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FEATURES

A new non-digital sounding high quality analog differential bucket principle has been
developed for the TC 1210 featuring much improved performance over traditional
implementations.

Advantages of the double chorus units are:

1.

Totally new static and dynamic spatial stereo chorus and flanger images, by  
cross couplings and links between the two units.

2.

Delaypanning.

3.

Stereo input possibility.

4.

Mono compatibility.

5.

Possibility of making chorus and flanging simultaneously.

6.

Even making live quad-output spatial chorus sounds are possible.

7.

Possibility of using the TC 1210 as two separate chorus/flangers.

Technically it features:

1.

Analog sound resolution quality with low noise and distortion figures.

2.

Line input and output levels.

3.

“Active transformer” balanced XLR inputs and outputs as well as

4.

High input impedance instrument level jack inputs as well as low impedance 
jack outputs.

5.

Unity-gain characteristics making it very easy to patch in or insert.

manufactured to the high standards professionals demands:

High quality components in reliable low-noise and high slewrate constructions.
Quality fibre glass doublesided pcb.
All packed in a rugged steel construction with black anodized aluminum front  19”
rack mounting.
Plugable board construction and component identifications for fast service.

THE SOUND IMAGE OF TC 1210

The TC 1210 actually consists of two complete stereo chorus flangers combined with
phase shifts and an advanced common circuitry to link and crossmix the units in
carefully controlled modes and combinations.

The principal ideas behind these combinations take their roots in the so called “Haas
effect” or “principle of first arrival”:

Sound travels through air with a speed of approx. 340 m/sec. and it is our brainwork
with the sound arriving at slightly different times to each ear directly from the source
and the reflections of the sound, (reverberations) arriving a little later, that enables us
to tell from where the sound originated.

Summary of Contents for TC 1210

Page 1: ...e TC 1210 have been to make the ultimate surround sounding chorus flanger for the studio and for on stage use a goal we are sure you also will realise has been reached Built on experiences with our TC...

Page 2: ...jack outputs 5 Unity gain characteristics making it very easy to patch in or insert manufactured to the high standards professionals demands High quality components in reliable low noise and high slew...

Page 3: ...delays introduces a dynamic shifting panning image These effects can be heard with the TC 1210 STATIC and DYNAMIC DELAY PANNING effect setting samples The basics of a chorus sound is the mixing of a s...

Page 4: ...ONTROLS FRONT PANEL CONTROLS BYPASS Switches the effects in and out INPUT SENS Controls the headrooms of the channels Adjusts the input and the output level simultaneously automatically giving the TC...

Page 5: ...the two channels SWEEP SYNC 1 IN NORMAL MODE Synchronizes the two LFO delay modulators in phase 2 IN SEPARATE MODE and both channels on Mixes the LFO delay modulators of the two channels REAR PANEL C...

Page 6: ...n pack panel is set at the appropriate range 2 Connect input signal source s and select INPUT MODE If mono signal sources use any of or more to mix the inputs If stereo signal source use IN1 for left...

Page 7: ...flashing red green SETTING SAMPLES 1 SPATIAL EXPANDER 2 CHORUS I 3 CHORUS II 4 DOUBLER 5 FLANGER I 6 FLANGER II 7 DELAY PANNING SOUND 1 2 3 4 5 6 7 CONTROL SETTINGS BYPASS ON ON ON ON ON ON ON INTENSI...

Page 8: ...common logic circuitry Double sided fibre glass boards with printed component identification on main board for easier service identifications TECHNICAL SPECIFICATIONS Dynamic range 100 dB 110 dB Bypas...

Page 9: ...t at 5V External bypass control Termination tip channel 1 ring channel 2 jack stereo plug for control by shorting to ground bypass open circuit effect on or by logic control 0V bypass open circuit or...

Page 10: ...ving at slightly different times to each ear directly from the source and the reflections of the sound reverberations arriving a little later that enables us to tell from where the sound originated Th...

Page 11: ......

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