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8

Track  One

Sockets and switches

Rear Panel

Signal connection

 

Switch off the unit before you begin the process of making the first or any subsequent connec-
tions. Neglecting this can damage either or both your ears and your equipment. 

1/4" TRS/TS sockets

The  INSTR./LINE  IN  socket  only  supports  unbalanced  connections  (1/4"  TS/mono  jack 
connector). All other sockets are support both balanced (1/4" TRS/stereo jack connector) and 
unbalanced connections (1/4" TS/mono jack connector). 

XLR sockets

All XLR sockets are balanced inputs or outputs. Input sockets are always female for plugging 
in male connectors, output sockets are always male for female connectors. All in all a compre-
hensible principle.

Balanced connections

It is impossible to exclude all interferences when an audio signal is transmitted through a 
single wire. Shielding is effective against electric, but not against electromagnetic influences. 
Motors, transformers, and alternating current can always induce interferences. But even if the 
transmission would succeed, differences in ground potentials between driver and receiver 
would produce disturbances.

In balanced connections a reference signal with reversed polarity is transmitted additionally 
to the audio signal through a second wire. The ground signal is routed separately through 
a third wire. Input and output stages are drivers and receivers, and the receiving stage can 
suppress interferences by subtracting the difference between audio and reference signal. 

Unbalanced connections

Unbalanced connections from and to RCA or 1/4" TS sockets can also be made without adap-
tors to the balanced XLR sockets. The correct wiring is important. The diagram shows the pin 
configuration of the XLR sockets and how to correctly connect them for unbalanced connec-
tions: 

Connections to RCA sockets are always unbalanced, a wiring to jack connectors can be both 
balanced (1/4" TRS/stereo jack) or unbalanced (1/4" TS/mono jack). We recommend to use 
individually configured cables from XLR to RCA or jack sockets instead of adaptors. You can 
get cables in any needed configuration from audio dealers. With the diagram above, the dealer 
can ensure to provide the appropriate cable for your application.

Input

Output

balanced

unbalanced

balanced

unbalanced

1=GND
2=hot (+)
3=cold (-)

1

2

3

1

2

3

1

2

3

1

2

3

Summary of Contents for Track One 2960

Page 1: ...Manual Channel Strip Track One Model 2960...

Page 2: ...0 Fax 49 0 2163 983 420 E Mail info spl info Internet www spl info The construction of the Track One Model 2960 is in compliance with the stan dards and regulations of the European Community Notes on...

Page 3: ...ts 11 De Esser EQ ON De Esser control SPL De Esser technology 12 Compressor Limiter COMP ON LIMIT COMPRESSION 13 MAKE UP GAIN SPL compressor technology 14 Equalizer ON LMF LMF MHF 15 MHF Recommendatio...

Page 4: ...ple near a wash basin or bath in a damp cellar near swimming pools or the like In such cases there is an extremely high risk of fatal electrical shocks Insertion of foreign objects or fluids Never all...

Page 5: ...Be sure that any service technician uses original replacement parts or those with identical specifications as the originals Incorrectly substituted parts can lead to fire electrical shock or other da...

Page 6: ...ly in live situations Due to its excellent sound quality the Track One is a highly recommended alternative to built in console pre amps and processing tools All the modules are immediately at hand for...

Page 7: ...right sleeve ground Pin wiring XLR input sockets 1 ground 2 hot 3 cold Pin wiring XLR output sockets 1 ground 2 hot 3 cold PUSH 2 1 3 2 1 3 Pin wiring 1 4 TS socket mono jack tip left sleeve ground Ma...

Page 8: ...tentials between driver and receiver would produce disturbances In balanced connections a reference signal with reversed polarity is transmitted additionally to the audio signal through a second wire...

Page 9: ...shielding of the housing MIC IN You can connect any kind of microphone to the MIC IN socket dynamic condenser tube and ribbon microphones 48 volts phantom power which is required for some microphones...

Page 10: ...P LINK compressor link feature allows to operate two Track One compressors with one control signal to ensure coherent stereo results The MASTER SLAVE switch determines which unit operates as master an...

Page 11: ...ollow these instructions to active and deactivate phantom power also when changing microphones The input stage of the Track One can be damaged if you ignore these procedures 1 Connect the microphone t...

Page 12: ...This method of operation has distinct advantages because it is unobtrusive and helps retain the original tonal quality Compressor typical side effects such as lisping or nasal tones do not occur Final...

Page 13: ...s processing earlier than with hard knee curve see page 20 diagram 1 curve B Hard knee compressors can sometimes gain more loudness but they process abruptly and the danger to ruin a recording with co...

Page 14: ...tomatic setting of the release times is dependent on the input signal too Fast and large level fluctuations are correspondingly processed with shorter time constants than minor fluctuations in order t...

Page 15: ...sically more sensible processing of the frequency spectrum than with constant Q filters if a more thorough setting has been chosen this will lead to far preciser definition of the frequency range to b...

Page 16: ...d with MHF AIR BAND The high frequency filter in the equalizer module is described as the AIR BAND A coil capacitor filter with so called bell characteristics and a center frequency of 17 5 kHz comes...

Page 17: ...overloads occur during recording the quickest remedy is to gradu ally reduce the respective gain control in the preamplifier SIG The SIGNAL LED illuminates when a signal is being received at the prea...

Page 18: ...Copy master recall settings Artist Album Gig Title Engineer Track s Groups Date...

Page 19: ...crophone Input Frequency response 10Hz 200kHz 3dB Maximum input level 8dBu Common mode rejection at 20dBu 1kHz 80 dB 10kHz 68dB THD N Amplification A weighted 20dB 97 5dBu 40dB 91 0dBu 65dB 69 6dBu Dy...

Page 20: ...LMF A C B Diagram 1 compressor curves Line A displays the ratio between input and output Line B shows the curve character istics of the compressor Line C protrays the limiter s curve characteristics...

Page 21: ...21 Track One MHF Air Band Measurements Diagram 4 various cut and boost settings of the Air Band filter Diagram 3 various cut and boost settings of the MHF filter at around 1 8kHz...

Page 22: ...ynchronization The yellow Sync Lock LED illuminates when a valid sync signal is present at the SYNC INPUT and the converter is automatically synchronized to the external sample rate To prevent interfe...

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