Tapco Mix 260FX User Manual Download Page 17

17

54. SUB OUTS (Mix.260FX)

These 1/4" TRS jacks provide the outputs for the 

SUB 1 and 2 signals. These can be connected to the 
inputs of a recording device, or to secondary amplifi ers 
for an alternate mix.

55. CTRL RM OUT

These 1/4" TRS jacks can be used to provide 

another main mix output, or to monitor the CD/TAPE 
Inputs (CD/TAPE switch pushed in), or to monitor 
the ALT 3-4 (Mix.220FX only) or the SUB 1-2 output 
(Mix.260FX only).

Connect these outputs to the inputs of an 

amplifi er, powered speakers, or recording device.

56. CHANNEL INSERTS 1-4 (Mix.260FX only)

These 1/4" TRS jacks provide a send and return 

point for channels 1-4. Use the CHANNEL INSERT 
jacks to connect serial eff ects devices such as 
compressors, equalizers, de-essers, or fi lters to each 
individual channel.

The INSERT points are after the GAIN and Low 

Cut controls, but before the EQ and Fader controls. 
The send (tip) is low-impedance, capable of driving 
any device. The return (ring) is high-impedance and 
can be driven by almost any device.

Special insert cables are available, specially 

designed for this kind of insert jack. They are wired 
as follows:

“tip”

This plug connects to the 

Channel Insert jack

“ring”

tip

ring

sleeve

SEND to processor

RETURN from processor

(TRS plug)

 

  Tip = Send (output to eff ects device)

 

  Ring = Return ( input from eff ects device)

 

  Sleeve = Common ground (connect shield to all

  three 

sleeves)

Besides being used for inserting external devices, 

these jacks can also be used as channel direct 
outputs; post-GAIN, post-LOW CUT, and pre-EQ. 

57. POWER ON

This one is self-explanatory. When the POWER 

switch is turned ON, power is supplied to the MIX FX 
Series mixer and the power LED on the front panel 
lights up.

58. PHANTOM ON

Turn on this switch to provide phantom power to 

all four MIC INPUT [1] XLR jacks. Phantom power 
is required to operate most condenser microphones 
(some condenser microphones are battery-powered). 
With the switch turned on, the mixer pr48 
VDC phantom powering on XLR pins 2 and 3.

If you have ribbon mics, tube mics, or dynamic 

mics that do not require phantom power, leave the 
PHANTOM POWER switch out. If you are using both 
condenser and dynamic mics, don’t worry. Phantom 
power will not hurt most dynamic mics. Check the 
microphone’s user manual if you’re not sure.

Caution:

 Turn all output levels down before operating 

this switch to avoid the possibility of a “pop” in your 
speakers. Do not use phantom power with tube or 
ribbon microphones, as this may cause damage.

59. Power Receptacle and Fuse

This is a standard 3-prong IEC power connector. 

Connect the detachable linecord (included in the 
box with your MIX FX Series mixer) to the power 
receptacle, and plug the other end of the linecord 
into an AC outlet properly confi gured with the 
voltage required for your particular model (100-120 
VAC or 220-240 VAC).

The fuse is located behind the fuse cover, at the 

bottom of the IEC socket. See the “Troubleshooting” 
section on page 12 for information about replacing 
the fuse.

60. Kensington Security Slot

To help prevent theft, all the MIX FX Series mixers 

have a security slot designed to fi t the popular 
Kensington security locks. A variety of models are 
available from their website at www.kensington.com.

POWER

POWER

ON

ON

1

2

1

2

3

4

LEFT

LEFT

BA

BAL/UNBA

L/UNBAL

BA

BAL/UNBA

L/UNBAL

TIP SEND / RING RETURN

TIP SEND / RING RETURN

RIGHT

RIGHT

CTRL RM OUT

100 - 120 

100 - 120 V

VAC 

AC //

220 - 240 

220 - 240 V

VA

AC

C

50 - 60 Hz  40W

50 - 60 Hz  40W

PHANTOM

PHANTOM

ON

ON

RIGHT

RIGHT

LEFT

LEFT

SUB OUTS

MIX.220 FX

CHANNEL INSERTS

MAIN OUTS

BROUGHT TO YOU BY THE GROOVY FOLKS IN WOODINVILLE, WA, USA•
MANUFACTURED IN CHINA•PATENTS PENDING•COPYRIGHT ©2005

MANUFACTURING DATE

SERIAL NUMBER

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS

:

 RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

1

2

BA

BAL/UNBA

L/UNBAL

ALT 3/4 OUTS

59

52

54

55

56

57 58

60

53

Summary of Contents for Mix 260FX

Page 1: ......

Page 2: ...y to noise induced hearing loss but nearly everyone will lose some hearing if exposed to su ciently intense noise for a period of time The U S Government s Occupational Safety and Health Administratio...

Page 3: ...uct information here for future reference i e insurance claims tech support return authorization etc CONTENTS SAFETY INSTRUCTIONS 2 Getting Started 4 Introduction 6 Hookup Diagrams 7 MIX FX Series Fea...

Page 4: ...ark for now We ll crank it up later on 9 Now you are ready to set the levels SET THE LEVELS Mic Line Channels 1 Choose one of the microphones or instruments you connected to the mono MIC or LINE input...

Page 5: ...r 0 7 0 7 2 0 4 0 4 6 6 8 4 4 34 2 58 3 58 3 3 52 3 4 6 2 4 3 25 3 D D D D U 3 3 3 3 3 3 3 3 3 3 3 3 02 02 54 54 4 1 8 58 3 3 58 2 452 2 452 8 2 452 2 452 054 054 0 6 6 3 3 4 242 242 4 58 58 5 5 3 3 3...

Page 6: ...Solo mode switch PFL AFL Aux Return 1 level control with Main Sub 1 2 assign switch Aux Return 2 FX level control with Return to Aux 1 level control Inter Planetary Space Drive control OK we made tha...

Page 7: ...PHANTOM 48V 48V 1 EQ MIC INPUT INPUT 1 1 LINE BAL UNBAL BAL UNBAL GAIN PHONES FOOTSW AUX RETURN RETURN 2 FX FX 1 MON MON FX RETURN RETURN AUX SEND SEND MON0 MON0 L R L R 75H 75Hz 1 EQ MIC INPUT INPUT...

Page 8: ...tivity of the MIC and LINE inputs This allows signals from the outside world to be adjusted to optimal internal operating levels The GAIN control provides 50 dB of gain with the knob fully up 4 4 10 S...

Page 9: ...ar and bacon frying Turn it down a little to reduce sibilance or hide tape hiss 8 MID EQ Turning this clockwise boosts the level of frequencies at and around 2 5 kHz on the 220FX Turning it counter cl...

Page 10: ...E ALT 3 4 The Mix 260FX has a simple MUTE switch Engaging a channel s MUTE switch provides almost the same results as turning the fader all the way down a pre aux send is not a ected by the channel fa...

Page 11: ...lar channel is up to anytime during a session You can solo as many channels at a time as you like The OL LED 5 lights continuously to indicate when the SOLO switch is active as well as the RUDE SOLO L...

Page 12: ...ndy for quick spot checks of channels especially ones that have their faders turned down With the switch down you re in AFL mode meaning After Fader Listen You ll hear the output of the soloed channel...

Page 13: ...0 and 7 5 on the 220 FX Remember audio meters are just tools to help assure you that your levels are in the ballpark You don t have to stare at them unless you want to AUXILIARY SECTION 28 MASTER AUX...

Page 14: ...main mix or stage monitors The LED next to the BYPASS switch reminds you whenever the processor is bypassed Use BYPASS if you are not using the internal e ects or use it to quickly compare between the...

Page 15: ...on when the mixer s PHANTOM Power 58 switch on the rear panel is turned on FRONT PANEL CONNECTORS 45 AUX SEND OUT 1 and 2 Connect these 1 4 TRS outputs to the inputs of an external e ects processor o...

Page 16: ...signals can also be routed to the CONTROL ROOM 55 and PHONES 50 outputs when the CD TAPE 21 switch is engaged in the CONTROL ROOM SOURCE SELECT section When connecting a mono device just one cord you...

Page 17: ...ave ribbon mics tube mics or dynamic mics that do not require phantom power leave the PHANTOM POWER switch out If you are using both condenser and dynamic mics don t worry Phantom power will not hurt...

Page 18: ...nty Service are spelled out in the Warranty section on page 27 If you think your TAPCO mixer has a problem please do everything you can to con rm it before calling for service Doing so might save you...

Page 19: ...s is VERY IMPORTANT When you call for the Service Request Number please let Tech Support know if you need new packaging You can order new packaging through our parts department TAPCO is not responsibl...

Page 20: ...tereo headphones Balanced Mono 1 4 TRS Balanced Mono wiring Sleeve Shield Tip Hot Ring Cold Stereo Headphones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and...

Page 21: ...z Mid 15 dB sweepable from 100 Hz to 8 kHz Low 15 dB 80 Hz Mix 260FX Stereo Channels High 15 dB 12 kHz Mid 15 dB 3 kHz Mid 15 dB 500 Hz Low 15 dB 80 Hz Mixer Rated Output Main Aux Control Room 4 dBu M...

Page 22: ...INPUT 2 LINE BAL UNBAL BAL UNBAL GAIN HIGH 12 12kH kHz LOW 80H 80Hz 75H 75Hz MID PAN 1 1 2 L L R SOL SOLO 3 3 PRE PRE MUTE MUTE EQ 1 MO MON 2 FX AUX SEN SEND MIC INPUT INPUT 3 LINE BAL UNBAL BAL UNBAL...

Page 23: ...S RIGHT MAIN BUS AUX 1 MON BUS AUX 2 FX BUS SOLO L AFL SOLO R AFL SOLO PFL SOLO LOGIC AUX SEND 1 MON AUX SEND 2 FX HEADPHONE OUTPUT LEFT RIGHT CD TAPE TO CTRL RM PHONES ALT 3 4 TO CTRL RM PHONES TAPE...

Page 24: ...SOLO R AFL SOLO PFL SOLO LOGIC AUX SEND 1 MON AUX SEND 2 FX HEADPHONE OUTPUT LEFT RIGHT CD TAPE TO CTRL RM PHONES SUB 1 2 TO CTRL RM PHONES TAPE TO MAIN RUDE SOLO CONTROL ROOM PHONES LEFT MAIN OUT LE...

Page 25: ...4 8 58 3 3 02 02 4 8 58 3 3 8 2 2 2 5 5 1 2 2 2 5 5 8 8 90 33 90 33 8 8 4 0 4 0 4 4 05 054 5405 4 54054 54 54 2 4 0 8 8 4 0 4 4 0 4 3 3 42 2 0 3 6 6 6 6 Z Z 7 7 4 5 5 5 5 2 2 4 2 2 4 4 4 543 54 54 54...

Page 26: ...02 02 54 54 8 58 3 3 K K Z 7 Z Z 1 2 2 2 5 5 1 2 2 2 5 5 1 2 2 2 5 5 1 2 2 2 5 5 34 2 58 3 58 3 58 2 452 2 452 8 2 452 2 452 242 242 4 58 58 3 3 3 3 35 35 8 3 52 3 4 8 8 4 0 4 0 35 35 0 0 8 4 0 4 4 0...

Page 27: ...logies factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt LOUD Technologies an...

Page 28: ......

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