Williams Sound
®
Helping People Hear
15
not helpful to the hearing impaired and can contribute to excessive noise in the receiver
outputs. See the section below,
Deciding Between Compress Or Limit Settings
.
If an audio delay is available for use in large auditoriums, it’s usually best to use it.
Because radio signals travel faster than sound, delaying the transmitted audio so that an
average listener (in the middle of the listening area) hears the transmitted audio a few
milliseconds after audio from the main sound reinforcement system speaker is helpful.
This will also help audience members who lip read.
The FM hearing assistance system transmits audio with very good fidelity, using the
same technical standards as commercial FM broadcast radio. Its quality is usually limited
by the audio source and by the earphones used with the receivers. Therefore, the audio
source signal should be of the highest quality possible.
D
ECIDING
B
ETWEEN
C
OMPRESS
O
R
L
IMIT
S
ETTINGS
It’s easy to select Compress or Limit using one position of the Audio Select Switch. When
choosing which mode to use, the system operator should consider the expected audience and
program material. Figure 8 shows response curves for the compressor/limiter circuitry.
A hearing impaired person’s perception of what is “too loud” is usually similar to a normal
hearing person’s. However, they often don’t hear soft sounds as well. In other words, their
dynamic range is reduced. To compensate, the T4’s Audio Processor can compress the audio
signal, reducing the dynamic range and making it more useful to the hearing impaired.
Some hearing impaired people cannot tolerate as loud a sound as those with normal hearing.
When accompanied with hearing loss, their dynamic range is significantly reduced, both for
soft and for loud sounds. Compression is especially useful for these individuals.
In some situations, however, such as concerts, compression is annoying to listeners
—especially musical purists. Limiting provides control of the modulation level and is
optimized to cause a minimum of disturbance to the sound. It’s acceptable to the most
discerning listeners, but not as helpful to hearing impaired people as compression.
0
–10
0
Hard Limiter (Always Functional)
Compress
–10
–20
–20
–30
–30
–40
–40
+10
+10
+20
Limit
Audio "-12 dB" Light ON
Audio "0 dB" Light ON
RELATIVE INPUT LEVEL
RELATIVE OUTPUT LEVEL
F
IGURE
8: T4 A
UDIO
P
ROCESSOR
P
ERFORMANCE
Summary of Contents for PERSONAL PA Pro Wide-band System 275
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