Yamaha PM5D Brochure & Specs Download Page 1 | Manualshive

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LPA537

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Summary of Contents for PM5D

Page 1: ...For details please contact Printed in Japan This document is printed on chlorine free ECF paper with soy ink www yamahaproaudio com LPA537 ...

Page 2: ... that is downloadable from Yamaha s Pro Audio website will bring you right up to speed But there s been another important development that makes the PM5D V2 a major system player the DSP5D Digital Mixing System Although the PM5D was always expandable via Yamaha s MY series expansion cards and integration with digital systems such as DME64N and AD8HR the DSP5D takes system scalability to a totally ...

Page 3: ...High capacity Versatile Mix Performance The PM5D V2 can accommodate a total of 130 input connections 48 channel inputs four stereo inputs five 2 TR IN s plus four mini YGDAI slots and can handle up to 64 inputs simultaneously The 64 input mixing channels are configured by default as 48 mono input channels 4 stereo inputs and 4 stereo effect returns By utilizing the internal patch bay and expansion...

Page 4: ...d panning can be controlled via the track pad or by using dedicated control devices connected via the MIDI or GPI port Expansion Slots for Added Connectivity Four rear panel mini YGDAI expansion slots allow you to use a range of MY series expansion cards to enhance the PM5D V2 in a number of ways You can for example use the added I O capability to connect to and remotely control high performance Y...

Page 5: ...e the mute groups to which the corresponding channel is assigned RCL and MUTE SAFE Indicators The RCL SAFE LED lights when the channel is set to the recall safe mode so that it will not be affected by scene recall operations The MUTE SAFE mode prevents the channel from being affected by mute group operations Channel Fader These very smooth and quiet 100mm motorized faders control and display the c...

Page 6: ...ys to turn the corresponding send on or off TO STEREO and TO MTRX LEDs to indicate assignment to the stereo and matrix busses PAIR LEDs that indicate paired mix sends and CUE and SEL keys that assign the corresponding MIX signal to the SELECTED CHANNEL controls when the MIX MASTER mode is engaged When an odd even numbered pair of mix bus sends is assigned as a stereo pair the odd numbered encoder ...

Page 7: ...er to http www ethersound com technology compatibility php DSP5D and DCU5D utilize EtherSound technologies But because bandwidth is fixed exclusively for DSP5D and DCU5D they cannot be controlled by ES monitor ST IN Connectors Master Phantom On Off Switch Input Connectors ST IN Connectors MIX OUT Connectors OUTPUT Connectors MONITOR CUE STEREO A B MATRIX POWER INPUT Connector Expansion Slots for m...

Page 8: ...tely from the other 24 keys next to the FADER MODE buttons and is conveniently assigned to scene increment operation but you can reassign it to perform any function you require DIRECT RECALL MUTE MASTER These eight keys can be used either to directly recall assigned scene numbers or to mute the corresponding mute groups The DIRECT RECALL and MUTE MASTER LEDs indicate which function the keys are cu...

Page 9: ...und distortion and saturation characteristics REV X Reverb Programs Effect No 46 48 The REV X programs feature the richest reverberation and smoothest decay available based on the REV X algorithms first introduced in Yamaha s SPX2000 Professional Multi Effect Processor The Hall and Room programs have a very open sound while Plate delivers a brighter tonality that is ideal for vocals Note The names...

Page 10: ...t channel parameters in line as they might appear on an analog console This is a comprehensive overview designed for fast efficient editing of the most essential mix elements Master Windows Mix Matrix DCA Stereo These windows provide an informative overview of fader levels as well as other parameters including EQ compressor gain reduction delay and more 18 19 Options The PM5D V2 s real I O versati...

Page 11: ...integrated into each channel that can be turned on and off by remote control The filter s cut off frequency is also remotely adjustable This Head Amp Remote Control function makes it possible for the AD8HR to be used as a stage box In addition to the many advantages that this offers digital connection of the AD8HR and PM5D using an AES EBU cable reduces analog wiring requirements to the bare minim...

Page 12: ...olution 10 138 dB All Faders Total Harmonic Distortion Less Than 0 05 20Hz 20kHz 4dBu into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1kHz or 48kHz Input Gain Min Less Than 0 05 20Hz 40kHz 4dBu into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 88 2kHz or 96kHz Frequency Response PM5D 0 5 1 5dB 20Hz 20kHz 1kHz into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1...

Page 13: ...NALOG IN 8 IN 4 MY8 AD96 ANALOG IN 8 IN 4 MY4 DA ANALOG OUT 4 OUT 4 MY8 DA96 ANALOG OUT 8 OUT 4 MY8 AE96 AES EBU 8 IN 8 OUT 4 MY8 AE96S AES EBU 8 IN 8 OUT 4 PM5D V2 PM5D RH V2 DIGITAL INPUT CHARACTERISTICS Terminal Format Data Length Level Connector 2TR IN 1 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 DIGITAL 2 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 2 3 COAXIAL IEC 60958 24b...

Page 14: ... METER Rch METER 1 AD GAIN ST IN 1 4 L AD GAIN ST IN 1 4 R SIGNAL PEAK SIGNAL PEAK ST IN L ST IN R INPUT 48V TO TALKBACK SELECT SIGNAL PEAK GAIN OFF ON AD 48V MASTER ON OFF ON INPUT 1 48 FX7 OUT L R FX8 OUT L R FX1 OUT L R FX4 OUT L R FX6 OUT L R FX2 OUT L R FX3 OUT L R FX5 OUT L R INPUT PATCH 16 16 16 16 FX7 IN L R FX8 IN L R FX1 IN L R FX4 IN L R FX6 IN L R FX2 IN L R FX3 IN L R FX5 IN L R EFFEC...

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