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--- that is, we hear a sound source as coming from the position from where the sound
source has its shortest distance, or “arrives first” ---

By introducing delays in a stereo system we can move our experience of the position
of the sound sources. In some respects these delays needed, are so short, that we
merely regard them as phase shifts. This is one of the basics of most so called
EXITER-effects, in which a slight and static broadening of the stereo image is
created (primarily in the treble range).

The careful combinations of phase shifts and delays within the TC 1210, enables a
variety of STATIC SPATIAL EXPANSIONS, wide broadenings and psychoacoustic
enhancements of the stereo image to be created.

By unbalancing the delays and phase shifts within the TC 1210 it is possible, with the
left and right channels volumes remaining unchanged, to shift the appeared
origination of the sound from left to right and vice versa. Modulating the delays
introduces a dynamic shifting panning image. These effects can be heard with the
TC 1210 “STATIC and DYNAMIC DELAY PANNING” effect setting samples.

The basics of a chorus-sound is the mixing of a signal with a modulated, delayed
part of the same signal.
The modulation of the delay brings with it a slight shifting pitch, the added delay part
of the signal gives the imagination that more than one voice is sounding - hence the
name “chorus”. Furthermore the mixing of the two parts produces a “comb-filter”-like
frequency response.
Arranged in the right proportions this brings with it a nice broadening of the sound. -
TC 1210 contains not only one, but two such units.

Two chorus/flanger units brings the possibilities of creating chorus and flangings
simultaneously as well as creating some even more exiting chorus effects, some of
them with the nice features of the single chorus unit enhanced, some of them with a
totally new stereo image.

Combined with the spatial image creation circuitry within the TC 1210, you create a
variety of dynamically moving SPATIAL CHORUS and FLANGER images. Spatial
excitations bound to be heard to image.

Summary of Contents for TC 1210

Page 1: ...e TC 1210 have been to make the ultimate surround sounding chorus flanger for the studio and for on stage use a goal we are sure you also will realise has been reached Built on experiences with our TC...

Page 2: ...jack outputs 5 Unity gain characteristics making it very easy to patch in or insert manufactured to the high standards professionals demands High quality components in reliable low noise and high slew...

Page 3: ...delays introduces a dynamic shifting panning image These effects can be heard with the TC 1210 STATIC and DYNAMIC DELAY PANNING effect setting samples The basics of a chorus sound is the mixing of a s...

Page 4: ...ONTROLS FRONT PANEL CONTROLS BYPASS Switches the effects in and out INPUT SENS Controls the headrooms of the channels Adjusts the input and the output level simultaneously automatically giving the TC...

Page 5: ...the two channels SWEEP SYNC 1 IN NORMAL MODE Synchronizes the two LFO delay modulators in phase 2 IN SEPARATE MODE and both channels on Mixes the LFO delay modulators of the two channels REAR PANEL C...

Page 6: ...n pack panel is set at the appropriate range 2 Connect input signal source s and select INPUT MODE If mono signal sources use any of or more to mix the inputs If stereo signal source use IN1 for left...

Page 7: ...flashing red green SETTING SAMPLES 1 SPATIAL EXPANDER 2 CHORUS I 3 CHORUS II 4 DOUBLER 5 FLANGER I 6 FLANGER II 7 DELAY PANNING SOUND 1 2 3 4 5 6 7 CONTROL SETTINGS BYPASS ON ON ON ON ON ON ON INTENSI...

Page 8: ...common logic circuitry Double sided fibre glass boards with printed component identification on main board for easier service identifications TECHNICAL SPECIFICATIONS Dynamic range 100 dB 110 dB Bypas...

Page 9: ...t at 5V External bypass control Termination tip channel 1 ring channel 2 jack stereo plug for control by shorting to ground bypass open circuit effect on or by logic control 0V bypass open circuit or...

Page 10: ...ving at slightly different times to each ear directly from the source and the reflections of the sound reverberations arriving a little later that enables us to tell from where the sound originated Th...

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