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Sa sha DAW I n stal l ation and Car e
G u ide
A u t h e n t i c E x c e l l e n c e ™
the upper module. Refer to the Sasha DAW Propagation Delay
Tables and the procedure in the previous section to determine
the correct Aspherical Propagation delay spikes as necessary,
the Alignment Block position, and the proper step location on
which to place the rear spike.
Install the Upper Module As Follows:
1. Install the front pair of short (AA length) spikes into the bot-
tom of each module.
2. Refer to the table labeled “Sasha DAW Upper Spike Length”in
Section 5 and install the appropriate rear spike if necessary.
3. Refer to table labeled “Sasha DAW Upper Alignment Block Step”
in Section 5. Using the numbers engraved on the side of the
back, make sure the spike rests on the correct alignment step.
NOTE: Take caution not to scratch the painted surface with the alignment
spike as you install the Upper Module.
Note: Ensure that the two front spikes are properly seated in their recepta-
cles and that the Upper Module is not skewed atop the Woofer Module. The
Upper Module sides should be parallel to the sides of the Woofer Module.
This will ensure correct propagation alignment of the drivers.
Umbilical Connections
S
e c t i o n
2 . 4 —m
o U n t i n g
t h e
U
P P e r
m
o D U l e
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The correct connection of the two umbilicals to the Upper Module is as
follows:
1. There are two sets of connections on the Upper Module, one
for the midrange and the other for the tweeter.
2. Locate the cable marked “MID FREQ.” This cable exits the Woof-
er Module just below the appropriate connector. Connect
the RED lug of the cable to the RED (positive) terminal on the
Upper Module. Connect the black lug of the cable to the BLACK
(negative) terminal.
3. Locate the cable marked “TWEETER.” Repeat Step 2 above.
Note: Please ensure that you do not invert the polarity of the umbilicals in
the Sasha DAW. Such an inversion will produce entertaining ambient ef-
fects, but destroys the linearity and harmonic structure of the system.
W i l s o n A u d i o S p e c i a l t i e s
Summary of Contents for Sasha DAW
Page 1: ...I n s t a l l at i o n a n d C a r e G u i d e...
Page 4: ...S e c t i o n 1 WAS P S e t u p W i l s o n A u d i o S p e c i a l t i e s...
Page 10: ...S e c t i o n 2 S a s h a DAW A s s e m b ly W i l s o n A u d i o S p e c i a l t i e s...
Page 16: ...S e c t i o n 3 F i n a l S e t u p W i l s o n A u d i o S p e c i a l t i e s...
Page 20: ...S e c t i o n 4 S p e cific at i o n s W i l s o n A u d i o S p e c i a l t i e s...
Page 24: ...S e c t i o n 6 W a r r a n t y W i l s o n A u d i o S p e c i a l t i e s...
