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Sa sha DAW I n stal l ation and Car e

 G u ide

S

e c t i o n

 1 . 2—WA S P 

  

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W i l s o n   A u d i o   S p e c i a l t i e s

A u t h e n t i c   E x c e l l e n c e ™

comes wider. If you were to extend the inner and outer boundaries of the Zone 

for the sidewalls and the front wall (behind the speakers), they would intersect. 

Speaker Placement Versus Listening Position

The location of your listening position is as important as the careful setup 

of your Wilson Audio loudspeakers. The listening position should ideally be no 

more than 1.1 to 1.25 times the distance between the tweeters on each speaker. 

Therefore, in a long, rectangular room of 12’ x 18’, if the speaker tweeters are 

going to be 9’ apart, you should be sitting 9’11’’ to 11’3’’ from the speaker. This 

would be more than halfway down the long axis of the room.

Many people place the speakers on one end and sit at the other end of 

the room. This approach will not yield the finest sound. Carefully consider your 

listening position. Our experience has shown that any listening position that 

places your head closer than 14” from a wall will diminish the sonic results of 

your listening due to the deleterious effects of boundary interaction.

Speaker Orientation

Speaker placement and orientation are two of the most important consid-

erations in obtaining superior sound. The first thing you need to do is eliminate 

the sidewalls as a sonic influence in your system. Speakers placed too close to 

the sidewalls will suffer from a strong primary reflection. This can cause out-

of-phase cancellations, or comb filtering, which will cancel some frequencies 

and change the tonal balance of the music. Adhering to the Wilson Audio Setup 

Procedure outlined in the previous section is the best method with which to 

position your loudspeakers. 

A very important aspect of speaker placement is how far from the back 

wall to place the speakers. The closer a loudspeaker is to the back wall, the 

more pronounced the low bass energy and centering of the image will be. 

However, this comes at a definite reduction in stage size and bloom as well as 

Summary of Contents for Sasha DAW

Page 1: ...I n s t a l l at i o n a n d C a r e G u i d e...

Page 2: ...trademark of Wilson Audio S pecialties Inc S ophia S asha DAW S asha DAW S ubsonic WAMM MAXX XLF and Alexandria are registered trademarks of Wilson Audio S pecialties Inc Alexx Sabrina Alida Alexia Wi...

Page 3: ...U p p e r M o d u l e A s F o l l o ws 28 U m b i l i c a l Co n n e c t i o n s 29 S e c t i o n 3 F i n a l S e t u p 3 1 S e c t i o n 3 1 S pi k i n g t h e S a s h a DAW 32 W o o f e r M o d u l...

Page 4: ...S e c t i o n 1 WAS P S e t u p W i l s o n A u d i o S p e c i a l t i e s...

Page 5: ...kit Set these items in an accessible area as you will need them during the setup process See the two graph ics below A u t h e n t i c E x c e l l e n c e Section 1 2 WASP An instructional video outli...

Page 6: ...l It is helpful to have anoth er listener seated in the listening position to assist you during this process Listen to how your voice frees up from the added bass energy imparted by the rear wall boun...

Page 7: ...s above listen for the point in the room where your voice transitions from bass heavy and diffuse to neutral Mark this point with tape Continue your progres sion until there is an obvious interaction...

Page 8: ...ully consider your listening position Our experience has shown that any listening position that places your head closer than 14 from a wall will diminish the sonic results of your listening due to the...

Page 9: ...binations See the next section for details By measuring the distance from the bottom front baffle of your speaker to your ear when seated in the listening position as well as height of the listener s...

Page 10: ...S e c t i o n 2 S a s h a DAW A s s e m b ly W i l s o n A u d i o S p e c i a l t i e s...

Page 11: ...tric Screwdriver Phillips head drive bit Uncrating the Woofer Module A minimum of two strong adults is required to set up the Sasha DAW Lo cate the two largest crates labeled Sasha DAW Lower These con...

Page 12: ...npacked your Sasha DAWs you can inventory all the additional items in the crates Owners Manual Full Line Product Brochure Warranty Registration Form 1x Polishing Cloth 8x 13 Spike with Nut 8x LG 13 Me...

Page 13: ...Module as shown to the left The spikes should be screwed in all the way until they are hand tight Do not over tighten spikes Alignment Procedure Locate the Alignment tables in Section 5 These tables c...

Page 14: ...are two charts for the positioning of the Upper Module The first Sasha DAW Spike Length is a ta ble determining the rear spike length The Second Sasha DAW Alignment Block Step specifies the step on wh...

Page 15: ...t the two front spikes are properly seated in their recepta cles and that the Upper Module is not skewed atop the Woofer Module The Upper Module sides should be parallel to the sides of the Woofer Mod...

Page 16: ...S e c t i o n 3 F i n a l S e t u p W i l s o n A u d i o S p e c i a l t i e s...

Page 17: ...er system 2 Screw the spikes into the diode until the nut is against the di ode Be careful that the nut does not turn while inserting and threading spikes into the diode Note Do not tighten these asse...

Page 18: ...find out which spike to lower grasp the Sasha DAW channel and gently rock it back and forth This will identify the spike that is out of level from the other three If there is movement lengthen the ap...

Page 19: ...ging the value or brand of resistor will have a deleterious affect on the sonic performance of your loudspeakers and will void your Wilson Audio Warranty The Tweeter Level which consists of two 6 0 oh...

Page 20: ...S e c t i o n 4 S p e cific at i o n s W i l s o n A u d i o S p e c i a l t i e s...

Page 21: ...plifier Power Frequency Response Overall Dimensions Sasha DAW Weight Per Channel System Shipping Weight approx Rear Vented Midrange X S Material Rear Ported Woofer X Material Two 8 inch 20 32 cm One 7...

Page 22: ...S e c t i o n 5 T i m e a l ig n m e n t C h a r t s W i l s o n A u d i o S p e c i a l t i e s...

Page 23: ...4 Sasha DAW Install ation and Car e Guide Ti m e A l i g n m e n t Ch a r t s 45 W i l s o n A u d i o S p e c i a l t i e s A u t h e n t i c E x c e l l e n c e Section 5 Propagation Delay Nomograph...

Page 24: ...S e c t i o n 6 W a r r a n t y W i l s o n A u d i o S p e c i a l t i e s...

Page 25: ...nstructions in the owner s A u t h e n t i c E x c e l l e n c e manual or has been abused or misused damaged by accident or neglect or in being transported or if the product has been tampered with or...

Page 26: ...d to be free of manufacturing defects in materials and workman ship for a period of five 5 years from the date of shipment to the dealer Demo equipment needing warranty service may be repaired on site...

Page 27: ...and Car e Guide A u t h e n t i c E x c e l l e n c e above limitations or exclusions may not apply to you This Limited Warran ty gives you specific legal rights and you may also have other rights whi...

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