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Appendix A: Service Information

If you think your TAPCO powered mixer 

has a problem, please check out the 
following troubleshooting tips and do 
your best to confi rm the problem. Visit 
the “Talk To Us” section of our website 
(www.tapcoworld.com) and contact 
our technical support heroes and get 
some ideas. You may fi nd the answer to 
the problem without having to send your 
powered mixer away.

Troubleshooting

Bad Channel

•  Is the break switch on?
•  Is the EQ set up nicely?
•  Is the gain switch set correctly?
•  Is the level up enough?
•  Is the channel OL LED on?
•  Try the same source signal in another 

channel, set up exactly like the suspect 
channel.

•  Is phantom power required for your 

microphones?

Bad Output

•  Is the main master level control turned 

up?

•  Are the graphic EQs set to reasonable 

levels?

•  Is the FX level going to the main mix too 

high (OL LED on)?

•  If it’s one of the main speaker-level 

outputs, try unplugging its companion. 
For example, if it’s the 1/4" left main 
output, unplug the left Speakon output. 
If the problem goes away, it’s not the 
powered mixer.

•  If a left speaker is presumed dead, 

connect it to the right output instead. 
If the problem stays with the same 
speaker, check the speaker wiring, or 
any speaker fuses.

•  Unplug anything from the main line-level 

outputs, or other line-level outputs, just in 
case one of your external pieces has a 
problem.

•  You may be overdriving the amplifi ers. 

Check the loudspeaker average load 
impedance is not less than 4 ohms. 
Check the speaker wiring. Check that 
the meter CLIP LEDs do not come on.

Noise

•  Turn the channel levels down, one by 

one. If the sound disappears, it’s either 
that channel or whatever is plugged 
into it, so unplug whatever that is. If 
the noise disappears, it’s from your 
whatever.

Power

•  The power LED should come on if the 

powered mixer is connected to a 
suitable live AC mains outlet, and the 
power switch is on. Check the power 
cord is securely plugged in.

Repair

For warranty repair or replacement, refer 

to the warranty information on page 27.

Non-warranty repair for TAPCO products 

is available at a factory-authorized service 
center. To locate your nearest service 
center, call our Tech Support department 
at 1-877-827-2669, Monday-Friday, 7 am to 
5 pm Pacifi c Time, to explain the problem. 
Tech Support will tell you where the nearest 
factory-authorized service center is located 
in your area.

Summary of Contents for MIX.FX MIX10FXP

Page 1: ......

Page 2: ...rity to operate the equipment under FCC rules 20 This apparatus does not exceed the Class A Class B whichever is applicable limits for radio noise emissions from digital apparatus as set out in the ra...

Page 3: ...tures 10 1 Power Connection 10 2 Power Switch 10 3 Speaker level Outputs 11 4 Ventilation 11 Front Panel Features 12 Connector Section 12 5 Mic Inputs 12 6 Mono Line Inputs 13 7 Stereo Line Inputs 13...

Page 4: ...r amp mode switch to stereo mains Don t use guitar cords for speaker cables They re not designed to handle speaker level signals and could overheat READY STEADY GO 1 Turn down all the channel level mo...

Page 5: ...nal audio equipment accessible to virtually anyone Today TAPCO is reborn with the same ideals and is backed by the world class engineering and manufacturing horsepower of LOUD Technologies This versat...

Page 6: ...o tape outputs to record the performance TAPCO Thump TH15A powered speakers are connected to the monitor send and are set up as stage monitors The aux mon controls of each channel allow you to create...

Page 7: ...RCA inputs A TAPCO Link USB Digital Audio Interface is attached to the stereo tape outputs to record the performance via USB onto a laptop A TAPCO J 2500 power ampli er is connected to the line level...

Page 8: ...nected to channels 7 and 8 a CD player connected to channel 9 s stereo RCA inputs and an iPod dock connected to channel 10 s stereo RCA inputs A TAPCO Link USB Digital Audio Interface is attached to t...

Page 9: ...onnected to channel 7 and vocal mics connected to channels 8 9 and 10 A TAPCO J 1400 power ampli er is connected to the line level monitor send output and powers two passive stage monitors Monitor EQ...

Page 10: ...neral from the Metal Planet Tarquin 5 might not be such a good time As a general guide you should turn on your mixer rst before any external power ampli ers or powered speakers and turn it off last Th...

Page 11: ...peakon Connection Speakon outputs are wired Pin 1 positive hot and Pin 1 negative cold 1 4 TS Connection 1 4 TS outputs are wired Tip positive and Sleeve negative These two types of outputs are wired...

Page 12: ...ing Phantom owes its name to an ability to be unseen by dynamic mics Shure SM57 SM58 for instance which don t need external power and aren t affected by it anyway Connector Section This is where you p...

Page 13: ...ans in your band to hear themselves clearly on stage and this can often be a good thing The monitor output can be carefully adjusted in level using the channel aux mon controls 17 If they want more me...

Page 14: ...ster level 28 graphic EQ 25 and amp mode switch 12 will have no effect and the meters 26 will not show the levels Only the series 69 EQ switch 33 will affect the output Plugging anything into these in...

Page 15: ...design just like the mono channel EQ The channel gain is xed U like Unity gain The U symbol on almost every level control stands for unity gain meaning no change in signal level The labels on the cont...

Page 16: ...ind of mic changing the strings or hiring a new lead singer 14 HIGH EQ The high EQ provides up to 15 dB of boost or cut above 12 kHz and is at at the center detent Use it to add sizzle to cymbals an o...

Page 17: ...t different presets using the preset selector 34 experiment and have fun 19 OVERLOAD OL LED This LED will come on when the channel s input signal is too high This should be avoided as distortion will...

Page 18: ...1 to 8 when the band is taking a break This will prevent rogue karaoke singers from using the microphones at the interval The monitor output 9 and the drive signal to the internal FX are also muted Th...

Page 19: ...mix signals are off with the level fully down the U marking is unity gain and fully up provides 12 dB of additional gain This additional gain will typically never be needed but once again it s nice to...

Page 20: ...oes not affect the line level outputs Only loudspeakers connected to the rear panel speaker level outputs 3 will be affected Internal Effects The internal effects processor is a mono in stereo out eff...

Page 21: ...e ections that would be found in a very large stone walled house of worship Gives amazing depth to choirs wind instruments organs and soft acoustic guitars 9 CHORUS This preset provides a soft etherea...

Page 22: ...sumed dead connect it to the right output instead If the problem stays with the same speaker check the speaker wiring or any speaker fuses Unplug anything from the main line level outputs or other lin...

Page 23: ...t applications always unbalanced The tip is connected to the audio signal and the sleeve to ground earth Some examples Unbalanced microphones Electric guitars and electronic instruments Unbalanced lin...

Page 24: ...1 4 TRS balanced Line stereo input 1 4 TRS unbalanced Preamp main outputs 1 4 TRS balanced Monitor outputs 1 4 TRS balanced Loudspeaker outputs 1 4 TS and Neutrik Speakon Loudspeaker outputs Both chan...

Page 25: ...ng waste electrical and electronic equipment EEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substanc...

Page 26: ...GLOBAL PHANTOM POWER PHTM PHTM EFX EFX SUM MONITOR MICS EFX POST EFX POST MON MIC GAIN PHTM OL OL SELECT FX PRESET EFX EFX TO MAIN EFX TO MON BREAK SWITCH TAPE OUT MON LEVEL SERIES 69 EQ POWER AMPS 7...

Page 27: ...te You must have a sales receipt from an authorized TAPCO dealer for your unit to be considered for warranty repair IMPORTANT Make sure that the Service Request Number is plainly written on the shippi...

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