No.
Title
Description
Example of its use
1
ROOM 1
This room has a bright tone with lots of
scattered refl ections to simulate harder,
more refl ective surfaces.
Useful on vocals that require a
brighter reverb to cut through
the mix, or for giving acoustic
instruments a livelier vibe.
2
ROOM 2
This preset features a medium sized
room/lounge sound, with just enough
enhancement of the lower mids to
produce a warm tone.
Useful for vocals on songs that
require a larger, more “wet” sound,
or for giving dimension to bright
horns without adding harshness.
3
ROOM 3
This preset simulates the sound of a small
concert stage, with a medium reverb time
and reverberant space.
Useful for vocals or guitars in fast
paced, high-energy songs that call
for a “live” sounding reverberation.
4
ROOM 4
This reverb has a warm bodied tone and
medium long reverb time to simulate the
live acoustics of a theater space.
Perfect for vocals, drums, acoustic
and electric guitars, keyboards, and
more.
5
HALL 1
This reverb simulates the sound of a
spacious, yet cozy, heavily draped and
carpeted concert hall with an especially
warm tone.
Perfect for adding natural concert
hall ambience to close-mic’ed
orchestral instruments.
6
HALL 2
This hall reverb is characterized by its large,
spacious sound, long pre-delay, and
vibrant tone.
Adds life to acoustic instruments
and vocals from solos to full-on
symphonies and choirs.
7
PLATE
This preset emulates vintage mechanical
reverberation that was generated with a
metal plate. Its sound is characterized by
lots of early refl ections and no pre-delay.
Perfect for thickening percussive
instruments, such as a snare drum,
or tight vocal arrangements.
8
CATHEDRAL
This reverb emulates the extremely long
tails, dense diffusion and long pre-delays
and refl ections that would be found in a
very large, stone walled house of worship.
Gives amazing depth to choirs,
wind instruments, organs, and soft
acoustic guitars.
9
CHORUS
This preset provides a soft, ethereal
sweeping effect that is useful for
thickening and for making a particular
sound pop out of the mix.
Perfect for enhancement of electric
and acoustic guitar and bass, or to
add a dramatic effect to vocals,
particularly group harmonies and
choirs.
10
REVERB
This preset perfectly combines the chorus
effect above with a large, roomy reverb.
This lets you both thicken your sound
with the chorus effect while adding
warmth and spaciousness thanks to
the smooth reverb.
11
DELAY 1 (50 MS)
DOUBLER
This effect simulates the sound of a vocal
or instrument being recorded twice
(double tracked) on a multi-track recorder.
Provides a vibe that is similar to
chorus without the subtle swirl.
12
DELAY 2 (180 MS)
TAPE SLAP
This effect provides a single, relatively rapid
delay of the original signal, with the added
warmth that vintage tape-based echo
units provided.
Often used on vocals for a 1950’s
era feel, or on guitars for a surf-type
tone. Often used by people whose
favorite number is 12.
13
14
15
DELAY 3 (300MS)
DELAY 4 (380MS)
DELAY 5 (480 MS)
These delay presets provide three repeats
of the original signal. The default delay
time for each preset is shown in ms - the
smaller the time, the faster the delay.
These work best with full, up-beat
music like rock where the delay
needs to cut through the mix.
16
DELAY
(250MS)
This effect combines the Room 4 reverb
effect with the echoes of the 3-repeat
delay effect.
Perfect for thickening vocals while
adding dimensions, it can also be
used as a spacey effect on electric
guitars.
17
PUNK (probably
not available)
Turns all lyrics into those of teenage
rebellion about never having a nice
girlfriend/car/dad/mom/school/job.
Perfect for spelling bees and
primary school concerts.
21
TABLE OF INTERNAL EFFECTS
