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HA1500 HD-A
®
Electrostatic Array
No more electrostatic restrictions
Electrostatic speakers have traditionally been known to have drawbacks.
o
Poor bass response
o
Low sensitivity
o
Poor dispersion
o
Large physical size
Different companies have tackled one or two of these issues with mixed results,
introducing artificial delays in order to simulate a point source, curving the array
in an attempt to improve dispersion and enhancing various frequencies to make
the sound appear better than it is. The Whise 1500 HD-A
®
loudspeaker evolved
from over 18 years research and development and overcomes these limitations
without any compromise on sound quality.
Non-curved array
Some current generation electrostatic speakers use curved panels. Any curved
diaphragm that is non-stretchable, such as Mylar™, cannot move linearly as the
force required for forward motion differs from the force required for rearwards
motion. In addition, any motion will inherently cause a buckling of the diaphragm
surface. This non linear distortion increases greatly at lower frequencies, and this
typically results in the use of higher crossover frequencies to minimise these
problems.
Using a symmetrically flat electrostatic array, combined with the patented
mechanical techniques, ensures that the shape and size of the speaker does not
contribute to the sound. what you hear is an incredible reproduction of the
recording, and an amazing presence of the recording environment. It truly is like
being there.
Front and Rear image is identical
Uniform bi-directional speakers have a rear audio image that is identical to the
front. This has two major advantages. Firstly, rather than try and discard or
distort the rear image, it can be used to reinforce the audio, adding power to the
overall sound. It is well known that the room contributes a lot to the listening
experience. By allowing the rear audio image to propagate, the entire room is
utilised more effectively.
Secondly, the rear audio image helps to extend and enhance the sound stage,
giving it much needed depth of image that is essential in recreating a fully
dimensional reproduction of the original recording.