background image

2

Control

17

Control Elements

 

The  high-grade  potentiometer  regulates  the  audio  signal  directly  to 
avoid any coloration/distortion typical of VCAs, DCAs, etc., which re-
quire higher inter-channel tolerances and tend toward higher distortion 
figures. Moreover, this potentiometer possesses an optimal rotational 
torque and “feel” for precise hand control.

Calibration of the Monitoring System

Both the signal level which is send to the 

2

Control as well as the input 

sensitivity of the power amps or active speakers should be matched to 
ensure a proper overall gain. An inappropriate adjustment might occur 
when, for example, a fairly small volume level setting at the 

2

Control 

might already result in an extremely high playback level.

Important:  You  can  encounter  very  loud  signals  during  calibration, 
so be sure to keep your ear protection on.

 For calibration we recom-

mend measurement with a SPL Meter (in this case, SPL means “Sound 
Pressure Level“). Place the measuring microphone on the listening po-
sition run pink noise from a generator calibrated to 0 dBu.

Each  measurement  should  be  done  through  one  channel  and  loud-
speaker at a time. A recommendable calibration is the playback of a 
83 dB SPL reference signal at the playback location—a common refer-
ence volume level. The DAW output level should be adjusted to 0 dB, and 
next, the power amp‘s or active speaker‘s input level should also be set 
to 0 dB. Now the 

2

Control level control is adjusted until the SPL Meter 

measures 83 dB with the pink noise playback. For a perfectly matched 
gaining the VOLUME control would now be set above a 12 o’clock scale 
position. At this point one can record or note the exact value for 83 dB. 
Should this 83 dB SPL occur markedly above a 60-80% scale position, 
one should lower the power amp’s/active speaker’s input sensitivity. 
On the other hand, the power amp’s/active speaker’s input sensitivity 
should be raised if the 83 dB SPL point is reached far before the 60% 
control level. In cases where regulating power amp/active speaker in-
puts is not enough, one may achieve optimal values by changing the  
D/A converter output level (for example from +4 dBu to 0 dBu or -10 dBV 
in cases where this switch option may exist). In any case, the convert-
ers should always be driven at full scale from the DAW.

Please also note that you can adjust sensitivity of IN 2 for other sources 
(refer to „Input Sensitivity IN2“ on page 13).

Summary of Contents for 2Control 2860

Page 1: ...ontroller 2860 Control ON VOLUME 1 2 POWER 8 0 4 7 3 6 3 0 2 5 2 2 1 9 1 6 12 10 8 6 4 5 3 1 0 1 3 4 5 5 5 6 5 7 CROSSFEED 0 1 2 3 4 5 6 7 8 9 1 0 VOLUME VOLUME IN 1 IN 2 MONO DIM SP 1 SP 2 SP 3 Made...

Page 2: ...ectronics GmbH Type of Equipment Audio Signal Processor Product 2Control Model 2860 Test Basis EN50081 1 1992 EN50082 1 1992 EN60065 1993 EN61000 3 3 1995 EN60065 2002 EN55013 2001 EN55020 2002 EN6100...

Page 3: ...1 Wiring 11 Rear Panel Switches Connections 12 Voltage Selector 12 Power Connection Power Switch GND Lift Switch Input Sensitivity IN 2 13 XLR Sockets Unbalanced Connections e g RCA 14 Front Panel Con...

Page 4: ...E YOU AWARE OF IMPORTANT OPERATIONAL ADVICE AND OR WARNINGS THAT MUST BE FOLLOWED BE ESPECIALLY ATTENTIVE TO THESE AND ALWAYS FOLLOW THE ADVICE THEY GIVE The symbol of a lamp directs your attention to...

Page 5: ...s electrical shock Electrical power Run this machine ONLY from sources which can provide proper power at the prescribed rating When in doubt about a source contact your dealer or a professional electr...

Page 6: ...sign of hav ing been damaged This also applies to any situation in which the unit has not been subjected to any of these unusual circumstances but still is not functioning normally or its performance...

Page 7: ...ainst HF interference Nonetheless you should carefully consider where you place the unit to avoid electrical disturbances It should be positioned so that you can easily reach it but there are other co...

Page 8: ...ol s active designs do not influence impedances when levels change Altering impedances would again have effects on the frequency response so the 2Control s active design guarantees linearity Often the...

Page 9: ...ics Speakers or headphones The 2Control encompasses advantages of both kinds of monitoring methods On one hand the analytical headphone monitoring is like working with an acoustic magnifier but withou...

Page 10: ...der control and can rely on first class quality Extend the range of headphone applications At home nocturnal engineers now have an alternative to full range monitors for judging stereo imaging in thei...

Page 11: ...GERMANY AVIS RISQUE DE CHOC LECTRIQUE NE PAS OUVRIR WARNING DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE THIS EQUIPMENT MUST BE EARTHED RISK OF ELECTRIC SHOCK D O N O T O P E N C AUTION L R R L L R SP...

Page 12: ...1 GND Pin 2 hot Pin 3 cold Connect Pin 3 to GND for unbal operation SP 3 Full Range Mono Output To Sub or Mono Speaker L R R IN 2 IN 2 L 4 dBu 10 dBV 230 SP 3 VOLTAGE FUSE Electrical Power Power Swit...

Page 13: ...ground from the unit s housing ground Hum can for example result when this unit s housing has a common ground connection with other machines that might have a different ground potential Input Sensitiv...

Page 14: ...ablish unbalanced connections easily and without adaptors for example from CD Players with RCA outputs or to HiFi power am plifiers with RCA inputs It is important to pay attention to the correct pola...

Page 15: ...volume setting of a first headphone at a much higher even painful level Warning NEVER plug in a mono 1 4 jack TS to the headphone output The use of a mono 1 4 will lead to a short circuit that will de...

Page 16: ...dB Normally you employ this function when mixing to choose between two defined volumes to avoid having to move the VOLUME control Volume Control Speakers The VOLUME level control allows you to increas...

Page 17: ...ugh one channel and loud speaker at a time A recommendable calibration is the playback of a 83dB SPL reference signal at the playback location a common refer encevolumelevel TheDAWoutputlevelshouldbea...

Page 18: ...coherent conditions in speaker and headphone monitoring The circuitry for the CROSSFEED control is derived from the reference headphone amplifier Phonitor In the Phonitor the loudspeaker imag ing sim...

Page 19: ...olerances at the start of the control range but it also would reduce the overall am plification which may be needed when listening to low level signals in a mix Use the control range above scale posit...

Page 20: ...uency range 10Hz to 100kHz 3dB CMRR 60dB 1kHz 0dBu input level unity gain THD N 0 002 1kHz 0dBu input level unity gain Signal to noise ratio 96dB Headphones 85dB A weighted Crosstalk L R 70dB 1kHz Dyn...

Page 21: ...2Control 21 Block Diagram...

Page 22: ...O L U M E 1 2 P O W E R 8 0 4 7 3 6 3 0 2 5 2 2 1 9 1 6 1 2 1 0 8 6 4 5 3 1 0 1 3 4 5 5 5 6 5 7 C R O S S F E E D 0 1 2 3 4 5 6 7 8 9 1 0 V O L U M E V O L U M E IN 1 IN 2 MONO DIM SP 1 SP 2 SP 3 Made...

Page 23: ...through their distribu tor or dealer In such cases please contact your dealer for full guaran tee conditions and service Direct SPL product support requires product registration Please fill out the g...

Page 24: ...Model 2860 Manual 2Control spl info...

Reviews: