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Page 7

MASTER SECTION

WEDGE SOURCE

The Engineer’s Wedge outputs are normally fed from a mix of the MNTR

feeds from outputs 1-12.  The pre-fade wedge signal feeds the headphones

and meters and the post-fade signal feeds the XLR outputs.

Pressing the WEDGE SOURCE switch selects monitor outputs 11-12 as the

source for the wedge outputs, and would be used to monitor those outputs

when the mixer is used as a FOH console with outputs 1-10 submixing to

11-12.

When any PFL or SOLO switch is pressed the source for the Wedges is

switched to the PFL/SOLO signal without interrupting the other outputs

from the mixer, to allow individual signals to be monitored.  The original

wedge source is restored when the PFL/SOLO switches are released.

BARGRAPH METERS

3-colour peak reading BARGRAPH METERS are provided to monitor the

wedge outputs, giving you a constant warning of excessive peaks in the

signal which might cause overloading.  Aim to keep the signal within the

amber segments at peak levels for best performance.  Similarly, if the output

level is too low and hardly registering at all on the meters, the level of

background noise may become significant.  Take care to set up the input

levels for best performance.

The source for the meter is selected by the WEDGE SOURCE switch (see

above).

FADER

The 100mm fader controls the overall level of the wedges output.  The ‘0’

mark gives unity gain from the fader, leaving 5dB in hand.

PHONES

This control sets the level to the PHONES jack.  The source for the Phones

is selected by the WEDGE SOURCE switch.

When any PFL or SOLO switch is pressed the source for the Headphones

is switched to the PFL/SOLO signal without interrupting the other outputs

from the mixer, to allow individual signals to be monitored.  The original

phones source is restored when the PFL/SOLO switches are released.

SOLO/PFL TRIM

The TRIM control pr/-15dB level adjustment of the SOLO/PFL

signal to allow for differences in operating levels.  Note that the position of

this control does not affect the level to the meters.

HOUSE MICS

Two balanced XLR inputs are provided for House Mics, and the HOUSE

SENS control sets the input level.  

Pr48V switches on the powering voltage for condenser

microphones if required.

ONLY connect condenser microphones with the 48V

powering OFF (switch UP), and ONLY turn the 48V

powering on or off with all output faders DOWN, to

prevent damage to the mixer or external devices.

4

1

5

6

2

7

8

9

10

3

FX RETURNS

Two balanced Stereo Returns are included for the outputs of effects units

and are made available for mixing directly to the Monitor outputs at a level

set by the FX1 RET or FX2 RET controls.  If a mono source is used, plugging

into the Left jack only automatically feeds the signal to both Left and Right.

Pressing the HOUSE switch replaces the FX Return 1 signal with the House

Mics signal (at a level set by the HOUSE SENS control), to allow the House

Mics signal to be fed to any of the monitor outputs.  Note that the House

Mics signal can be injected directly into outputs 9/10 and 11/12 without

using this facility.

T/B SENS

A balanced XLR input is provided for a local talkback microphone, and this

controls sets the level that this mic signal is fed to the selected monitor

outputs.

MASTER T/B

Pressing this switch routes the Talkback signal to ALL monitor outputs and

simultaneously dims the monitor signals to allow the engineer’s voice to be

heard over the mix.  The Talkback level is set by the T/B SENS control.

Talkback is disabled when the Master DIM switch is pressed.

MASTER DIM

Pressing the DIM switch attenuates ALL monitor outputs and the wedges

output by 6dB as an immediate way of eliminating feedback while the

source of the problem is identified.  The previous level is restored when the

switch is released.

LAMP CONNECTOR (not illustrated)

Two 4-pin XLR-type connectors are fitted at either end of the console for

the mounting of 12V gooseneck lamps (Littlite or similar).

The connector pinout is as follows:

Pin 1 -

12V AC (1)

Pin 2 -

No connection

Pin 3 -

12V AC (1)

Pin 4 -

12V AC (2)

Summary of Contents for SPIRIT Monitor2

Page 1: ...Featuring...

Page 2: ...is coloured Blue must be connected to the terminal in the plug which is marked with the letter N l The wire which is coloured Brown must be connected to the terminal in the plug which is marked with...

Page 3: ...Page 3 INPUTS 24 Connecting Up...

Page 4: ...leshooting on page 8 to learn how to set SENS correctly Page 4 1 2 3 4 5 7 6 8 100Hz HI PASS FILTER Pressing this switch activates a steep 18dB per octave filter which reduces the level of bass freque...

Page 5: ...LED illuminates to show that the switch is pressed FADER The FADER provides overall level control of any Monitor Sends which are selected as post fade You get most control when the input Sensitivity i...

Page 6: ...0 and 11 12 the signal will be fed in stereo Note that FX Return 1 may be globally switched from the Master section to be the House Mic signal if required FOH Facility A sub grouping facility is inclu...

Page 7: ...differences in operating levels Note that the position of this control does not affect the level to the meters HOUSE MICS Two balanced XLR inputs are provided for House Mics and the HOUSE SENS control...

Page 8: ...cannot achieve satisfactory input level setting without feedback check microphone and speaker placement and repeat the exercise If feedback persists it may be necessary to use a Graphic Equaliser to r...

Page 9: ...Page 9 BAND INSTRUMENTS VOCALS Live Monitor with Effects APPLICATIONS...

Page 10: ...BAND INSTRUMENTS VOCALS Page 10 Live Monitor with In Ear Monitoring...

Page 11: ...Page 11 Theatre...

Page 12: ...Page 12 FOH Console...

Page 13: ...Page 13 FOH Console with Subgrouping...

Page 14: ...SIG 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 GRAPHIC EQ INSERT GRAPHIC EQ INSERT GRAPHIC EQ INSERT WEDGE SOURCE SELECT 11 ONLY WEDGE SOURCE SELECT 12 ONLY TO TO TO FROM FROM FROM INSERT EQ 100Hz HIGH PASS OFF 16...

Page 15: ...Balanced Unbalanced Insert Leads Y Leads Unbalanced Lamp Connections Y Leads Balanced Headphone Splitter Page 15 Connecting Leads...

Page 16: ...Control Position Sheet You may freely copy this page to mark control positions to assist in resetting the desk between performances...

Page 17: ...Page 17 INPUTS MONITOR 2 CONSOLE Typical Starting Out Control Positions...

Page 18: ...um gain via output Hi pass filter off 15Hz to 45kHz 3dB 25Hz to 25kHz 1dB Typical Input and Output levels Maximum output 22dBu Maximum signal into mic input 28dBu Maximum signal into FX return insert...

Page 19: ...A Harman International Company Part No ZM0192...

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