background image

22

Physical Dimensions and Weight

Mix.220FX

Height: 

 

3.8 in/96 mm

Width: 

 

11.5 in/292 mm

Depth: 

 

14.2 in/360 mm

Weight: 

 

Approx. 8.8 lb/4.0 kg

Mix.260FX

Height: 

 

3.8 in/96 mm

Width: 

 

13.7 in/348 mm

Depth: 

 

15.1 in/384 mm

Weight: 

 

9.8 lb/4.4 kg

POWE

POWER

PHANTO

PHANTOM

48V

48V

3

MAIN

MIX

ALT

4

ALT

MASTER

AUX SEND

AUX SEND

OL

OL

SOURCE SELECT

VARIATIONS

RUDE SOLO

0dB = 0dB

0dB = 0dBu

SOLO

SOLO

OL

OL

SOLO

SOLO

OL

OL

SOLO

SOLO

OL

OL

SOLO

SOLO

OL

OL

SOLO

SOLO

OL

OL

SOLO

SOLO

1

1

PRE

PRE

MUTE

MUTE

ALT
3/4

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

AUX

RETURN

RETURN

FX

RETURN

RETURN

MIC

INPUT

INPUT

1

1

LINE

CLI

LIP

LEVE

LEVEL

SE

SET

RTR

RTRN

TO

AUX 

AUX 1

+1

+10

+5

+2

0

-2

-5

-2

-20

BAL/UNBAL

BAL/UNBAL

GAIN

SOLO

SOLO

SOLO

SOLO

PHONES

FOOTSW

AUX

 

RETURN

RETURN

2

FX

FX

1

MON

MON

FX

 

RETURN

RETURN

AUX

 

SEND

SEND

 

(

MON0

MON0

)

L

R

L

R

MAI

MAIN

ALT 3-

ALT 3-4

INTERNAL EFFECTS

CONTROL ROOM

FX OL

FX OL

FX

FX

INPUT

INPUT
LEVEL

LEVEL

ROTAR

ROTARY

THEATE

THEATER

FLANGE

FLANGER

ROOM

ROOM

STAG

STAGE

SPRIN

SPRING

TREMOL

TREMOLD

RE

REV

HAL

ALL

CHORU

RE

S+REV

CATHEDRAL

CATHEDRAL

STUDIO

STUDIO

STEREO DE

STEREO DELA

LAY

ECH

ECHO

CHORUS

CHORUS

ECHO+RE

ECHO+REV

1

2

3

4

5

6

7

8

9

10

10

11

11

12

12

13

13

14

14

15

15

16

16

75H

75Hz

2

1

PRE

PRE

MUTE

MUTE

ALT
3/4

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

1

1

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

75H

75Hz

3

1

PRE

PRE

MUTE

MUTE

ALT
3/4

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

1

1

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

75H

75Hz

4

1

PRE

PRE

MUTE

MUTE

ALT
3/4

EQ

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

1

1

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

75H

75Hz

PRE

PRE

ALT
3/4

1

MO

MON

2

FX

AUX

SEN

SEND

PRE

PRE

ALT
3/4

1

MO

MON

2

FX

AUX

SEN

SEND

1

MO

MON

2

FX

L

R

(

MONO

MONO

)

5
6

LINE

BAL

BAL

OR

OR

UNBAL

UNBAL

+4
-10

-10

EQ

L

R

(

MONO

MONO

)

7
8

LINE

BAL

BAL

OR

OR

UNBAL

UNBAL

FX

FX

BYPASS

BYPASS

MAIN

MAIN

MIX

MIX

CD/

CD/

TAPE

TAPE

ALT

ALT
3-4

3-4

INPU

INPUT/OUTPU

T/OUTPUT

IN

IN

OUT

OUT

L

R

CD/TAPE

MAX

MAX

TAPE TO

TAPE TO

MAIN

MAIN

SOLO

SOLO
MODE

MODE

CTRL ROOM/

PHONES

5

6

7

8

MUTE

MUTE

MUTE

MUTE

PAN

PAN

PAN

PAN

BAL

BAL

PF

PFL
AF

AFL

0

0

0

0

+4
-10

-10

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

HIGH

MID

2.5kH

2.5kHz

12

12kH

kHz

LOW

80H

80Hz

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

HIGH

MID

2.5kH

2.5kHz

12

12kH

kHz

LOW

80H

80Hz

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

HIGH

MID

2.5kH

2.5kHz

12

12kH

kHz

LOW

80H

80Hz

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

HIGH

MID

2.5kH

2.5kHz

12

12kH

kHz

LOW

80H

80Hz

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

HIGH

MID

2.5kH

2.5kHz

12

12kH

kHz

LOW

80H

80Hz

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

HIGH

MID

2.5kH

2.5kHz

12

12kH

kHz

LOW

80H

80Hz

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

+15

+15

U

R

L

R

L

R

L

R

L

R

L

R

L

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

O

O

O

O

O

O

U

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

MAX

MAX

+15

+15

+15

+15

3

4

CONTROL RM OUT

PHANTOM

PHANTOM

ON

ON

MAIN OUT

POWER

POWER

ON

ON

100 - 120 VAC /

100 - 120 VAC /
220 - 240 VAC

220 - 240 VAC
50 - 60 Hz 40

50 - 60 Hz 40W

W

LEF

LEFT

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

RIGH

RIGHT

RI

RIGH

GHT

LEF

LEFT

ALT 3/4 OUTS

BROUGHT TO YOU BY THE GROOVY FOLKS IN WOODINVILLE, WA, USA•
MANUFACTURED IN CHINA•PATENTS PENDING•COPYRIGHT ©2005

MANUFACTURING DATE

SERIAL NUMBER

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS

:

 

RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

POWER

POWER

PHANTOM

PHANTOM

48V

48V

1

MAIN

MIX

SUB

2

SUB

SUB ASSIGN
TO MAIN MIX

INTERNAL EFFECTS

CONTROL ROOM

RUDE SOLO

0dB = 0dB

0dB = 0dBu

L

R

L

R

1-

1-2

L-

L-R

SOL

SOLO

CLI

LIP

+10

+7

+4

+2

0

-2

-4

-7

-10

-2

-20

-3

-30

PHONES

FOOTSW

MAIN

 

OUT

OUT

L

R

AUX

 

RETURN

RETURN

1

MON

MON

2

FX

FX

L

L

FX

 

RETURN

RETURN

AUX

 

SEND

SEND

 

R

R

(

MON0

MON0

)

INPU

INPUT/OUTPU

T/OUTPUT

IN

IN

OUT

OUT

L

R

CD/TAPE

1

1

PRE

PRE

MUTE

MUTE

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

1

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

HIGH

12

12kH

kHz

LOW

80H

80Hz

75H

75Hz

MID

PAN

1-

1-2

L-

L-R

SOL

SOLO

2

2

PRE

PRE

MUTE

MUTE

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

2

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

HIGH

12

12kH

kHz

LOW

80H

80Hz

75H

75Hz

MID

PAN

1-

1-2

L-

L-R

SOL

SOLO

3

3

PRE

PRE

MUTE

MUTE

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

3

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

HIGH

12

12kH

kHz

LOW

80H

80Hz

75H

75Hz

MID

PAN

1-

1-2

L-

L-R

SOL

SOLO

4

4

PRE

PRE

MUTE

MUTE

EQ

1

MO

MON

2

FX

AUX

SEN

SEND

MIC

INPUT

INPUT

4

LINE

BAL/UNBAL

BAL/UNBAL

GAIN

HIGH

12

12kH

kHz

LOW

80H

80Hz

75H

75Hz

MID

PAN

1-

1-2

L-

L-R

SOL

SOLO

PRE

PRE

MUTE

MUTE

1

MO

MON

2

FX

AUX

SEN

SEND

HIGH

12

12kH

kHz

LOW

80H

80Hz

MID

500H

500Hz

BAL

1-

1-2

L-

L-R

SOL

SOLO

PRE

PRE

MUTE

MUTE

1

MO

MON

2

FX

AUX

SEN

SEND

HIGH

12

12kH

kHz

LOW

80H

80Hz

MID

500H

500Hz

BAL

1-

1-2

L-

L-R

SOL

SOLO

PRE

PRE

MUTE

MUTE

1

MO

MON

2

FX

AUX

SEN

SEND

HIGH

12

12kH

kHz

LOW

80H

80Hz

MID

500H

500Hz

BAL

1-

1-2

L-

L-R

SOL

SOLO

MID

3kHz

3kHz

MID

3kHz

3kHz

MID

3kHz

3kHz

MID

3kHz

3kHz

MID

MID

FREQ

FREQ

MID

MID

FREQ

FREQ

MID

MID

FREQ

FREQ

MID

MID

FREQ

FREQ

PRE

PRE

MUTE

MUTE

1

MO

MON

2

FX

AUX

SEN

SEND

HIGH

12

12kH

kHz

LOW

80H

80Hz

MID

500H

500Hz

BAL

EQ

L

R

(

MONO

MONO

)

5
6

LINE

BAL

BAL

OR

OR

UNBAL

UNBAL

EQ

L

R

(

MONO

MONO

)

7
8

LINE

BAL

BAL

OR

OR

UNBAL

UNBAL

EQ

L

R

(

MONO

MONO

)

LINE

BAL

BAL

OR

OR

UNBAL

UNBAL

EQ

L

R

(

MONO

MONO

)

LINE

BAL

BAL

OR

OR

UNBAL

UNBAL

9

10

11
12

5

6

7

8

9

10

11

12

MASTER

AUX SEND

AUX SEND

AUX

RETURN

RETURN

FX

RETURN

RETURN

RTR

RTRN

TO

AUX 

AUX 1

SOLO

SOLO

SOLO

SOLO

MAI

MAIN

SUB 1-

SUB 1-2

1

MO

MON

2

FX

SOURCE SELECT

MAIN

MAIN

MIX

MIX

CD/

CD/

TAPE

TAPE

SUB

SUB

1-2

1-2

PFL

PFL
AFL

AFL

MA

MAX

TAPE TO

TAPE TO

MAIN

MAIN

SOLO

SOLO
MODE

MODE

CTRL ROOM/

PHONES

VARIATIONS

FX O

FX OL

FX

INPU

INPUT
LEVE

LEVEL

ROTAR

ROTARY

THEATE

THEATER

FLANGE

FLANGER

ROOM

ROOM

STAG

STAGE

SPRIN

SPRING

TREMOL

TREMOLD

RE

REV

HAL

ALL

CHORU

RE

S+REV

CATHEDRAL

CATHEDRAL

STUDIO

STUDIO

STEREO DE

STEREO DELA

LAY

ECH

ECHO

CHORUS

CHORUS

ECHO+RE

ECHO+REV

1

2

3

4

5

6

7

8

9

10

10

11

11

12

12

13

13

14

14

15

15

16

16

FX

FX

BYPAS

BYPASS

MAX

MAX

LEVE

LEVEL

SE

SET

OL

OL

OL

OL

OL

OL

OL

OL

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+15

+15

-15

-15

U

+4
-10

-10

+4
-10

-10

+4
-10

-10

+4
-10

-10

0

0

0

+15

+15

+15

+15

+15

+15

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

+15

+15

U

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

U

O

O

dB

30

30

20

20

10

10

40

40

50

50

5

5

60

60

10

10

0

8k

10

100

8k

10

100

8k

10

100

8k

10

100

POWER

POWER

ON

ON

1

2

1

2

3

4

LEFT

LEFT

BA

BAL/UNBA

L/UNBAL

BA

BAL/UNBA

L/UNBAL

TIP SEND / RING RETURN

TIP SEND / RING RETURN

RIGHT

RIGHT

CTRL RM OUT

100 - 120 

100 - 120 V

VAC 

AC //

220 - 240 

220 - 240 V

VA

AC

C

50 - 60 Hz  40W

50 - 60 Hz  40W

PHANTOM

PHANTOM

ON

ON

RIGHT

RIGHT

LEFT

LEFT

SUB OUTS

CHANNEL INSERTS

MAIN OUTS

BROUGHT TO YOU BY THE GROOVY FOLKS IN WOODINVILLE, WA, USA•
MANUFACTURED IN CHINA•PATENTS PENDING•COPYRIGHT ©2005

MANUFACTURING DATE

SERIAL NUMBER

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS

:

 

RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

14.2 in/360 mm

15.1 in/384 mm

11.5 in/292 mm

13.7 in/348 mm

WEIGHT

Approx.

8.8 lb/4.0 kg

WEIGHT

9.8 lb/

4.4 kg

3.8 in/ 

96 mm

3.8 in/ 

96 mm

Disclaimer

Since we are always striving to make our products 
better by incorporating new and improved materials, 
components, and manufacturing methods, we reserve 
the right to change these specifi cations at any time 
without notice.

The TAPCO Mix mixers were recently accidentally awarded fi rst prize 
by the Society of Juicers, Mixers and Blenders in the “Quadruple 
Planetary Mixers” category.

“TAPCO” is a registered trademark of LOUD 
Technologies Inc. All other brand names mentioned are 
trademarks or registered trademarks of their respective 
holders, and are hereby acknowledged.

©2005 LOUD Technologies Inc. 
All Rights Reserved.

Summary of Contents for Mix 260FX

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Page 2: ...y to noise induced hearing loss but nearly everyone will lose some hearing if exposed to su ciently intense noise for a period of time The U S Government s Occupational Safety and Health Administratio...

Page 3: ...uct information here for future reference i e insurance claims tech support return authorization etc CONTENTS SAFETY INSTRUCTIONS 2 Getting Started 4 Introduction 6 Hookup Diagrams 7 MIX FX Series Fea...

Page 4: ...ark for now We ll crank it up later on 9 Now you are ready to set the levels SET THE LEVELS Mic Line Channels 1 Choose one of the microphones or instruments you connected to the mono MIC or LINE input...

Page 5: ...r 0 7 0 7 2 0 4 0 4 6 6 8 4 4 34 2 58 3 58 3 3 52 3 4 6 2 4 3 25 3 D D D D U 3 3 3 3 3 3 3 3 3 3 3 3 02 02 54 54 4 1 8 58 3 3 58 2 452 2 452 8 2 452 2 452 054 054 0 6 6 3 3 4 242 242 4 58 58 5 5 3 3 3...

Page 6: ...Solo mode switch PFL AFL Aux Return 1 level control with Main Sub 1 2 assign switch Aux Return 2 FX level control with Return to Aux 1 level control Inter Planetary Space Drive control OK we made tha...

Page 7: ...PHANTOM 48V 48V 1 EQ MIC INPUT INPUT 1 1 LINE BAL UNBAL BAL UNBAL GAIN PHONES FOOTSW AUX RETURN RETURN 2 FX FX 1 MON MON FX RETURN RETURN AUX SEND SEND MON0 MON0 L R L R 75H 75Hz 1 EQ MIC INPUT INPUT...

Page 8: ...tivity of the MIC and LINE inputs This allows signals from the outside world to be adjusted to optimal internal operating levels The GAIN control provides 50 dB of gain with the knob fully up 4 4 10 S...

Page 9: ...ar and bacon frying Turn it down a little to reduce sibilance or hide tape hiss 8 MID EQ Turning this clockwise boosts the level of frequencies at and around 2 5 kHz on the 220FX Turning it counter cl...

Page 10: ...E ALT 3 4 The Mix 260FX has a simple MUTE switch Engaging a channel s MUTE switch provides almost the same results as turning the fader all the way down a pre aux send is not a ected by the channel fa...

Page 11: ...lar channel is up to anytime during a session You can solo as many channels at a time as you like The OL LED 5 lights continuously to indicate when the SOLO switch is active as well as the RUDE SOLO L...

Page 12: ...ndy for quick spot checks of channels especially ones that have their faders turned down With the switch down you re in AFL mode meaning After Fader Listen You ll hear the output of the soloed channel...

Page 13: ...0 and 7 5 on the 220 FX Remember audio meters are just tools to help assure you that your levels are in the ballpark You don t have to stare at them unless you want to AUXILIARY SECTION 28 MASTER AUX...

Page 14: ...main mix or stage monitors The LED next to the BYPASS switch reminds you whenever the processor is bypassed Use BYPASS if you are not using the internal e ects or use it to quickly compare between the...

Page 15: ...on when the mixer s PHANTOM Power 58 switch on the rear panel is turned on FRONT PANEL CONNECTORS 45 AUX SEND OUT 1 and 2 Connect these 1 4 TRS outputs to the inputs of an external e ects processor o...

Page 16: ...signals can also be routed to the CONTROL ROOM 55 and PHONES 50 outputs when the CD TAPE 21 switch is engaged in the CONTROL ROOM SOURCE SELECT section When connecting a mono device just one cord you...

Page 17: ...ave ribbon mics tube mics or dynamic mics that do not require phantom power leave the PHANTOM POWER switch out If you are using both condenser and dynamic mics don t worry Phantom power will not hurt...

Page 18: ...nty Service are spelled out in the Warranty section on page 27 If you think your TAPCO mixer has a problem please do everything you can to con rm it before calling for service Doing so might save you...

Page 19: ...s is VERY IMPORTANT When you call for the Service Request Number please let Tech Support know if you need new packaging You can order new packaging through our parts department TAPCO is not responsibl...

Page 20: ...tereo headphones Balanced Mono 1 4 TRS Balanced Mono wiring Sleeve Shield Tip Hot Ring Cold Stereo Headphones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and...

Page 21: ...z Mid 15 dB sweepable from 100 Hz to 8 kHz Low 15 dB 80 Hz Mix 260FX Stereo Channels High 15 dB 12 kHz Mid 15 dB 3 kHz Mid 15 dB 500 Hz Low 15 dB 80 Hz Mixer Rated Output Main Aux Control Room 4 dBu M...

Page 22: ...INPUT 2 LINE BAL UNBAL BAL UNBAL GAIN HIGH 12 12kH kHz LOW 80H 80Hz 75H 75Hz MID PAN 1 1 2 L L R SOL SOLO 3 3 PRE PRE MUTE MUTE EQ 1 MO MON 2 FX AUX SEN SEND MIC INPUT INPUT 3 LINE BAL UNBAL BAL UNBAL...

Page 23: ...S RIGHT MAIN BUS AUX 1 MON BUS AUX 2 FX BUS SOLO L AFL SOLO R AFL SOLO PFL SOLO LOGIC AUX SEND 1 MON AUX SEND 2 FX HEADPHONE OUTPUT LEFT RIGHT CD TAPE TO CTRL RM PHONES ALT 3 4 TO CTRL RM PHONES TAPE...

Page 24: ...SOLO R AFL SOLO PFL SOLO LOGIC AUX SEND 1 MON AUX SEND 2 FX HEADPHONE OUTPUT LEFT RIGHT CD TAPE TO CTRL RM PHONES SUB 1 2 TO CTRL RM PHONES TAPE TO MAIN RUDE SOLO CONTROL ROOM PHONES LEFT MAIN OUT LE...

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Page 26: ...02 02 54 54 8 58 3 3 K K Z 7 Z Z 1 2 2 2 5 5 1 2 2 2 5 5 1 2 2 2 5 5 1 2 2 2 5 5 34 2 58 3 58 3 58 2 452 2 452 8 2 452 2 452 242 242 4 58 58 3 3 3 3 35 35 8 3 52 3 4 8 8 4 0 4 0 35 35 0 0 8 4 0 4 4 0...

Page 27: ...logies factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt LOUD Technologies an...

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