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12

M/S Master

Input settings 

MID section

Operation

Control Elements

Input settings

Given that all productions are mixed differently, it is impossible to provide general recommen-
dations regarding settings. By default, settings correspond to a passive M/S encoder without 
applying any processing, i.e. L/R stereo is encoded as M/S stereo and the rest of the M/S 
Master functions have no influence on the sound. This is the best starting point to get to know 
the functions and settings of the unit:

MID/BALANCE: 0 (center position)

MID/INSERT and MUTE: OFF

SIDE/FILTER: 0 (center position)

SIDE/all switches: OFF

SIDE/STEREO WIDTH: 1 (around three o‘clock)

OUTPUT: 0 (around three o‘clock)

VU-switch: all OFF

ACTIVE: ON

At this point, when you switch on or off the M/S Master processing there is no real difference 
in the sound. And this is where the fun begins: the original L/R signal is now M/S encoded and 
can be processed with the integrated as well as with external processors.

Do note that the M/S Master features exclusively high-quality potentiometers (ALPS RK 27 or 
„Big Blue“). But even these potentiometers can exhibit minor imprecisions. Therefore scale 
values can be subject to minor deviations. For a perfect 1:1 comparison with the aforemen-
tioned values you ought to consider minor tolerances and compensate if needed. The M/S 
Master was not conceived to provide a perfect comparison between L/R and M/S encoding. 
Its primary goal is individual processing of audio material, therefore, minor deviations in scale 
values do not have a considerable impact on the overall performance. If you wish to have 
a higher technical precision, you can always use specifically designed measurement equip-
ment (phase correlation meters, etc.). We have taken these factors in consideration during 
development in order to keep a reasonable price/performance ratio.

BALANCE

Use the BALANCE control to place the Mid signal in the stereo panorama. With this control, 
the  Mid  signal  created  from  the  sum  of  L  and  R  can  be  placed  anywhere  along  the  stereo 
panorama. In practice, hard left and hard right are not commonly used: normal settings are 
somewhere /- 1, and up to 3 at the most. Maximal values are meant to serve as a refe-
rence for testing loudspeakers and acoustical conditions in order to hear if both sides sound 
uniformly.

The M/S Master provides two measuring instruments to check Mid balance:

1.  The VU-meters. If one channel is continuously higher while in L/R display mode, some 

adjustment might be needed.

2.  A phase correlation meter (or omnimeter). Adjust the BALANCE control in order for the 

phase correlation meter to show a perfectly balanced central position..  

BALANCE

-10

    -

9  

 -8

     

 -7

    -

    -

   -

4  

   -3

      -

2      -

1        0        1                                2       

 3       

 4     

  5    

    6

         

7      

  8     

  9      1

0

Summary of Contents for M/S Master 1020

Page 1: ...3 2 1 0 1 2 3 4 5 6 7 8 9 1 0 1 0 9 8 7 6 5 4 3 2 1 0 1 2 3 4 5 6 7 8 9 1 0 Model 1020 M S Master LEVEL STEREO WIDTH OUTPUT L E FT 1 6 1 5 1 4 1 3 10 8 5 2 0 2 3 4 dB INSERT MUTE ACTIVE Mid Side M I...

Page 2: ...2163 983 420 E Mail info spl info Internet spl info The construction of the MS Master Model 1020 is in compliance with the stan dards and regulations of the European Community Notes on Environmental...

Page 3: ...9 XLR sockets Balanced connections Unbalanced connections Power connection and fuse 10 Voltage Selector Power switch GND Lift 11 Operation 11 Overview ACTIVE 11 Control Elements 12 Input settings BAL...

Page 4: ...r example near a wash basin or bath in a damp cellar near swimming pools or the like In such cases there is an extremely high risk of fatal electrical shocks Insertion of foreign objects or fluids Nev...

Page 5: ...ing the power cord Replacement substitute parts Be sure that any service technician uses original replacement parts or those with identical specifications as the originals Incorrectly substituted part...

Page 6: ...me differences Due to the advantages and disadvantages that each tech nique provides more often than not they are combined during production to achieve L R play back While there are several stereo tec...

Page 7: ...Master allows you to directly correct the balance in the mid frequency range and improve the depth and transparency of stringed instruments Thanks to the inserts you can also use filters and effects c...

Page 8: ...TRIQUE NE PAS OUVRIR RISK OF ELECTRIC SHOCK D O N O T O P E N C A U T I O N For unbalanced operation connect Pin 3 to GND Pin 1 SERIAL No VOLTAGE FUSE GND LIFT GND LIFT GND 0 I Make sure that the volt...

Page 9: ...signal flow also refer to the next chapter MID INSERT SIDE INSERT MID INSERT SIDE INSERT Both MID and SIDE channels have insert points that enable you to integrate external proces sors in each channe...

Page 10: ...dio and reference signal Unbalanced connections Unbalanced connections from and to RCA or 1 4 TS sockets can be made without adaptors to the balanced XLR sockets The correct wiring is important The di...

Page 11: ...adjust the balance of Mid signals in the stereo panorama and their level 2 In the SIDE section you define the stereo width and apply filters as well as other func tions to the signal 3 In the OUTPUT...

Page 12: ...ou ought to consider minor tolerances and compensate if needed The M S Master was not conceived to provide a perfect comparison between L R and M S encoding Its primary goal is individual processing o...

Page 13: ...d always ponder if it is more appropriate to decrease one or increase the other For example to expand the stereo image without losing mono compatibility the most convenient would be to increase the ST...

Page 14: ...ans that the filter processes all frequencies below 2 2 kHz FILTER OFF Use this push button to disengage the filter By disengaging the filter the processing is done solely on the Side signal encoded d...

Page 15: ...right 2 the stereo image is 200 wider As you turn the control to the left the Side signal is made smaller When set hard left the Side signal is muted Adjustment of the STEREO WIDTH should always be m...

Page 16: ...refore provides information on the overall loudness or energy of the signal PPM mode PPM Peak Program Meter indicates peak levels similar to AD converter meters where it is important to control peak l...

Page 17: ...a normal meter ACTIVE Use the ACTIVE push button to switch on or off the processing electronics of the M S Master When switched off input signals are forwarded directly to the outputs The ACTIVE push...

Page 18: ...ents of finished mixes making it easier to increase overall loudness while preserving the dynamic range Let s take for example a pop song that sounds fairly balanced even though the vocals are a bit t...

Page 19: ...ents become more precise and distinguishable Selective EQ can give the Side signal more air making cymbals and harmonic instruments sound more present without adding too much sharpness to vocals Incre...

Page 20: ...put level and unity gain Total harmonic distortion noise 0 007 1 kHz 0 dBu input level and unity gain Signal to noise ratio A weighted 82 dB Dynamik range unweighted 102 dB Power supply Toroidal trans...

Page 21: ...5 4 3 2 1 0 1 2 3 4 5 6 7 8 9 1 0 1 0 9 8 7 6 5 4 3 2 1 0 1 2 3 4 5 6 7 8 9 1 0 Model 1020 M S Master L E V E L S T E R E O W I D T H O U T P U T LE F T 1 6 15 14 13 1 0 8 5 2 0 2 3 4 dB INSERT MUTE A...

Page 22: ...Manual M S Master Model 1020...

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