SPL M/S Master 1020 Manual Download Page 15

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M/S Master

SIDE section

Control Elements

SIDE:

INSERT

Use the INSERT switch to activate the insert point for the Side channel. You can connect any
mono processor, or a single channel of a stereo unit, to the insert jacks on the rear panel.
As soon as you engage the INSERT switch, the connected units are integrated into the M/S
Master processing path. To use the processors independently of the M/S Master, as well as
for mono or L/R processing, disengage the ACTIVE switch of the M/S Master.

Refer to the information on „Input and Output Electronics“ and „MID INSERT, SIDE INSERT“ on
page 9 and „ACTIVE“ on page 11.

For more information on how to use external processors go to „Working with External
Processors“ on page 18.

SIDE:

MUTE

The MUTE push button mutes the Side signal. There is another MUTE button for the MID
section. When you isolate either channel from the other, you can actually concentrate better
and gain a more focused perspective on the audio material of that particular channel. The
relation between the mixed elements is easier to distinguish and, at the same time, overpro-
cessing becomes much more evident. Focused processing is also made easier and the control
over previous work becomes very revealing.

STEREO WIDTH

Use the STEREO WIDTH control to adjust the Side signal level in relation to the Mid signal.
When set to 1 (around two o‘clock) there is no difference, i.e. the signal is played back 1:1.
As you turn the control to the right, the Side signal is made bigger. When set hard right (2)
the stereo image is 200% wider. As you turn the control to the left, the Side signal is made
smaller. When set hard left, the Side signal is muted.

Adjustment of the STEREO WIDTH should always be made taking into account the settings
of the „+/-“ filter and the LEVEL control in the MID section. Understanding the interdepen-
dence of these controls is essential when working with them. Thus, you should always ponder
if it is more appropriate to decrease one or increase the other. For example: to expand the
stereo image without losing mono compatibility, the most convenient would be to increase
the STEREO WIDTH to positive values. On the contrary, if you were to decrease the LEVEL of
the (Mono) Mid signal without changing the STEREO WIDTH value, mono compatibility would
also be affected.

The interaction with the „+/-“ filter is quite simple and it could almost be described as a
coarse/fine adjustment: if you have already set the stereo image, you can use the „+/-“ filter
to focus on the details. Please refer to „+/- FILTER“ on page XXX for more important informa-
tion.

Typical applications where the use of STEREO WIDTH comes in handy are recordings with too
little room ambience (in studios, for example) or too much room ambience (in places with a
reverb time of more than five seconds, like churches). M/S encoding is rather useful to solve
problems that are very difficult or even impossible to work through in L/R format: speech
transmission during events can be easily isolated to improve intelligibility, regardless of the
unfavorable acoustics of a room, hall or stadium.

Side

INSERT

FLOAT

OFF

LOW

RANGE

FILTER

OFF

MUTE

Side

INSERT

FLOAT