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Studio Electronics MODSTAR, Operation Manual

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Studio Electronics MODSTAR Operation Manual Download Page 6

DIMENSIONS & POWER SPECIFICATIONS - 2

Amplifier 

AMP

 – Size: 8hp 

Module depth with ribbon cable attached: 39.7mm 

+12 / -12 Power Usage: 36mA, 12mA 

!

Analog Oscillator 

OSCILLATION

 –

 

Size: 48hp 

Module depth with ribbon cable attached: 39.7mm 

Power Usage: 

!

Digital Oscillator 

GRAINY CLAMP-IT

 –

 

Size: 19hp 

Module depth with ribbon cable attached: 35mm 

Power Usage: 50mA max 

!

3

Summary of Contents for MODSTAR

Page 1: ...E FULL INPUT 1 V O FREQ CV 1 FREQ CV 2 RESO CV OUTPUT OUTPUT FREQUENCY FREQ CV 1 INPUT OUTPUT FREQ CV 2 RESO CV RESONANCE HALF TRACK FULL INPUT 1 V O FREQ CV 1 FREQ CV 2 RESO CV OUTPUT OUTPUT FREQUENC...

Page 2: ...ry close attention to the orientation of the ribbon cable when adding and removing modules The stripe on the ribbon cable marks 12v This stripe needs to line up with the 12v pins on the power rail and...

Page 3: ...nts Box Contents 1 Dimensions Power Specifications 2 3 Boomstar Modular Introduction 4 Modular Signal Paths 5 Complete MODSTAR Systems 6 8 Individual Modules 9 24 1 Year Limited Warranty 25 26 Support...

Page 4: ...Box Contents Module s of choice 1x Ribbon Cable 1x Information Card 1...

Page 5: ...12 12 Power Usage 40mA 28mA 4075 Size 12hp Module depth with ribbon cable attached 39 7mm 12 12 Power Usage 23mA 30mA 3003 Size 12hp Module depth with ribbon cable attached 39 7mm 12 12 Power Usage 3...

Page 6: ...th ribbon cable attached 39 7mm 12 12 Power Usage 36mA 12mA Analog Oscillator OSCILLATION Size 48hp Module depth with ribbon cable attached 39 7mm Power Usage Digital Oscillator GRAINY CLAMP IT Size 1...

Page 7: ...it so Apply the same thinking to our 4075 3003 and SE80 filters vis vis their originals and you ve caught our drift the OSCILLATION and AMP modules also resonate with the Mini s timeless designs funct...

Page 8: ...ve from an oscillator or LFO or by using a gate output from an external sequencer or MIDI keyboard A gate can be shaped using an envelope generator to control the attack decay sustain and release of t...

Page 9: ...04 Mobile Eurorack Modular Case to safely house and power it up Hand built in Pittsburgh using select Ukrainian Birch Ply it celebrates the classic pairing of synthesizers with beautiful hardwood cons...

Page 10: ...Boomstar Modular MODSTAR SENSEI 7...

Page 11: ...hp LEVELS 10hp MIDI 3 6hp LFO2 6hp LFO B 6hp LFO2 pictured LEVELS 10hp SCI FI 10hp SHAPERS 12hp MULTIPLE 2hp MODSTAR BEAUTY PLATE 18hp SHAPERS 12hp AMP x2 16hp 6hp OUTS 6hp Double hugged in Pittsburgh...

Page 12: ...aty satisfying overdrive and a maximum harvest of vintage 1960s and 1970s organic sounding second order harmonic distortion fill the plate Every setting is balanced and bountiful Looking for tradition...

Page 13: ...voltage 2 input attenuverter INPUT Adjusts the audio input OUTPUT Adjusts the audio output 1 V O One volt per octave control voltage input FREQ CV 1 Frequency control voltage 1 input FREQ CV 2 Frequen...

Page 14: ...filter models perhaps owing to its uniqueness Has there ever been a better match for a square wave It weaves dreams with glidey 70s basslines is a natural in the lead department and feels as if a tem...

Page 15: ...voltage 2 input attenuverter INPUT Adjusts the audio input OUTPUT Adjusts the audio output 1 V O One volt per octave control voltage input FREQ CV 1 Frequency control voltage 1 input FREQ CV 2 Frequen...

Page 16: ...Whether or not this STUDIO ELECTRONICS filter is filling its traditional baseline boxing niche driving a harsh liquid acid like tone a softer more rubber bandy SH 101 ish presence or out of the bass...

Page 17: ...ltage 2 input attenuverter INPUT Adjusts the audio input OUTPUT Adjusts the audio output 1 V O One volt per octave control voltage input FREQ CV 1 Frequency control voltage 1 input FREQ CV 2 Frequency...

Page 18: ...her three models This isn t to suggest the filter s Low Pass mode can t cater for fat and punchy because it can Paul Nagle Sound on Sound Deeply gratifying tonal variance and this emotional warmth htt...

Page 19: ...attenuverter INPUT Adjusts the audio input OUTPUT Adjusts the audio output 1 V O One volt per octave control voltage input FREQ CV 1 Frequency control voltage 1 input BP OUT Band Pass Output No cable...

Page 20: ...um or buzz may be heard In that case larger filter capacitors and or a larger power transformer will be needed The 4075 draws equally from both rails and is more immune to hum Like our time perfected...

Page 21: ...uration overdrive absolutely smash the input and back down the output level for classic guitar amp master volume crunch savagery and last gasp volume control if so inspired OUTPUT Adjusts the audio ou...

Page 22: ...nnected directly together without coupling capacitors so they keep their shape even at sub Hz speeds The outputs are also buffered so the amplitude is independent of the load they are driving The wave...

Page 23: ...ne tune attenuverter PULSE WIDTH Variable pulse wave width control SINE Sine wave on off TRI Triangle wave on off SAW Sawtooth wave on off SQR Square pulse wave on off FM CV IN Frequency Modulation co...

Page 24: ...TION Module 3 SUB OUT Sub Oscillator output SINE OUT Sine Oscillator output TRI OUT Triangle wave output SAW OUT Sawtooth wave output RAMP OUT Ramp reverse sawtooth wave output SQR OUT Square wave out...

Page 25: ...nd one of 16 combinations of harmonics Second Stage Granular or phase modulated mixing of the signal from the first stage with a sync option Back to the First Stage Additive section with selection of...

Page 26: ...the resulting mix with a copy of itself and detunes it up to one octave GRAIN PD Selects the next processing stage Up Granular or Down Phase Distortion GRAIN LEN PITCH Sets the grain length for pitch...

Page 27: ...f fixed pitches RANGE Up PD sample window is long for wave sequencing Down PD sample window is short for detune effects 1V OCT One volt per octave control voltage input L P CV Length Pitch control vol...

Page 28: ...G which we can replace and send to you for 10 at your expense with proof of purchase documentation and the ANALOGIA INC STUDIO ELECTRONICS supplied power adapter to ANALOGIA INC An RMA Return Material...

Page 29: ...HAVE BEEN STORED BY A USER OF THE PRODUCT EVEN IF ANALOGIA INC STUDIO ELECTRONICS HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES OR CLAIMS SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF...

Page 30: ...t Proprietors of STUDIO ELECTRONICS Tel 310 640 3546 Web www studioelectronics com General Delivery email studioelectronics sbcglobal net facebook com StudioElectronics twitter com SE_BoomStar youtube...

Page 31: ...STUDIO ELECTRONICS SYNTHESIZERS...

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