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Page 8

Setting Up & Troubleshooting

Initial Set Up

Once you have connected up your system (see the

sections on connection and wiring earlier in this manual

for guidance) you are ready to set initial positions for

the controls on your mixer.  

The front panel drawing on page 17 shows typical

initial control positions which may serve as a

useful guide to setting up the mixer for the first

time.

Set up individual input channel as follows:

l

Connect your sources (microphone, keyboard

etc.) to the required inputs.  Note:  Phantom

powered mics should be connected before the

48V is switched on.
The input provides very wide gain range without

the need for a pad.  When using LINE level

sources, set the INPUT SENS control fully

anticlockwise as a preliminary position.

l

Set Monitor faders at 0, input faders at 0, and set

power amplifier levels to suit the application.

Make sure that the EQ switches are released to

bypass the EQ sections.

l

Provide a typical performance level signal and

press the PFL button on the first channel,

monitoring the level on the L/R bargraph meters.

l

Adjust the input sensitivity until the meter display

is in the amber section, with occasional peaks to

the first red LED at a typical maximum source

level.   This allows sufficient headroom to

accommodate peaks and establishes the

maximum level for normal operation (but see

note below).

l

Feed the signal to selected monitor outputs by

setting the appropriate monitor sends to an initial

working level (approx. position 7 on the send

knob).  Listen to the signal by feeding the

selected monitor signal to the engineer’s wedge

by turning up the MNTR control on the

appropriate outputs, checking that the wedge

source is selected to MNTR.

l

Repeat this procedure on other channels as

required.  As more channels are added to the

mix, the meters may move into the red section.

Adjust the overall level using the Monitor Output

faders if necessary.

l

Listen carefully for the characteristic sound of

`feedback’.  If you cannot achieve satisfactory

input level setting without feedback, check

microphone and speaker placement and repeat

the exercise.  If feedback persists, it may be

necessary to use a Graphic Equaliser to reduce

the system response at particular resonant

frequencies.

Note:  The initial settings should only be regarded as a

starting point for your mix.  It is important to remember

that many factors affect the sound during a live

performance, for instance the channel EQ settings or even

the size of the audience!

Each monitor mix can now be built up progressively,

listening carefully for each component in the mix and

watching the meters for any hint of overload.  If this

occurs, back off the appropriate Input Fader slightly

until the level is out of the red segments, or adjust the

Monitor Faders.

Troubleshooting

No Power

l

Is the mains supply present?  Check the mains

outlet with another device.

l

Is the power lead firmly connected?

Condenser Mic Not Working

l

Is the 48V turned on?

l

Is there an unbalanced device connected to the

SPLIT OUT connector?

l

Is the mic cable a balanced 3-wire type?

Meters not showing any signal

l

Has the input gain been set correctly (see

above)?

l

Are the Monitor faders set at a working level.,

and are input faders set high enough?

l

Is the MUTE switch released on the relevant

channels?

l

If monitoring on the wedge outputs, is the

appropriate Monitor output feeding the wedges

(MNTR control set to working level), and the

wedge source selected to MNTR?

l

Is there a PFL/AFL pressed on another channel?

No Monitor output, or output low level

l

Is the MUTE switch released?

l

Is a Graphic EQ or other external device

connected to the graphic Insert, and is this

device switched on and set up correctly?

l

Are the local or Master DIM or T/B switches

released?

Headphones Distorting

l

Are the headphones less than 200

W

impedance?

l

Is the Phones level set too high?

RB3831

SPIRIT MO

SPIRIT B

REV

JMP1

SPLIT  OUTPUT

PIN 1 GROUNDING
LINK  -  GROUNDED

NO LINK  -  GROUND LIFT

Hum on outputs when SPLIT OUT sockets are used

l

Check for ground loops, and try isolating the

SPLIT OUT ground connection by removing the

internal jumper which is normally fitted (see

below).

Summary of Contents for SPIRIT Monitor2

Page 1: ...Featuring...

Page 2: ...is coloured Blue must be connected to the terminal in the plug which is marked with the letter N l The wire which is coloured Brown must be connected to the terminal in the plug which is marked with...

Page 3: ...Page 3 INPUTS 24 Connecting Up...

Page 4: ...leshooting on page 8 to learn how to set SENS correctly Page 4 1 2 3 4 5 7 6 8 100Hz HI PASS FILTER Pressing this switch activates a steep 18dB per octave filter which reduces the level of bass freque...

Page 5: ...LED illuminates to show that the switch is pressed FADER The FADER provides overall level control of any Monitor Sends which are selected as post fade You get most control when the input Sensitivity i...

Page 6: ...0 and 11 12 the signal will be fed in stereo Note that FX Return 1 may be globally switched from the Master section to be the House Mic signal if required FOH Facility A sub grouping facility is inclu...

Page 7: ...differences in operating levels Note that the position of this control does not affect the level to the meters HOUSE MICS Two balanced XLR inputs are provided for House Mics and the HOUSE SENS control...

Page 8: ...cannot achieve satisfactory input level setting without feedback check microphone and speaker placement and repeat the exercise If feedback persists it may be necessary to use a Graphic Equaliser to r...

Page 9: ...Page 9 BAND INSTRUMENTS VOCALS Live Monitor with Effects APPLICATIONS...

Page 10: ...BAND INSTRUMENTS VOCALS Page 10 Live Monitor with In Ear Monitoring...

Page 11: ...Page 11 Theatre...

Page 12: ...Page 12 FOH Console...

Page 13: ...Page 13 FOH Console with Subgrouping...

Page 14: ...SIG 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 GRAPHIC EQ INSERT GRAPHIC EQ INSERT GRAPHIC EQ INSERT WEDGE SOURCE SELECT 11 ONLY WEDGE SOURCE SELECT 12 ONLY TO TO TO FROM FROM FROM INSERT EQ 100Hz HIGH PASS OFF 16...

Page 15: ...Balanced Unbalanced Insert Leads Y Leads Unbalanced Lamp Connections Y Leads Balanced Headphone Splitter Page 15 Connecting Leads...

Page 16: ...Control Position Sheet You may freely copy this page to mark control positions to assist in resetting the desk between performances...

Page 17: ...Page 17 INPUTS MONITOR 2 CONSOLE Typical Starting Out Control Positions...

Page 18: ...um gain via output Hi pass filter off 15Hz to 45kHz 3dB 25Hz to 25kHz 1dB Typical Input and Output levels Maximum output 22dBu Maximum signal into mic input 28dBu Maximum signal into FX return insert...

Page 19: ...A Harman International Company Part No ZM0192...

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