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Appendix D: Service Information

No Audio into your Computer:

•  Confirm the mixer is receiving mic or instrument 

input signals.

•  Make sure you have selected the right driver in 

your DAW. In Tracktion, this is in the Settings menu.

•  If the mixer seems fine, click Restart Device in the 

Tracktion Settings menu.

•  In Tracktion, be sure the correct inputs are selected 

and the tracks are armed.

Echo or phasing from input while 

recording:

•  It sounds like you are monitoring both through 

software and directly. You should only do one or 
the other. See page 19 to help you decide which is 
best for your situation.

•  If you are overdubbing (or recording a new track 

alongside other tracks already recorded), try 
disabling your new track’s output to the mixer and 
monitoring the signal you are recording directly. 
Adjust the channel 15-16 fader and the subgroup 
1-2 faders so you can hear both your new input 
signal as well as the playback from the computer.

Glitchy/Distorted Playback from 

Computer:

Increase the Buffer Size/Latency Setting: 
•  Tracktion (PC): choose the Settings Tab and Audio 

Devices. Click the “show ASIO control panel” 
button and try a larger buffer size.

•  Tracktion (Mac): choose the Settings Tab and 

Audio Devices and increase the Latency slider.

•  In other applications, find the control panel to 

increase the ASIO (PC) or Core Audio (Mac) buffer 
size or latency.

•  Be sure the mixer is the only device on the USB 

chain. The easiest way to do this is to be sure the 
mixer is connected directly to your computer’s USB 
port; we do not recommend using USB Hubs. 

•  Try a song with fewer tracks, effects, and virtual 

instruments. If it plays fine, then you may be 
pushing your computer above its limits. Try 
increasing your latency settings as described 
above.

Large latency (delay) from input 

signal to output:

•  Change the latency/buffer setting to a lower 

setting, as described above.

•  Try using direct monitoring instead of software 

monitoring. See page 19 for details.

Warranty Service

Details concerning Warranty Service are spelled 

out in the Warranty section on page 27.

If you think your TAPCO Blend 16 has a problem, 

please do everything you can to confirm it before 
calling for service. Doing so might save you from 
the deprivation of your mixer and the associated 
suffering.

Here are some things you can check:

Troubleshooting

Bad Channel

•  Is the channel GAIN turned up?
•  Is the channel FADER turned up?
•  Try the same source signal in another channel, set 

up exactly like the suspect channel.

•  If your microphone requires phantom power, make 

sure you engage the Phantom Power button 
(48V) on the rear  panel of the mixer. Confirm the 
need to use phantom power by reading your 
microphone's documentation.

Bad Output

•  Is the 

MAIN MIX

 FADER at minimum perchance? 

•  If it’s a stereo pair, try switching them around. For 

example, if a left output is presumed dead, switch 
the left and right cords, at the mixer end. If the left 
speaker is still dead, it’s not the mixer. Perhaps it’s a  
bad cable, speaker, or amplifier channel.

Noise

•  Turn down the channel FADER, and 

AUX SEND

 

controls, one by one. If the noise disappears, it’s 
either that channel or whatever is plugged into it, 
so unplug whatever that is.

Power

•  Our favorite question: Is the 

POWER

 switch on?

•  Is the power cord securely plugged in?
•  Is the power supply cord securely plugged into 

an AC power strip? Make sure the power to the 
power strip is turned on.

•  If you suspect a blown fuse, disconnect the power 

cord, pull the fuse drawer out (located just below 
the cord receptacle) and replace the fuse with 
the same type and current rating. If two fuses blow 
in a row, something is very wrong, and you should 
contact technical support.

•  Are all the lights out in your building?

Summary of Contents for Blend 16

Page 1: ...MFOE MFOE owner s manual 16 CHANNEL 4 BUS MIXER w ONBOARD EFFECTS...

Page 2: ...aring protectors while the equipment is in operation Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if...

Page 3: ...manual when nobody is looking Please keep your receipt in a safe sock drawer and write your product information here for future reference i e insurance claims tech support return authorization etc Con...

Page 4: ...out hearing the sounds but if you prefer connect a set of headphones to the PHONES jack 2 Choose one of the microphones or instruments connected to the mono MIC or INST inputs 3 Press that channel s S...

Page 5: ...er Section See Page 12 Phones Internal Effects Graphic EQ Rude Solo CD Tape to Main Main Fader Meters Power Phantom LEDs USB Master Aux Sends Subgroup Faders Subgroup Assign Control room phones Stereo...

Page 6: ...Tape to main mix control 8 segment stereo LED VU metering Solo LED Each subgroup can be assigned to Left and or Right of main mix 60 mm fader for each subgroup and main mix Rear Panel section with AC...

Page 7: ...BAL UNBAL BAL UNBAL PHONES LAMP BYPASS EQ IN MAIN MIX AUX1 MON POWER PHANTOM 48V CD TAPE INPUT OUTPUT L R BAL OR UNBAL MONO L R BAL OR UNBAL MONO L R BAL OR UNBAL MONO LINE INPUT LINE INPUT LINE INPU...

Page 8: ...rs Tapco S 5 Lead Guitar Bass Guitar Rhythm Guitar Headphones Turntable with phono level output 1 4 to RCA adapters RCA RCA Mixer s Ground Screw USB Connection Laptop LEFT RIGHT 1 2 3 4 SUB OUTS MAIN...

Page 9: ...he LOW CUT 6 switch and before the EQ Using a special Insert plug the mono signal can be sent out to a processor and the processed signal returned all on the same plug see Appendix B Nice 4 GAIN CONTR...

Page 10: ...PAN is in the center position the mono signal appears equally in both the left and right of the main mix If the control is set left more of the signal appears in the left side If the control is set r...

Page 11: ...channels and the right signals into even numbered channels 20 LINE PHONO switch channels 13 and 14 only In the up position channel 13 and 14 accept line level signals In the down position these two in...

Page 12: ...inputs are routed directly to the CD TAPE TO MAIN MIX 49 control and through to the main mix You will need to MUTE 14 all the other channels if you just want to hear the CD or Tape The signals can als...

Page 13: ...nice pair of stereo headphones It accepts 1 4 stereo plugs Adjust the level using the PHONES 40 knob Caution Always turn the PHONES knob down when making connections or when pushing any switches These...

Page 14: ...iffs chords yells etc 37 FX BYPASS and LED Press this switch in to bypass the internal effects processor and so prevent its output from appearing on the main mix or stage monitors The LED reminds you...

Page 15: ...MAIN MIX to hear the main mix Push CD TAPE to hear your CD or Tape player Push SUBS 1 2 to hear subgroup 1 and 2 outputs Push SUBS 3 4 to hear subgroup 3 and 4 outputs Note If any channel has its SOL...

Page 16: ...the sound of all drum mics in the main mix instead of having to tweak each individual drum mic channel fader 51 SUB ASSIGN TO MAIN MIX L and R These switches allow you to assign a subgroup to the mai...

Page 17: ...should unplug the mixer and call technical support LEFT RIGHT 1 2 3 4 SUB OUTS MAIN INSERT LEFT BAL UNBAL BAL UNBAL TIP SEND RING RETURN RIGHT CONTROL RM OUT USB IN OUT POWER ON PHANTOM ON MAIN OUT R...

Page 18: ...mix See below for more subgroup details The CD Tape input has a level control to adjust the amount of signal going onto the main mix The FX RETURN input has a similar control to adjust the level of in...

Page 19: ...x and or sent out of the sub output jacks for recording To get signals onto the subgroups press the 1 2 or 3 4 buttons near the bottom of each channel strip Careful use of each channel s PAN can creat...

Page 20: ...iguration 1 Follow steps 1 to 6 above to get your sounds into the computer using subgroups 1 2 Do not assign the subgroups to the main mix Here is where Software Monitoring comes in 2 To listen throug...

Page 21: ...gs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and in many other applications They are unbalanced and electrically equivalent to a 1...

Page 22: ...t 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Control Room Output 84 dB Phones Output 84...

Page 23: ...tel Pentium 3 or 4 or AMD Athlon 750 MHz or better is recommended for Tracktion At least 256 MB RAM 512 MB is recommended Super VGA 1024 x 768 or higher resolution video adapter and monitor CD ROM or...

Page 24: ...H 48V MIC HI Z CH1 8 3 BAND EQ 3 BAND EQ 3 BAND EQ TO CH15 16 EQ IN CH15 16 CH13 14 CH9 12 TO CH13 14 EQ IN FROM USB INPUT D A CONVERTER USB SOURCE L R MONO CHANNELS 1 8 STEREO CHANNELS 9 12 STEREO CH...

Page 25: ...e latency delay from input signal to output Change the latency buffer setting to a lower setting as described above Try using direct monitoring instead of software monitoring See page 19 for details W...

Page 26: ...roducts is available at a factory authorized service center Service for Tapco products living outside the United States can be obtained through local dealers or distributors If your unit needs service...

Page 27: ...n the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to damage resulting from improper i...

Page 28: ......

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