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3.  Input Section:

The Input channel of the AiR Pro series mixer has two connectors: MIC Input & Line Input.

Please do not use both the Inputs at the same time. Doing so may permanently damage the equipment.
Please ensure that the Gain levels, the Fader Levels & the Aux Controls are set to minimum while connecting or disconnecting inputs.

1.  MIC Input:

This electronically balanced XLR input is designed to accept low impedance balanced signals from microphones.

Balanced XLR

Pin 1

Pin 2
Pin 3

Ground
Hot (+ve Phase)
Cold (-ve Phase)

Balanced TRS

Tip

Ring

Sleeve

+ve Phase
-ve Phase
Ground

Un-Balanced TRS

Tip

Sleeve

Signal

Ground

3.  Insert:

This is used to connect external signal processors such as Compressors, Limiters, Noise Gates & Expanders etc. within

the input path.

* Please note an Insert ‘Y’ cable is required to use the insert section.

-COMPRESSOR

-NOISE GATE

-LIMITER

-EXPANDER

2.  Line Input:

The Line input will accept line level balanced or unbalanced signals using 1/4 inch stereo (TRS) Jack. T

he Line

input is designed for instruments like Keyboards, Guitars, Drum Machines and other electronic instruments.

4.  Gain Control:

Turn this knob to control gain of both MIC and Line Input signal.        Please do not operate at high gain levels

as this may lead to audio clipping causing signal distortion.

5. Low Cut / High Pass Filter (HPF):

This switch activates the high pass filter and allows you to cut down unwanted low

frequencies. With the Low Cut function, you can attenuate all signals below 100Hz. Please keep this button pressed if you do not

need these extremely low frequencies. It can be used to reduce hum noise infected by the mains power supply, stage rumble,

microphone ‘popping’ and cleaning up a muddy mix.

.

6.  EQ Section:

The AiR series mixer has 3 Band Equalizer with frequency sweep on Mono channels and 2 Band Equalizer on

Stereo channels (3 Band Equalizer in AiR Pro 28 & AiR Pro 36). The EQ is designed to be easy yet effective to use. It can be
used to cut or boost certain frequencies to achieve a particular tone, or to eliminate any unpleasant characteristics.

HF Control:

The HF control can be used to cut or boost up to +/- 15dB at 12 kHz.

MF Control:

The MF control can be used to cut or boost up to +/- 15dB at 2.5 kHz. Mid frequency variation is from 100Hz

to 3Khz. (Only for Mono Channel)

LF Control:

The LF control can be used to cut or boost up to +/- 15dB at 80Hz.

7.  AUX:

This knob is used to adjust the level of the channel signal Pre/Post being fed to the Aux bus. Please refer to the following

table for Aux configuration.

Tip: The Aux send is used to provide a monitor mix to artists and also as an input to a multi-track recorder.

8.   Pan Control:

This knob is used to pan the incoming signal between the Left and Right output channel. This knob can also be

used to route (send) the signal to particular Group outputs as selected by the routing switches.

9.   Peak LED:

This LED glows when the incoming audio signal is clipping.

10. Mute LED:

This LED is indicates that channel is muted.

5

AUX Configuration

AUX Channel

Pre Fader

Pre/Post Switching

Post Fader

AiR Pro 24

3

Aux 1

Unavailable

Aux 2, Aux 3

AiR Pro 28

6
Aux 1, Aux 2, Aux 3 & Aux 4

Available to

Aux 1, Aux 2, Aux 3 & Aux 4

Aux 5, Aux 6

AiR Pro 36

Summary of Contents for air pro series

Page 1: ...Input Section 4 Output Section 5 Effects Section 6 Rear Section 7 Digital Effects 8 Mixer Setup 9 Technical Specifications Mixer with Dual EFX Processor AiR Pro Series 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 AiR Pro 36 ...

Page 2: ...ll warnings 4 Follow all instructions 5 Do not use this apparatus near water 6 Clean only with dry cloth 7 Do not block any ventilation openings Install in accordance with the manufacturer s instructions 8 Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat 9 Protect the power cord from being walked on or pinched pa...

Page 3: ... complaint feedback or testimonials please contact our distributor dealer Retain the cartons for future use should the product require servicing maintenance 2 Models Available AiR Pro 24 20 Mic 20 Line 2 Stereo Channels AiR Pro 28 24 Mic 24 Line 2 Stereo Channels AiR Pro 36 32 Mic 32 Line 2 Stereo Channels Parameter AiR Pro 24 AiR Pro 28 AiR Pro 36 EQ on Mono Inputs EQ on Stereo Inputs Aux Channel...

Page 4: ...Front Rear Panel Artwork AiR Pro 24 3 16 22 17 31 36 1 18 27 25 2 3 4 6 5 7 8 9 10 1 1 12 13 14 15 23 35 37 19 34 30 26 24 21 28 29 33 32 38 MADE IN P R C 150V 240V 50Hz 50W Max 57 58 ...

Page 5: ...Front Rear Panel Artwork AiR Pro 28 AiR Pro 36 4 49 20 39 40 41 42 43 47 45 46 44 50 51 53 52 56 54 55 48 ...

Page 6: ...p this button pressed if you do not need these extremely low frequencies It can be used to reduce hum noise infected by the mains power supply stage rumble microphone popping and cleaning up a muddy mix 6 EQ Section The AiR series mixer has 3 Band Equalizer with frequency sweep on Mono channels and 2 Band Equalizer on Stereo channels 3 Band Equalizer in AiR Pro 28 AiR Pro 36 The EQ is designed to ...

Page 7: ...anced jacks are provided to accept Aux Return signal with individual level control EQ Refer Feature No 40 41 Only for AiR Pro 28 AiR Pro 36 4 Output Section 21 Main Output Fader These faders control Main output level 22 Main Out XLR This output XLR is used to connect the Main output using balanced XLR connectors The output level is determined by the Main output fader This is a servo balanced outpu...

Page 8: ... boost up to 15dB at 80Hz 49 Lamp 12V Lamp socket is provided to connect 12V standard lamp 5 Effects Section 50 Program Control This knob sets the required effect 51 Parameter Control This knob sets the effects level 52 Tap Switch Tap switch is used to adjust the Tap delay 54 EFX Mute Switch LED This switch is used to mute the EFX signal it is indicated by the LED 53 Tap Socket Tap socket is provi...

Page 9: ...0 3 10 0s 0 3 3 2s 0 3 10 0s 0 800ms 0 800ms MOD DELAY Delay time REVERB GATE Room PITCH CHANGE CHORUS PHASER RADIO VOICE TREMOLO Pitch Depth Modulation frequency Drive Modulation frequency 12 12 0 100 0 05 4 00Hz 0 100 0 05 10 00Hz 15 11 10 13 12 14 16 0 1 10 0 0 800ms EARLY REF Room GATE REVERB Room VOCAL DOUBLER SYNPHONIC FLANGE DISTORTION TAP DELAY Pitch fine Depth Modulation frequency Drive F...

Page 10: ...8 Suggested Mixer Set Up Set up for live P A Operation Set up for Events and Parties Portable audio player Powered Speakers DJ Mixer CD Player DVD Player Voice 9 ...

Page 11: ...nBalanced 2KΩ Balanced 1 69KΩ Balanced 10dBu 20dBu 10dBu 40dBu 10dBu 60dBu 20Hz to 20KHz 0 1 dB 0 02 80dB 5dB prior to true clip 60dB 40dB 20dB AiR Pro 24 80dB 60dB 40dB Stereo Line Treble Bass Effect USB Phantom supply Power Supply Power Consumption Net Weight Kgs Gross Weight Kgs Dimensions W x D x H in mm Mono MIC Treble Mid with swip Bass 16dB 12KHz 140Hz 3KHz 80Hz 16dB 12KHz 80Hz 2 x 16EFX EF...

Page 12: ...DJA 100 DJA 500 DJA 800 DJA 1600 DJA 2500 DJA 3200 DJA 4000 DJA 5000 Arena 20 Arena 30 ARC 120A ARC 240A SWF 18120 SWF 18100 SWF 1880 SWF 1560 SMB 1565 SMB 1545 SMB 1530 SMB 1230 SMB 1220 SHF 0104 SHF 0210 EMB 1225 EMB 1530 TWF 1815 TWF 1811 TWF 1580 TMB 1555 TMB 1535 THF 0208 S5225 S8018 S8118 S8128 S8028 Fire 51 Fire 51A Fire 55 Fire 57 Fire 84 DPA Series DJA Series Arena Series Industrial Ampli...

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