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9. LINE/USB
By pressing this button, it will switch to the USB mode, then the USB signal can be sent to this 
channel; by releasing this button, the LINE IN inputs signal will send to the line input channels.

10. LINE/USB PLAYER
by pressing this button, it will switch to the USB PLAYER mode, 
then the signal of USB PLAYER module sent to this channel;

11. EQUALISER CONTROLS
There  are  3-band  EQ  with  sweepable  MID  on  all  mono  input 
channel  1-4/1-6/1-8:  HI,  MID  and  LOW  band.  There  are  4-band 
fixed frequency EQ on the stereo channel 5-12/7-14/9-16: HI, HI- 
MID, MID-LOW and LOW band. All bands provide up to 15 dB of 
boost or cut.

--HI
If you turn this control up, you will boost all the frequencies above 
12 kHz (shelving filter). You will add transparency to vocals and 
guitar and also make cymbals crispier. Turn the control down to 
cut  all  frequencies  above  12  kHz  In  such  way,  you  can  reduce 
sibilances of human voice or reduce the hiss of a Tape player.

--MID 
This is a peaking filter and it will boost/cut frequencies from 100 Hz to 8 kHz depending on the 
position of the MID freq control. This control will affect especially upper male and lower female 
vocal ranges and also the harmonics of most musical instruments. 

--HI-MID 
This control gives you up to 15 dB boost or cut at 3 kHz. It is useful for controlling voice. It can 
accurately polish your performance via adjusting this knob. 

--MID-LOW 
This control gives you up to 15 dB boost or cut at 500 Hz. 

--LOW 
If you turn this control up, you will boost all frequencies below 80 Hz. You will give more punch 
to bass drum and  bass guitar and make the vocalist more "macho". Turn it down, you will cut all 
the frequencies below 80 Hz. In this way, you can avoid low frequency vibrations and resonance  
thus preserving the life of your woofers. 

12. EQ SWITCH
This switch allows the user to use the EQ Section in signal path. Of course it can be used to make 
A/B comparisons between equalized signal and not equalized signal. 
It also can be used to apply equalization at a certain point of the show, excluding it when it's not 
necessary.

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Control Elements

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Summary of Contents for MXi.1222CFX

Page 1: ...12 14 16 CHANNELS MIXING CONSOLE ...

Page 2: ......

Page 3: ... Contents 1 Introduction 2 Features 3 Usefull Data 4 Control Elements 5 Installation And Connection 6 Hookup Diagram 7 Preset List 8 Block Diagram 9 Technical Specifications 10 Guarantee 4 4 4 5 12 15 16 17 18 20 ...

Page 4: ...n of this manual carefully In this way you will get the best out of your Mixing Console Features Usefull Data Please write your serial number here for future reference 4 Ultra low noise discrete MIC Preamps with 48V Phantom Power 4 6 8 MIC Input Channels with XLRs and balanced Line Inputs 4 6 8 Compressors control and 6 8 Insert I O Low Cut for each MIC Input 2 Stereo Input Channels with mono XLRs...

Page 5: ...CUT By pressing this button you will activate a 75Hz low frequency filter with a slope of 18dB per octave You can use this facility to reduce the hum noise infected by the mains power supply or the stage rumble while using a microphone 5 RCA INPUT JACKS CH 9 10 to 11 12 for 12 channels or 11 12 to 13 14 for 14 channels or CH 13 14 to 15 16 for 16 channels They are organized in stereo pair and prov...

Page 6: ... This is a peaking filter and it will boost cut frequencies from 100 Hz to 8 kHz depending on the position of the MID freq control This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments HI MID This control gives you up to 15 dB boost or cut at 3 kHz It is useful for controlling voice It can accurately polish your performance ...

Page 7: ...l range 18 CHANNEL LEVEL This fader will adjust the overall level of this channel and set the amount of signal sent to the main output 19 GR1 2 GR 3 4 L R Each channel provides three push buttons GR1 2 GR3 4 L R The three buttons can be considered as signal assignment switches Pressing the GR1 2 will assign the channel signal to GROUP1 2 you can depend on the PAN switch to adjust the amount of cha...

Page 8: ... which have no input gain control were connected to mixer you can get a further 10 dB gain available from these Aux Send outputs As to the AUX4 it can also provide the lovable level adjustment for the internal effect signal 28 DFX OUT These control is used to determine the internal DSP module levels and DFX sends output which can be varied from to 10dB 29 DFX TO MAIN This control is used to assign...

Page 9: ...l be used to send out the mix signal to a pair of headphones 36 PWR LED This LED indicates when the power is on in your mixer 37 48V LED This LED indicates when the phantom power is switched on 38 MAIN MIX OUTPUT These stereo outputs are supplied with both the XLR and 1 4 phone jacks and it is controlled by the Main Mix Level 39 MAIN INSERT These two 1 4 phone jacks are stereo insert points and us...

Page 10: ...C Inlet with FUSE Holder Use it to connect your mixer to the main AC with the supplied AC cord Please check the voltage available in your country and how the voltage for your miser is configured before attempting to connect your mixer to the main AC 46 POWER Switch This switch is used to turn the main power on and off 47 48 Volt Phantom Power Switch It is available only to the XLR MIC sockets Neve...

Page 11: ...Control Elements 11 4 MP3 PLAYER ...

Page 12: ...on the power of any peripheral devices then power up the mixer Note the power amplifier or powered monitors shall be turned on after the mixer and turned off before the mixer Set the output level of your mixer or the connected power amplifier at no more than 75 Set the CONTROL ROOM PHONE level at no more than 50 Position HI MID and LOW EQ controls on middle position Position panoramic PAN BAL cont...

Page 13: ...Installation And Connection 13 5 ...

Page 14: ...14 Installation And Connection 5 ...

Page 15: ...15 6 Hookup Diagram Small Club Gig Computer set up ...

Page 16: ...Preset List 16 7 ...

Page 17: ...Block Diagram 17 8 ...

Page 18: ...LR with balanced 10Hz to 55KHz 3dB 0 03 at 0dB 22Hz 22KHz A weighted 0dB to 50dB 21 dB 75Hz 0 03 at 0dB 22Hz 22KHz A weighted 20dB 30dB GAIN 0 9dB THRESHOLD 20dB 5dB XLR with balanced 10Hz to 55KHz 3dB 10Hz to 55KHz 3dB 0 03 at 0dB 22Hz 22KHz A weighted 0 03 at 0dB 22Hz 22KHz A weighted 20dBu 30dBu 20dBu 30dBu 100dBr A weighted 100dBr A weighted Mono Channel 15dB 12KHz 15dB 100KHz 8KHz 15dB 80Hz 4...

Page 19: ...ge OFF to 10dB Hum Noise 80dB 20Hz 22KHz A weighted 1 channel MAIN level 0dB the other Minimum Crosstalk 80dB 0dB 20Hz 22KHz A weighted MAIN level 0dB the other minimum Power supply Main voltage 100 240V 50 60Hz Rated power consumption 30W Fuse T1 25A AC250V 12 channels 100 240V 50 60Hz 30W T1 25A AC250V 14 channels 16 channels 100 240V 50 60Hz 30W T1 25A AC250V 19 9 ...

Page 20: ...20 Guarantee 10 ...

Page 21: ...21 11 Notes ...

Page 22: ...11 Notes 22 ...

Page 23: ...23 11 Notes ...

Page 24: ......

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