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Too often, calibrating a home cinema is a task that is 
often entirely left to the the AV Receiver/Processor and 
an ‘Auto Setup’ or ‘Auto EQ’ feature. However, by taking 
steps to choose and setup your equipment properly, you 
reduce the requirement for EQ and less is always more 
with audio. EQ should be thought of as a band-aid for 
small problems; there just to add a fi nal polish to the end 
result. It should not and cannot make poorly chosen, or 
positioned loudspeakers perform optimally. For that to 
be possible, we have to start with the basics and in this 
article, we will deal with the front loudspeakers.

Positioning - Why we’ve done what we have

All Arendal Sound speakers are designed with emphasis 
on not just having an linear on-axis (directly in front 
of the acoustic center of the loudspeaker) frequency 
response throughout the frequency spectrum, but also 
off-axis. At Arendal Sound, we place much emphasis on 
having a linear power response - This being the sum of 
the frequency responses in all directions. 

Much scientifi c research has been undertaken on this 
subject and a linear power response has a greater positive 
impact on the overall sound, because the frequency 
response is more even in all directions. This means an 
Arendal Sound speaker will be more tolerant of differences 
in room shape, size, construction and materials.

In speakers with a tweeter mounted fl at on the baffl e, the 

frequency response can vary wildly compared to the ideal 
as you move away from this axis in any direction and that 
uneven sound refl ects from elsewhere within the room 
and arrives back at your ears, tainting the fl at response. 
This type of speaker will be very room dependent - read 
inconsistent from one room to the next.

The controlled directivity design that Arendal Sound has 
refi ned, aids the speakers in having a linear frequency 
response at the listening position, even when placed 
relatively close to side walls, so Arendal Sound speakers 
are relatively room independent and allow more freedom 
with positioning. This does not mean they will not benefi t 
from careful attention to positioning, but simply that 
positioned correctly, they will tend to remain consistent 
performers wherever you are listening to them.

In terms of the actual positioning in the the room, there 
are number of factors to balance and perfecting one 
element, can be at the detriment to others, so it is always 
a case of balancing stereo imaging, bass power, bass 
evenness, etc.

What follows are our general recommendations in line 
with the capabilities and design of Arendal Sound speakers. 
Most recommendations follow general convention, 
because Arendal Sound Speakers are designed to work 
with normal systems in normal rooms and applications 
like Home Theatre mandate certain speaker placements 

PLACEMENT & SETUP

- SPEAKERS

Summary of Contents for ARENDAL

Page 1: ...H A N D B O O K...

Page 2: ...e you enjoy it as much as we enjoyed creating it Team Arendal Sound THX ULTRA CERTIFIED STORY OF ARENDAL 1723 S SPEAKERS PREMIUM BUILD QUALITY WAVEGUIDE TWEETER MID WOOFERS SPEAKER INPUT POSTS SPIKES...

Page 3: ...vers in their living room or in tight spaces We have been asked hundreds of times to introduce a smaller speaker with the same qualities as the 1723 series We did deliver and we are very happy to anno...

Page 4: ...orld at a very early age When I turned 14 I started to work part time at my dad s store When your hobby is electronics and you work in such an environment you get the urge to purchase and test as many...

Page 5: ...et leading products packed with incredible value backed with our highly acclaimed customer support that extends beyond the date of purchase To me business comes second and at the end of the day it s m...

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Page 8: ...BLACK GLOSS WHITE GLOSS BLACK MATTE WHITE MATTE...

Page 9: ...compared to much higher priced speakers on the market SPECIFICATIONS Design 2 5 way Tweeter 28 mm Woofer 4 x 6 5 Enclosure Sealed Vented Enclosure material High Density Fiberboard HDF Crossover freque...

Page 10: ...BLACK GLOSS WHITE GLOSS BLACK MATTE WHITE MATTE...

Page 11: ...1723 Center S The sheer performance level of detail and dynamics delivered by Monitor S is unheard of in this price category Expect the Monitor S to be compared to much higher priced speakers on the m...

Page 12: ...BLACK GLOSS WHITE GLOSS BLACK MATTE WHITE MATTE...

Page 13: ...e 8 in the 1723 Center The sheer performance level of detail and dynamics delivered by Center S is unheard of in this price category Expect the Center S to be compared to much higher priced center spe...

Page 14: ...BLACK GLOSS WHITE GLOSS BLACK MATTE WHITE MATTE...

Page 15: ...he 4 surround drivers are imported straight from the original 1723 Surrounds as this driver is optimal for the task regardless of the main driver size The sheer performance level of detail and dynamic...

Page 16: ...BLACK GLOSS WHITE GLOSS BLACK MATTE WHITE MATTE...

Page 17: ...components and sound philosophies the Bookshelf S can be perfectly matched to any of the 1723 speakers Small and compact yet incredibly powerful dynamic and detailed with a big soundstage Only the bes...

Page 18: ...BLACK SATIN WHITE SATIN...

Page 19: ...is angled perfectly for on wall placement The Height S is also designed for ceiling placement for the most accurate Atmos creations SPECIFICATIONS FRONT 24 5 cm 36 2 cm SIDE BACK TOP 28 2 cm Design 2...

Page 20: ...mass damping layer to the inner faces of the cabinet just to be sure we have damped out every last resonance in the large enclosures Butyl is not added for 1723 S speakers as these have smaller enclos...

Page 21: ...logo is in anodized aluminium Internal wiring Not your average zip cord All products utilize high count multi strand wire braided together These were not done for looks but chosen to produce the most...

Page 22: ...eeterisaTourdeForce Allcomponents are bespoke designs for Arendal Sound extensively FEA optimized The result is a very wide bandwidth high efficiency low distortion tweeter capable of being crossed ov...

Page 23: ...d behind the dome and surround are optimized to create a very well controlled impedance void of secondary resonance spikes that typically result in electrical phase shifts that present an awkward load...

Page 24: ...a custom formulation for inherent self damping that remains pistonic through its operating range and beyond 5 Voice coil venting to reduce physical and thermal compression maintaining a hugely dynamic...

Page 25: ...le designs will be limited in effectiveness due to the lack of airflow volume Meaning at the highest power and excursion where the airflow is needed most the pole vent alone will not be sufficient Shi...

Page 26: ...ect the copper material and music signal carried within Each post accepts commonly used wire terminations banana spade pin and bare wire Input jumpers made from the same materials as the binding posts...

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Page 28: ...spike in from above using the top Adjusting Ring We recommend starting with the lowest adjustment required to lift the Spike Bar just clear of any floor covering such as carpet Adjust levelling by scr...

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Page 30: ...room shape size construction and materials In speakers with a tweeter mounted flat on the baffle the frequency response can vary wildly compared to the ideal as you move away from this axis in any dir...

Page 31: ...have been engineered to be easily adjustable without tools from above the outriggers without having to lift the speaker Tilt them until you are on axis in the horizontal plane and for the sake of aes...

Page 32: ...urnishing the floors first reflection points also applies to the walls we ve previously mentioned However hanging rugs or other soft sound absorbing items on walls is rather a matter of taste or lack...

Page 33: ...fect tonal match Whilst positioning has been relatively unproblematic to achieve for the front left and right loudspeakers owing to the spatial freedom they enjoy the center channel will have to deal...

Page 34: ...l work too as will a bit further back Surround Back Channels When mounting as the surround back channels in a seven channel system the in phase drivers should be mounted pointing at each other in the...

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Page 36: ...topen higherlistening levels could generate some port noise sometimes called port chuff from the extremely high velocities of the air HOW TO CONNECT within the port It is therefore not recommended for...

Page 37: ...LOUDSPEAKER LOUDSPEAKER 1 2 LOUDSPEAKER LOUDSPEAKER 3...

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Page 40: ...y at plugs and the point where they exit from the apparatus Only use attachments and accessories specified by the manufacturer Unplug this apparatus during lightning storms or when unused for long per...

Page 41: ...le fuse types are shown in the specification WARNING To reduce the risk of fire or electric shock this apparatus should not be exposed to rain snow or moisture and objects filled with liquids such as...

Page 42: ...mkabel besch digte Stromstecker Fl ssigkeitseintritt kleine Objekte verloren im Produkt Aussetzung des Regens oder der Feuchtigkeit Fehlbetrieb oder Sturz des Produkts Stellen Sie sicher dass keine Ka...

Page 43: ...skadet p noe vis som n r en str mkabel eller plugg er skadet v ske har blitt s lt eller objekter har falt ut av apparatet apparatet har v rt utsatt for regn eller fuktighet ikke har normal funksjonali...

Page 44: ...paraci n ser necesaria en caso de cualquier da o como por ejemplo en el cable de alimentaci n o su enchufe l quidos vertidos sobre el equipo objetos perdidos dentro del equipo exposici n a lluvia o hu...

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Page 46: ...r product please contact service arendalsound com send us the serial number of the product that has a problem and we will help you to identify the defective component If we ship you a replacement part...

Page 47: ...REGISTER YOUR PRODUCT AT ARENDALSOUND COM WARRANTY TO APPLY FOR 10 YEAR WARRANTY...

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