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Torpedo Live User's Manual

User's manuals - http://wiki.two-notes.com/

Always keep in mind that your amplifier may not have been conceived to be used at maximum
volume for a long period of time. Running an amplifier at high volume will cause premature wear of
the tubes and possible malfunctions or damages at the output stage.

The fact that the volume control of your amplifier is not set at maximum
doesn’t mean your amplifier is not running at maximum volume. A good
habit is to keep the usual volume setup you would use in rehearsal or on
stage, rather than just following what the volume potentiometer indicates.

3 Is the use of a loadbox totally silent?

We usually talk about “silent recording” when a loadbox is involved. If we compare the loadbox
solution to a traditional cabinet miking solution, it is obviously A LOT quieter. Noises that you may
have not been able to hear before due to the volume of the speaker cabinet will now be more
apparent. Here are a few of those sounds that you might have to take into account:

• Your guitar or bass strings can be heard. If you are not used to this, it could be initially distracting,
depending on your environment.

• You may hear some noise coming out of your Torpedo Live when playing, like there is a tiny speaker
inside the box. This is perfectly normal and there is no reason to worry. The sound is produced when
power goes through the coil of the reactive load embedded on the Torpedo Live. The vibration is
related to what power comes out of the amplifier connected to the Torpedo Live and to the signal’s
frequency content (notes played are heard). Your ampli- fier, specifically the output transformer of
your amplifier, may also produce similar noise. Such noise is usually not heard, simply because it is
normally obscured by the sound coming from the loudspeaker.

• The Torpedo Live has a built in fan, as there is quite a lot of power dissipated into heat inside the
box. We selected a so called “silent fan”, but as it is running fast, it is never entirely silent. This said,
you can consider that, in normal use (hearing your guitar through monitors, or headphones), you can
barely hear the fan.

About the Torpedo Live

1 Introducing the Torpedo Live

Two notes Audio Engineering is proud to introduce the Torpedo Live, the optimized for live playing
version of the critically-acclaimed Torpedo hardware series. This product has been developed through
years of technical research, with great attention to the needs of guitarists, bassists and sound
technicians confronted with the challenges of miking instrument amplifiers, on stage or in the studio.
Our goal is to provide ease of use, reliability, versatility and above all, perfect audio quality.

The Torpedo technology was created as an answer to the high pressure musicians have to deal with:
lack of time, limited gear availability, loud amplifiers that can’t be played at desired volume, as well
as bulky and heavy cabinets to carry. In addition, many musicians are more comfortable with their

Summary of Contents for TORPEDO Live

Page 1: ...st recent versions of the products on the Two notes Audio Engineering website This manual describes the Torpedo Live and provides instructions for its operation It is highly recommended that you read...

Page 2: ...out the written authorization of OROSYS SAS All product names and trademarks are the property of their respective owners Product names and trademarks found in this document were used during the develo...

Page 3: ...r cable doesn t match your wall outlet ask a quali ed electrician for help Never remove the outer or inner ground connection of the unit to prevent risks of electric shock or re 1 5 Safety use conditi...

Page 4: ...B for Australia and New Zealand IEC 2008 CISPR 22 class B 4 Disposal of Waste Equipment by Users in Private Household in the European Union This symbol on the product or on its packaging indicates th...

Page 5: ...rized by OROSYS SAS Any implied warranties including without limitation any implied warranties of merchantability or tness for any particular purpose imposed under state or provincial law are limited...

Page 6: ...ate load speaker cabinet or loadbox The Torpedo Live once powered up is such a load Please note that you should always power up the Torpedo Live before your ampli er The maximum admissible power of th...

Page 7: ...the coil of the reactive load embedded on the Torpedo Live The vibration is related to what power comes out of the ampli er connected to the Torpedo Live and to the signal s frequency content notes p...

Page 8: ...crophone and ne tuning the position of the microphone in front of the cabinet The Torpedo Live allows the user to assume the role of the sound engineer in a professional studio The Torpedo Technology...

Page 9: ...window and parameters 2 Shape the signal Low Cut EQ Exciter and Comp sections 3 At each step Two notes Audio Engineering implements its know how to o er the most advanced simulations on the market and...

Page 10: ...he option to choose how the record room sounds 4 4 The Torpedo technology convolution and Impulse Responses The impulse response IR of a system describes its behavior under the form of a very detailed...

Page 11: ...show the most common situations theTorpedo Live has been created for 1 Guitar bass 2 Guitar bass preamp 3 Torpedo Live 4 Audio interface 5 PC MAC with Torpedo Remote 6 Guitar bass amp 7 Guitar bass 8...

Page 12: ...ernal conductor Using an instrument cable instead of a speaker cable can cause signi cant damage to your ampli er requiring service by a technician 2 In the studio The studio setup shown here is an in...

Page 13: ...ur audio interface must be in slave mode while the Torpedo Live is in master mode Your audio interface must handle 48KHz and or 96KHz to properly work with the Torpedo Live For more information on you...

Page 14: ...es out 1 Listen on a guitar bass cabinet plugged to the Torpedo Live THRU output 2 Having a local monitoring system on stage by duplicating the LINE OUPUT with a mixer 3 Having in ear monitors or wedg...

Page 15: ...ital product it is absolutely critical to avoid any saturation of the input signal and avoid the risk of considerably reducing the audio quality The input level is controlled by a potentiometer and is...

Page 16: ...t name or IR name and output volume OUT LEVEL between 95dB and 12dB In this menu you can navigate in the presets and set the output volume of the unit You will be in this menu when playing without edi...

Page 17: ...erfect to your ears The various functions of the buttons in EDIT menu are described in the following table Button Function SETUP Switch to SETUP menu PRESET PARAMETER Navigate the parameters OUT LEVEL...

Page 18: ...o Hot it can also be turned OFF Distance In Arcade mode Distance triggers both the mic placement algorithm IR synthesis and the Dry Wet of the Reverb The farther the microphone is from the cabinet the...

Page 19: ...lectric piano or a synthesizer you need the color brought by the nal stage of a traditional ampli er the power ampli er Plug your device to the LINE input of the Torpedo Live and enjoy the typical sou...

Page 20: ...ve access to 32 di erent cabinets each cabinet can be miked with 1 of the 8 available microphones Please refer to Part 7 to discover the microphones and cabinets library The 32 cabinets that you will...

Page 21: ...the band frequencies to focus on the interesting signal frequencies for the corresponding instrument EQ Activate the EQ lter Mode Guitar or Bass EQ presets to t the center frequencies with the instru...

Page 22: ...g t a distorted guitar in a mix Dynamic microphones are what you usually nd on stage because they are sturdy and reliable They usually give good detail in the mids but they are not as subtle as ribbon...

Page 23: ...of standard MIDI controller like a MIDI pedalboard or a keyboard Select if the unit is to receive to Program Change and or Control Change commands For 1 example if you plan to use the preset switching...

Page 24: ...which you can download from the Two notes Audio Engineering website Take control of the unit via USB change the parameters arrange or add delete cabinets and IR les and apply updates Torpedo Remote wi...

Page 25: ...orpedo Remote features the new Two notes Boutique This is an online store that gives you access to all of the Two notes virtual cabinets captured with a set of 8 microphones Make sure you have a worki...

Page 26: ...o Engineering Torpedo BlendIR software The software is available for download from the Two notes Audio Engineering website With Torpedo BlendIR you are able to use the Torpedo technology to capture th...

Page 27: ...an address the 128 presets with MIDI PC 1 to MIDI PC 128 This way it is possible to randomly access the preset by sending the appropriate MIDI PC number 2 Control change CC The following table indicat...

Page 28: ...Room 26 0 7 0 Room 0 1 Room 1 Dry Wet 27 0 127 0 0 63 50 127 100 Arcade mode Instrument 28 0 1 0 Guitar 1 Bass Cab 8 0 x 0 Cab 0 1 Cab 1 Mic 13 0 7 0 Mic 1 1 Mic 1 Room 26 0 7 0 Room 0 1 Room 1 Power...

Page 29: ...ence P50E Green Tri Hughes Kettner Triamp 4 12 Celestion Greenback Jazz 120 Vintage Roland JC120 2 12 JubilGreen Marshall 2550 2 12 Celestion Greenback Kerozen Diezel 4 12 Celestion V30 Silver77 Vinta...

Page 30: ...Dynamic microphonee Electrovoice RE20 Bass 5 Dynamic microphone Shure Beta52 4 Block diagram 5 Technical Data Designation Characteristics Speaker Input Jack 6 35 mm 1 4 unbalanced TS Tip Sleeve Maximu...

Page 31: ...B Minimal full scale input level 2 8 dBu Line Input Sampling frequency 96 KHz Resolution 24 bits Signal to noise ratio 100 dB DAC Sampling frequency 96 kHz Resolution 24 bits Noise level 105 db Freque...

Page 32: ...uct 1 Two notes Website On the Two notes Audio Engineering website you will nd news about the company and the products news on the homepage comprehensive information about the Torpedo Live and its man...

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