um ou dois efeitos a um ou mais canais Gire o bot o FX A ou FX B para cima at a metade em cada canal ao qual deseje adicionar um efeito Gire os bot es FX SEND e FX RETUR...

Page 31: ...t o TIME REMAIN at que a taxa de amostragem esteja sendo exibida Para modificar a taxa de amostragem para 44 1 kHz empurre e mantenha empurrado o bot o TIME REMAIN at que a taxa de amostragem apare a...

Page 32: ...e mantenha empurrado o bot o TIME REMAIN at que a taxa de amostragem apare a e ent o pressione enquanto continua a pressionar TIME REMAIN Selecionar Taxa de Amostragem 48 kHz Empurre TIME REMAIN at q...

Page 33: ...22 dBu Dual Effects Converters 2 x 24 bit Delta Sigma 128 times oversampling Sampling rate 48 kHz FireWire USB Interface Operation modes FireWire 400 or USB 2 0 Connectors 6 pin FireWire 400 IEEE1394A...

Page 34: ...partado Support denuestrap ginaweb ycompruebesisuproblemaaparece descritoysolucionadoall Deformaalternativa env enosa trav sdelap ginawebunasolicitudonlinedesoporteen periododegarant aANTESdedevolvern...

Page 35: ...We Hear You...

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