11. Mute Switch:
This switch is used to mute the channel signal.
13. Group Switch:
This switch is used to route the channel signal to Group (G1-G2/G3-G4 & G5-G6) output. (G5-G6 available in
AiR Pro 28 &
).
AiR Pro 36
12. L-R Switch:
This switch is used to route the channel signal to Main output.
14. PFL Switch:
This button sends signal from input channel to the headphone as well as bargraph. As this signal is pre fader it is
possible to listen to the signal or view on bargraph with the fader fully down before it is included in the Main output.
15. Channel Fader:
This fader is used to set the level of incoming signal to the Main/Group outputs. It provides a visible indication
of channel level. Normal operating position is at “0”; however you have an optional headroom of +10dB.
16. Stereo Input Jacks:
These TRS Jack Inputs are used to connect sources such as keyboards, drum machines, synthesizers, tape
machines or returns from processing units. The inputs are BALANCED for low noise high quality sound. Avoid using UNBALANCED
sources to prevent ‘hum’ being introduced into the sound system. Mono sources may be plugged into the left jack only.
17. 2 Track In:
The RCA input is provided to connect external devices like Cassette Decks, iPods, MP3 players etc. The input level of
this can be controlled by the 2 track level knob. (Refer Feature No. 30)
18. AUX In (Stereo Return): (Only for AiR Pro 24)
Two balanced Stereo Returns are available for the outputs of effects units and are mixed directly to the Main L/R busses. If a mono
source is used, plugging into the Left jack only automatically feeds to the signal to both Left and Right.
19. Phantom Supply Switch:
This global switch is used to turn on the phantom power supply ( +48V ) for all channels, when using
condenser microphones.
WARNING: Do not switch ON Phantom Power before connecting a microphone. Make sure the output
levels are turned down.
Note:
Individual channel Phantom power switching is provided in AiR Pro 28 & AiR Pro 36.
20. ST IN1/ST IN2 (Stereo Aux Return):
Two balanced jacks are provided to accept Aux Return signal with individual level control & EQ. (Refer Feature No. 40 & 41)
(Only for AiR Pro 28 & AiR Pro 36)
4. Output Section:
21. Main Output Fader:
These faders control Main output level.
22.
:
Main Out (XLR)
This output XLR is used to connect the Main output using balanced XLR connectors. The output level is
determined by the Main output fader.
This is a servo balanced output so you can connect either balanced or unbalanced cables
without affecting the output level.
23.
:
Main Out (TRS)
This output jack is used to connect the Main output using an unbalanced connector. The output level is
determined by the Main output fader.
Group outputs can be used for a separate set of PA system without affecting Main output. AiR Pro 24 has TRS
Jack and AiR Pro 28 & AiR Pro 36 has XLR for Group outputs.
25. Group Outputs:
Pressing the switch routes the post-fade Group signal to the Main output. Group signal G1, G3 & G5 will route
to Main L output and G2, G4 & G6 to Main R output.
Group G5-G6 is available for AiR Pro 28 &
.
26. Group Routing:
Note:
AiR Pro 36
These 1/4” phono jacks are used to send the signal to external devices such as effects units or stage
monitors.
27. AUX Send Outputs:
This control is used to adjust overall level of signals that have been sent to the AUX Bus by the controls on
individual input channels. The signals are accessed from the Aux 1, 2, 3, 4, 5 & 6 outputs.
AFL switching (After fader listening) is provided in AiR Pro 28 &
.
28. AUX Send Control:
Note:
AiR Pro 36
The Aux returns can be routed to the Main output or the 4 Group outputs by using these switches (Refer Feature No. 18).
29. AUX In Routing: (Only in AiR Pro 24)
This control sets the level of the 2 TRK Tape input, which is routed directly to Main output
& Record output with the use of the adjacent “To Mix (Air PRO 24)/ To L-R (Air PRO 28 &
)” switch. The RCA connectors
are unbalanced.
30. 2 TRK In Control & MIX/L-R Switch:
AiR Pro 36
31. 2 Track Output:
The RCA output is provided to record a master mix onto a recording medium. The output level of this is
determined by the Main output fader; alternately the input level on the recording medium can be used for the same.
24.
:
Group Fader
These faders control Group output level.
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