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18

2

Control

Crossfeed

The CROSSFEED control interacts with a complex analog circuitry that 
– simply put – serves to simulate the listening experience from loud-
speakers on headphones. The ON switch below the control activates 
and deactivates the circuitry. CROSSFEED regulation is always applied 
to both headphone outputs simultaneously and is present at the head-
phone outputs only (no effect on the speaker outputs). 

Adjustments can be made between a minimum and maximum value. 
The more you turn the control to the right, the more of the headphone’s 
super stereo width is reduced – in a maximum setting almost up to a 
mono signal impression.

Adjusting  CROSSFEED  is  an  individual  process.  Depending  on  head-
phones,  music,  individual  preferences  etc.,  your  CROSSFEED  adjust-
ment simply should achieve the most significant advantage in monitor-
ing your stereo mixes. We recommend comparing  CROSSFEED settings 
to your own speaker monitors in order to get a familiar imaging – this 
ensures coherent conditions in speaker and headphone monitoring. 

The circuitry for the CROSSFEED control is derived from the reference 
headphone amplifier 

Phonitor

. In the 

Phonitor

, the loudspeaker imag-

ing simulation is realized with three controls: Crossfeed, Speaker Angle 
and Center Level. The 

Phonitor

 Crossfeed control allows to adjust the 

frequency-dependent crossfeed simulation of both channels by adjust-
ments of interaural 

level difference

. The Speaker Angle switch provides 

for frequency-dependent simulation of your stereo image width by ad-
justments of interaural 

time difference

. Finally, with Center Level you 

can adjust the intensity of center signals – the relation between center 
and side signals changes when the super stereo width is transferred to 
a stereo image that is equivalent to loudspeakers. 

For the 

2

Control the parameters “Speaker Angle” and “Center Level” 

are adjusted to a simulated speaker angle positioning of 30 degrees 
(the standard speaker angle) at the respective CROSSFEED settings.* 

*  also  refer  to  Dipl.-Ing.  Eberhard  Sengpiel,  http://www.sengpielaudio.com/
LaufzeitdifferenzenBeimNatuerlichenHoeren.pdf.

Control Elements

ON

CRO

SSFEED

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Summary of Contents for 2Control 2860

Page 1: ...ontroller 2860 Control ON VOLUME 1 2 POWER 8 0 4 7 3 6 3 0 2 5 2 2 1 9 1 6 12 10 8 6 4 5 3 1 0 1 3 4 5 5 5 6 5 7 CROSSFEED 0 1 2 3 4 5 6 7 8 9 1 0 VOLUME VOLUME IN 1 IN 2 MONO DIM SP 1 SP 2 SP 3 Made...

Page 2: ...ectronics GmbH Type of Equipment Audio Signal Processor Product 2Control Model 2860 Test Basis EN50081 1 1992 EN50082 1 1992 EN60065 1993 EN61000 3 3 1995 EN60065 2002 EN55013 2001 EN55020 2002 EN6100...

Page 3: ...1 Wiring 11 Rear Panel Switches Connections 12 Voltage Selector 12 Power Connection Power Switch GND Lift Switch Input Sensitivity IN 2 13 XLR Sockets Unbalanced Connections e g RCA 14 Front Panel Con...

Page 4: ...E YOU AWARE OF IMPORTANT OPERATIONAL ADVICE AND OR WARNINGS THAT MUST BE FOLLOWED BE ESPECIALLY ATTENTIVE TO THESE AND ALWAYS FOLLOW THE ADVICE THEY GIVE The symbol of a lamp directs your attention to...

Page 5: ...s electrical shock Electrical power Run this machine ONLY from sources which can provide proper power at the prescribed rating When in doubt about a source contact your dealer or a professional electr...

Page 6: ...sign of hav ing been damaged This also applies to any situation in which the unit has not been subjected to any of these unusual circumstances but still is not functioning normally or its performance...

Page 7: ...ainst HF interference Nonetheless you should carefully consider where you place the unit to avoid electrical disturbances It should be positioned so that you can easily reach it but there are other co...

Page 8: ...ol s active designs do not influence impedances when levels change Altering impedances would again have effects on the frequency response so the 2Control s active design guarantees linearity Often the...

Page 9: ...ics Speakers or headphones The 2Control encompasses advantages of both kinds of monitoring methods On one hand the analytical headphone monitoring is like working with an acoustic magnifier but withou...

Page 10: ...der control and can rely on first class quality Extend the range of headphone applications At home nocturnal engineers now have an alternative to full range monitors for judging stereo imaging in thei...

Page 11: ...GERMANY AVIS RISQUE DE CHOC LECTRIQUE NE PAS OUVRIR WARNING DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE THIS EQUIPMENT MUST BE EARTHED RISK OF ELECTRIC SHOCK D O N O T O P E N C AUTION L R R L L R SP...

Page 12: ...1 GND Pin 2 hot Pin 3 cold Connect Pin 3 to GND for unbal operation SP 3 Full Range Mono Output To Sub or Mono Speaker L R R IN 2 IN 2 L 4 dBu 10 dBV 230 SP 3 VOLTAGE FUSE Electrical Power Power Swit...

Page 13: ...ground from the unit s housing ground Hum can for example result when this unit s housing has a common ground connection with other machines that might have a different ground potential Input Sensitiv...

Page 14: ...ablish unbalanced connections easily and without adaptors for example from CD Players with RCA outputs or to HiFi power am plifiers with RCA inputs It is important to pay attention to the correct pola...

Page 15: ...volume setting of a first headphone at a much higher even painful level Warning NEVER plug in a mono 1 4 jack TS to the headphone output The use of a mono 1 4 will lead to a short circuit that will de...

Page 16: ...dB Normally you employ this function when mixing to choose between two defined volumes to avoid having to move the VOLUME control Volume Control Speakers The VOLUME level control allows you to increas...

Page 17: ...ugh one channel and loud speaker at a time A recommendable calibration is the playback of a 83dB SPL reference signal at the playback location a common refer encevolumelevel TheDAWoutputlevelshouldbea...

Page 18: ...coherent conditions in speaker and headphone monitoring The circuitry for the CROSSFEED control is derived from the reference headphone amplifier Phonitor In the Phonitor the loudspeaker imag ing sim...

Page 19: ...olerances at the start of the control range but it also would reduce the overall am plification which may be needed when listening to low level signals in a mix Use the control range above scale posit...

Page 20: ...uency range 10Hz to 100kHz 3dB CMRR 60dB 1kHz 0dBu input level unity gain THD N 0 002 1kHz 0dBu input level unity gain Signal to noise ratio 96dB Headphones 85dB A weighted Crosstalk L R 70dB 1kHz Dyn...

Page 21: ...2Control 21 Block Diagram...

Page 22: ...O L U M E 1 2 P O W E R 8 0 4 7 3 6 3 0 2 5 2 2 1 9 1 6 1 2 1 0 8 6 4 5 3 1 0 1 3 4 5 5 5 6 5 7 C R O S S F E E D 0 1 2 3 4 5 6 7 8 9 1 0 V O L U M E V O L U M E IN 1 IN 2 MONO DIM SP 1 SP 2 SP 3 Made...

Page 23: ...through their distribu tor or dealer In such cases please contact your dealer for full guaran tee conditions and service Direct SPL product support requires product registration Please fill out the g...

Page 24: ...Model 2860 Manual 2Control spl info...

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