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13. AUX SEND CONTROLS
These  four  controls  are  used  to  adjust  the  level  of  the respective signal sent to AUX bus and 
their adjustable range is from -∞ to +10 dB .

14. PRE/POST
AUX1  and  AUX2  can  be  switched  to  PRE/POST-FADER  via  the  PRE/POST 
button, so, generally, they can be used for monitor application and effects 
& sound processors input. AUX3 and AUX4 are configured as POST-Faders. 

15. PAN / BAL CONTROL.
The PAN control determines the stereo positioning of the channel signal on 
the stereo L and R buses.The BAL control knob sets the balance between 
left and right channels. Signal input through the stereo L/R bus.

16. MUTE
Each channel is equipped with the MUTE button, pressing this button is 
equal  to  turning  the  fader  down,  which  can  mute  the  corresponding 
channel output except for the PRE AUX sends, channel INSERT send and 
PFL, and the MUTE LED will illuminate.

17. SIG/CLIP
Indicate  that  the  channel's  incoming  audio  signal  is  with  in  an  optimal 
range.

18. CHANNEL LEVEL
This fader will adjust the overall level of this channel and set the amount of signal sent to the 
main output.

19. GR1-2/GR 3-4/L-R
Each  channel  provides  three  push-buttons:    GR1-2,  GR3-4,  L-R  .  The    three  buttons  can  be 
considered as signal assignment switches. Pressing the GR1-2 will assign the channel signal to 
GROUP1-2, you can depend on the PAN switch to adjust the amount of channel signal sent to the 
GR1versus GR2,  when turns the  PAN to completely left,  then the signal can be only controlled 
by GROUP1 and viceversa. In the same way, pressing the GR3-4 or L-R will assign the channel 
signal to GROUP3-4 or MAIN MIX L-R, and will also be affected by PAN.

20. PFL
Each  channel  is  equipped  with  the  PFL  button,  pressing  this  button  which  the  corresponding 
signal send will be routed to CTRL ROOM/PHONES outputs and METER display.

21. GROUPS LEVEL
These  faders  are  used  to  control  the  levels  of  the    signal    send    to    the    GROUPS    OUT,    the 
adjustable range goes from -∞ to +10 dB. Any channel that is assigned to the groups, not muted 
and not turned down will be assigned to the GROUPS OUT.

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Control Elements

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Summary of Contents for MXi.1222CFX

Page 1: ...12 14 16 CHANNELS MIXING CONSOLE ...

Page 2: ......

Page 3: ... Contents 1 Introduction 2 Features 3 Usefull Data 4 Control Elements 5 Installation And Connection 6 Hookup Diagram 7 Preset List 8 Block Diagram 9 Technical Specifications 10 Guarantee 4 4 4 5 12 15 16 17 18 20 ...

Page 4: ...n of this manual carefully In this way you will get the best out of your Mixing Console Features Usefull Data Please write your serial number here for future reference 4 Ultra low noise discrete MIC Preamps with 48V Phantom Power 4 6 8 MIC Input Channels with XLRs and balanced Line Inputs 4 6 8 Compressors control and 6 8 Insert I O Low Cut for each MIC Input 2 Stereo Input Channels with mono XLRs...

Page 5: ...CUT By pressing this button you will activate a 75Hz low frequency filter with a slope of 18dB per octave You can use this facility to reduce the hum noise infected by the mains power supply or the stage rumble while using a microphone 5 RCA INPUT JACKS CH 9 10 to 11 12 for 12 channels or 11 12 to 13 14 for 14 channels or CH 13 14 to 15 16 for 16 channels They are organized in stereo pair and prov...

Page 6: ... This is a peaking filter and it will boost cut frequencies from 100 Hz to 8 kHz depending on the position of the MID freq control This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments HI MID This control gives you up to 15 dB boost or cut at 3 kHz It is useful for controlling voice It can accurately polish your performance ...

Page 7: ...l range 18 CHANNEL LEVEL This fader will adjust the overall level of this channel and set the amount of signal sent to the main output 19 GR1 2 GR 3 4 L R Each channel provides three push buttons GR1 2 GR3 4 L R The three buttons can be considered as signal assignment switches Pressing the GR1 2 will assign the channel signal to GROUP1 2 you can depend on the PAN switch to adjust the amount of cha...

Page 8: ... which have no input gain control were connected to mixer you can get a further 10 dB gain available from these Aux Send outputs As to the AUX4 it can also provide the lovable level adjustment for the internal effect signal 28 DFX OUT These control is used to determine the internal DSP module levels and DFX sends output which can be varied from to 10dB 29 DFX TO MAIN This control is used to assign...

Page 9: ...l be used to send out the mix signal to a pair of headphones 36 PWR LED This LED indicates when the power is on in your mixer 37 48V LED This LED indicates when the phantom power is switched on 38 MAIN MIX OUTPUT These stereo outputs are supplied with both the XLR and 1 4 phone jacks and it is controlled by the Main Mix Level 39 MAIN INSERT These two 1 4 phone jacks are stereo insert points and us...

Page 10: ...C Inlet with FUSE Holder Use it to connect your mixer to the main AC with the supplied AC cord Please check the voltage available in your country and how the voltage for your miser is configured before attempting to connect your mixer to the main AC 46 POWER Switch This switch is used to turn the main power on and off 47 48 Volt Phantom Power Switch It is available only to the XLR MIC sockets Neve...

Page 11: ...Control Elements 11 4 MP3 PLAYER ...

Page 12: ...on the power of any peripheral devices then power up the mixer Note the power amplifier or powered monitors shall be turned on after the mixer and turned off before the mixer Set the output level of your mixer or the connected power amplifier at no more than 75 Set the CONTROL ROOM PHONE level at no more than 50 Position HI MID and LOW EQ controls on middle position Position panoramic PAN BAL cont...

Page 13: ...Installation And Connection 13 5 ...

Page 14: ...14 Installation And Connection 5 ...

Page 15: ...15 6 Hookup Diagram Small Club Gig Computer set up ...

Page 16: ...Preset List 16 7 ...

Page 17: ...Block Diagram 17 8 ...

Page 18: ...LR with balanced 10Hz to 55KHz 3dB 0 03 at 0dB 22Hz 22KHz A weighted 0dB to 50dB 21 dB 75Hz 0 03 at 0dB 22Hz 22KHz A weighted 20dB 30dB GAIN 0 9dB THRESHOLD 20dB 5dB XLR with balanced 10Hz to 55KHz 3dB 10Hz to 55KHz 3dB 0 03 at 0dB 22Hz 22KHz A weighted 0 03 at 0dB 22Hz 22KHz A weighted 20dBu 30dBu 20dBu 30dBu 100dBr A weighted 100dBr A weighted Mono Channel 15dB 12KHz 15dB 100KHz 8KHz 15dB 80Hz 4...

Page 19: ...ge OFF to 10dB Hum Noise 80dB 20Hz 22KHz A weighted 1 channel MAIN level 0dB the other Minimum Crosstalk 80dB 0dB 20Hz 22KHz A weighted MAIN level 0dB the other minimum Power supply Main voltage 100 240V 50 60Hz Rated power consumption 30W Fuse T1 25A AC250V 12 channels 100 240V 50 60Hz 30W T1 25A AC250V 14 channels 16 channels 100 240V 50 60Hz 30W T1 25A AC250V 19 9 ...

Page 20: ...20 Guarantee 10 ...

Page 21: ...21 11 Notes ...

Page 22: ...11 Notes 22 ...

Page 23: ...23 11 Notes ...

Page 24: ......

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