11
12
STE
9
STE
10
L
R
L
IX
INS
R
L
TAPE
RETN
R
IX
AUX
AUX
2
1
L
M
R
PHNS
NTR
MNTR
M
M
7
Press this switch to make all of the AUX 1 Sends on the channel strips PRE-FADE.
This means that they will all be unaffected by the position of the channel faders,
making them ideal for FOLDBACK or MONITORING.
When the switch is released the AUX 1 Sends are all POST-FADE, and will fade up
and down with the channel faders.
Just like the PFL switches on the channels, you can monitor the AUX 1 output by pressing the AFL
switch. This routes the AUX 1 output signal to the MONITOR or PHONES, replacing any existing
signal.
The RIGHT METER also switches to display this signal and the PFL/AFL LED lights to warn that a PFL or
AFL switch is pressed. When you let go of the switch the Monitor swaps back to the previous source.
This works just the same as AUX 1 AFL.
➭
See page 14
➭
See page 14
The three colour, peak-reading BARGRAPH METERS
normally show the level of the MIX RIGHT and MIX
LEFT outputs, to give you a constant warning of
excessive peaks in the signal which might cause
overloading.
With the Master Faders at about `0', aim to keep the
signal just touching the amber segments with a steady
signal, or up to +6/+9 if there are heavy transients
such as drum beats. If you cannot achieve a
reasonable level, check the set-up of the inputs.
➭
See page 14
Many professional condenser mics need
PHANTOM POWER, which is a method of sending
a powering voltage down the same wires as the
mic signal. Press the switch to enable the power to
all of the MIC inputs.
DO NOT connect unbalanced mics to the mono
inputs with the phantom power switched on. They
may be damaged by the phantom power voltage
on the XLR connectors.
➭
See page 14
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